架构师提供的文本描述。在我们的学术背景下，我们似乎不得不取消对建筑环境的几个概念，以学习如何建造建筑。但在建筑方面，我们在制度化的传统和“非正式的”传统之间移动；后者代表了这个国家所建筑的绝大部分…那么我们必须问，现在有什么重要的知识，因为它比正规的建筑教育早了很多年？这些知识是如何传播的？这些构造的说明是画出来的还是叙述的？最后，我们怎么才能忘记我们不理解的东西呢？

Text description provided by the architects. In our academic context we seem to start by  having to unlearn several notions about our built environment in order to learn how to make architecture.  But when it comes to construction we move between the institutionalized tradition and the "informal" one; the latter represents the majority of what has been built in this country...We must ask then, what significant knowledge pervades the present since it precedes formal architectural education by many years ? How is this knowledge transmitted ? Are the instructions for these constructions drawn or narrated ? Finally, how do we unlearn what we don´t understand ?

 © Roberto D´Ambrosio

.罗伯托·迪安布罗西奥

这座房子坐落在一个以前没有其他建筑师工作过的小村庄里，周围环绕着一些非正式的建筑，比如古老的传统房屋、挤奶室、仓库和牛圈。这些脆弱的建筑就像摊贩用来在路边兜售水果的帐篷一样浮出水面，消失得无影无踪。与这些建筑相关的天真，使它们与建筑师的注意力不同，似乎永远消失在学术界，这就是为什么很难实现“差”建筑的效果，比如木质墙缝隙中的滤光。悬浮在空气中的尘埃和烟雾粒子被困在其极限范围内，由旧木材造成的半光，以及百叶窗提供的绝对控制，而不是广泛的玻璃和压倒性的光。

The house is located in a hamlet where no other architect has worked before, surrounded by informal constructions such as old traditional houses, milking parlors, warehouses and cattle pens , and the fragile ones that emerge and disappear without a trace like the tents vendors use to sell fruits on the roadside.  The naiveté associated to these constructions is what sets them apart from the architect´s attention and seems to be lost forever in academia, that is why it is difficult to achieve  effects of "poor" architecture such as the light the filters through the crevices in wooden walls, the  dust and smoke particles suspended in the air trapped within its limits, the half-light caused by old wood and the absolute control that shutters provide as opposed to extensive glass and overwhelming li

作为一座最小尺寸的房子，它几乎不会包含其中的轨迹，相反，它将是房主搬到这个地方的必要旅程的目的地和总结，这包括了期待和怀旧，直到房子成为确定的住所。因此，它收集了在这些旅行中观察到的已建事实。

As a house of minimal dimensions it will barely incorporate a trajectory inside it, rather, it will be the destination and summary of the necessary journeys for the owner to move to this place,  which involved anticipation and nostalgia until the house became the definitive residence.  Thus it is a collection of the built facts observed during those trips. 

 © Roberto D´Ambrosio

.罗伯托·迪安布罗西奥

房子有简单的双面屋顶，它的尺寸是“Varas”(相当于0.84米的旧测量单位)，有重叠的板条门，为灯光控制提供了选择。卧室外的甲板和混凝土板上的画布会使光线反射两次，在进入房间之前会受到污染，失去热量，这使得人们能够更紧密地联系自然周期，因为表面会突出早晨的蓝光和下午的橙色光线，从而使起床和睡觉更容易。在同样的概念下，由于V字形聚碳酸酯天花板，当主卧室处于低空时，可以从主卧室看到月亮。

The house has simple double faceted roof, it is dimensioned in "varas" (an old unit of measure equivalent to 0.84 meters), has gates of overlapping slats that offer options for light control. Canvases over the deck and concrete slabs outside the bedrooms  make the light bounce twice, get stained and lose heat before coming into the house, this allows for a closer connection with the natural cycles, as the surfaces accentuate the blue light of the morning and the orange light of the afternoon to make waking up and going to bed easier.  Under the same concept, it is possible to see the moon from the master bedroom when it is low in the sky thanks to V shaped polycarbonate

在监督施工过程中，与施工人员的个人沟通是必不可少的，也是一种比图纸更有效的模式。

For the oversight of the construction personal communication with the builders was indispensable as well as a model that worked better than the drawings.

 © Roberto D´Ambrosio

.罗伯托·迪安布罗西奥

V.夫人(主人和一位不知疲倦的厨师)需要一所可以用她的退休储蓄建造的房子(每平方米400美元)。(m.)这可以容纳她强烈的个性和她的生活纪念品，而不必担心征求建筑师的意见，以利用她喜欢的建筑。

Mrs. V. (the owner and a tireless cook) needed a house that could be built with her retirement savings (which resulted in $ 400 per sq. m.) and that could accommodate her strong personality and the mementos of her life without worrying about asking for the architect´s opinion to make use of the architecture as she pleases. 

 © Roberto D´Ambrosio

.罗伯托·迪安布罗西奥