架构师提供的文本描述。Anish Kapoor爵士的工作室在伦敦南部的一条街道上已经存在了20年。自2010年以来，艺术家与CFA合作，将一系列工业建筑改造成新的灵活的工作室空间，利用各种材料和工艺进行艺术创作。

Text description provided by the architects. Sir Anish Kapoor’s studio has been present on a South London street for 20 years. Since 2010 the artist with CFA have collaborated on the transformation of a series of industrial buildings into new flexible studio spaces for making art using a variety of materials and processes.

 © Jim Stephenson

吉姆·斯蒂芬森

该项目包括六个单独的空间，逐步转换，以允许艺术家在建设期间继续使用该网站。该项目为艺术制作总共创造了3100 msq。

The project consists of six separate spaces incrementally transformed to allow the continuous use of the site by the artist during the period of the build. The project creates a total of 3,100msq for art making. 

该项目简介贯穿整个项目期间，直至2015年年底完成。不同的空间有不同的氛围，从近画廊规格到健壮的工作室工作空间。预转换空间的历史被保留下来，考古表面没有经过处理，艺术家在那里画或画了早期作品的马奎特(Maquettes)。

The project brief developed through the period of the project to its completion in late 2015. Individual spaces have differing atmospheres from near gallery specifications to robust studio workspaces. The history of the pre transformed spaces was retained with the archaeological surfaces left untreated where the artist had drawn or sketched maquettes of early work. 

这个项目为雕塑家Anish Kapoor爵士把一座多余的日记建筑改造成了新的艺术创作空间。

This project transformed a redundant diary building into new spaces for art making for the sculptor Sir Anish Kapoor. 

新建筑由900毫微克的建筑面积组成，面积分布在两层，内部有三种不同的类型。一个9米高的北边照明底层的体积，由移除一楼的一个重要的面积，一个较高的绘画工作室与一层4米高的体积，保留了原来的织物和材料。

The new building comprises of 900msq of floor area spread over two floors with three distinct types of interior. A 9 m high north lit ground floor volume created by removing a significant area of the first floor A upper level painting studio together with a ground floor 4meter high volume that retained the fabric and material of the original. 

建筑干预提供了一个不受外界干扰的内部世界，并在街道上保持着独立的存在。

The architectural interventions provided an internal world free from external distraction and maintaining a discrete presence on the street. 

这座多余的日记建筑的砖块拼贴，通过砖块的纹理和颜色，反映了该遗址的历史。

The collage of brickwork of the redundant diary building reflected the history of the site through brick textures and colours. 

 © Jim Stephenson

吉姆·斯蒂芬森

CFA编辑的开口，使新的漫射玻璃窗在保留的开口和在填充其他低等级砖保持不和谐的表面之前的干预措施。

CFA edited openings making new diffuse glazed windows within retained openings and in filling others with low grade brickwork maintaining the discordant surface of previous interventions. 

 © Ben Blossom

本花

Architects Caseyfierro Architects

Location London, United Kingdom

Category Adaptive Reuse

Team Michael Casey, Victoria Fierro, Sam Mc Dermott, Ana Durao

Area 850.0 sqm

Project Year 2011

Photographs Ben Blossom, Jim Stephenson, CFA