架构师提供的文本描述。这个离市中心十分钟车程的树林里的住宅，有它自己的性质。农村地块能在多大程度上为城市使用者重新定义永久住宅？设计理念涉及到在开放环境中寻找栖身之所等问题。然而，对简要说明的后期修正，例如对阅读和工作共享区域的要求，加上诸如自然照明等舒适功能，决定了对建筑方案的一些调整。基本轮廓包括三间卧室，两间浴室，以及一个包含厨房、餐厅和客厅的公共空间。

Text description provided by the architects. This residence in the woods, located ten minutes away from city centre, is there to question its own nature. To what extent can a rural plot redefine a permanent dwelling for city users? The design concept addresses such matter as the search for shelter in open environments. However, late amendments on the brief, such as a requirement for both reading and working shared zones, plus comfort features like, for instance, natural lighting, determine a number of adjustments regarding the architectural programme. The basic outline includes three bedrooms, two bathrooms, and a common space containing the kitchen, dining and living area.

 © Fernando Ruz

(费尔南多·鲁兹)

由于地块的坡度是连续的百分之三十五，它不仅提供了一个巨大的向下俯瞰从顶部，也提供了周围雨林山的全景。这样的视觉开放性创造了尽可能将房子保持在尽可能高的位置的选择。此外，身体上接近巨大的本土树木，当你在倾斜的地面上仰望树冠时，会有一种身体上的弱点-或眩晕-的感觉。

Since the plot has a continuous slope of thirty-five percent, it provides not only a vast downward perspective from top, but also a panoramic view of the surrounding rainforest hills. Such visual openness founds the choice of keeping the house as high within site as possible. Also, physical proximity to giant native trees allows experiencing a sense of corporeal weakness -or vertigo-, as one looks up towards tree crowns while stepping on a leaning ground. 

注意到对陡峭土壤的这种看法，促使设计建议将后者扩展到家庭空间，如上文所述，将树木和土壤的垂直尺度结合起来。此外，由于缺乏平坦的地面，因此有可能通过若干重叠的层次设想建筑方案-每一层都有一个狭窄的平方平面图-直到完成所有要求为止。因此，倾斜范围内最低月台上的三层建筑体积会随着接收者的意愿而升高.通过增加外部踏板和人行桥将工地入口与此体积连接起来，这座桥将人们引向一楼东南角的一个隐蔽的空隙，那里的大门就在那里。

Noting this perception in relation to the steep soil, drives the design to propose an extension of the latter into the domestic space, by integrating the vertical dimension of both trees and soil as stated previously. Moreover, the lack of flat ground makes it possible to envisage the architectural programme as organised through a number of overlapped levels -each one with a narrow, squared floor plan- until completing all requirements. Therefore, a three-storey volume on a minimum platform within the incline raises as the desired recipient. Connecting the site entrance with this volume occurs through the addition of external treads as well as a pedestrian bridge, which conduct people towards a sheltered void in the south-east corner on first floor, where the main door is. 

 © Fernando Ruz

(费尔南多·鲁兹)

 © Fernando Ruz

(费尔南多·鲁兹)

外部参考，如景观和日光，补充了国内领域的视觉和物理联系到所有内部层次-以上和下面-从接收大厅在一楼。在共享阅读区的旁边，一个阁楼俯瞰底层，它还通过双高的开窗向下俯瞰北面的周围景观。在顶层，楼梯到达一个共同的工作区，有一个广阔的眼界，到南部的树林。厨房、餐厅和客厅等区域占据了底层的开放式规划，在那里，人们还可以窥见大多数内部的高度。

External references like sights and daylight, complement the domestic domain to both visual and physical links to all internal levels -above and below- from the receiving hall on first floor. Next to a shared reading zone, a mezzanine overlooks the ground floor as it also provides downward views of the surrounding landscape on north through a double-height fenestration. On top floor, the staircase arrives in a shared working zone which has a wide ocular dominion to the woods on south. Areas such as the kitchen, dining, and living room occupy an open plan on the ground floor, where it is yet possible to have a glimpse of most internal heights.

虽然较小的私人空间完成了房屋结构的其余部分，但仍有一些空间的总楼面面积能够扩大。这就是顶层两间独立的卧室的情况，它们以悬臂式向南和向西的形式在体积边界之外生长。

Albeit smaller private spaces complete the remaining parts of the house structure, some are still able to extend in terms of gross floor area. That is the case of two separate bedrooms on top floor, which grow beyond the volume boundaries, in the form of a cantilever towards south and west, respectively.

 © Fernando Ruz

(费尔南多·鲁兹)

Architects Emil Osorio Schmied

Location Valdivia, Chile

Category Houses

Design Team Emil Osorio Schmied, Natalia Gajardo Herrera

Area 115.0 sqm

Project Year 2015

Photographs Fernando Ruz

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