Glasshouse Community and Function Centre Croxon Ramsay
2016-06-01 17:00
架构师提供的文本描述。由克罗克森·拉姆齐(Croxon Ramsay)设计的Collingwood足球俱乐部新的温室社区和功能中心旨在为公众和俱乐部提供精英球员设施、活动空间,并鼓励社区参与澳大利亚墨尔本的体育区。所需经费包括一家咖啡馆、酒吧、多个招待空间、一个演讲厅、一个体育馆、运动员室、储存设施、会议室和会议室。许多区域需要个人进入-例如,剧院关闭时,健身房将向公众开放;在功能中心不开放时,咖啡馆将开放;运动员将要求进入自己的房间,而不与咖啡厅的顾客见面。
Text description provided by the architects. Designed by Croxon Ramsay, the new Glasshouse community and function centre for Collingwood Football Club was to provide elite player facilities, event spaces for the public and the Club and encourage community participation within the sports precinct in Melbourne, Australia. Requirements included a café, bars, multiple hospitality spaces, a lecture theatre, a gymnasium, players’ rooms, storage facilities, meeting rooms and a boardroom. Many areas required individual access – for example, the gym would be open to the public when the theatrette was closed, the café would be open when the function centre was not and players would require access to their rooms without meeting patrons of the café.
因此,一个复杂的计划被设计成可以被“封锁”和彼此隔离的特定区域。餐饮需求是巨大的-一个为亲密聚会提供食物和饮料的商业厨房,为500人提供晚餐,或为1000人举办鸡尾酒会。
So a complex plan was designed of particular areas that could be ‘locked down’ and isolated from each other. The catering needs were immense – a commercial kitchen that would supply food and beverages for intimate gatherings, sit down dinners for 500 or cocktail events for 1000 people.
这座建筑夹在一个奥林匹克游泳池和一个狭长的三角形场地上的一个全尺寸的椭圆形社区之间。在场地的一端,在大楼的北端,是酒吧和咖啡厅,有一个室外的座位区,可以通过咖啡厅接近玻璃屋;然而,官方入口是从大楼的中点进入的,从环绕椭圆形的人行横道进入。入口通向一个坚实的楼梯,成为通往所有区域的跳楼点.地面层提供演讲厅、体育馆、更衣室和储藏室;一楼有接待区,在二楼有会议室和小型会议室/教练室。
The building is wedged between an Olympic Swimming Pool and a full-size community oval on an elongated triangular site. At one end of the site, in the tail-end of the building to the north, is the bar and café with an outside seating area and access to the Glasshouse can be approached through the café; however, the official entrance is from the midway point of the building that is accessed from a pedestrian pathway that curves around the oval. The entrance opens to a substantial staircase that becomes the stepping-off point to all areas. The ground level provides the lecture theatre, gymnasium, and change and storage rooms; the first floor has the hospitality areas and above this, on the second floor, there is a boardroom and small meeting/coaches’ room.
该遗址的足迹是设计的主角,其几何形状在锌砖建筑的外部和内部都是恒定的。立面的重要性是实质性的,砖石在较低的水平和玻璃和金属包层,黑色锌和天然阳极铝以上。这些不同的元素组合成线性和几何图形,形成突出和描绘特征的图案,例如屋顶的前倾和内部也反映的三角形凸起。条形照明突出了凸起的效果,并再次强化了设计中无处不在的三角形形状。开发和安装了高科技的玻璃系统,功能区支持最新的视听设备。内饰,由海克尔格思里设计,是建筑的一个反映和特点,精致的当代家具和定制地毯的功能空间,所有设置在原始水泥墙的背景下。纵观内部和外部,对科尔林伍德足球俱乐部的微妙提及比比皆是。黑色、白色、米色和灰色的调色板强化了俱乐部的颜色(黑白),建筑物的形状与鸟翼的跨度相呼应,在这种情况下,澳大利亚的喜鹊(俱乐部的昵称是喜鹊)。
The footprint of the site is the protagonist for the design, the geometric shape a constant within the exterior and interior of the zinc brick building. The materiality of the façade is substantial with masonry used at low levels and glass and metal cladding, black zinc and natural anodised aluminium above. These disparate elements combine in linear and geometric shapes to form patterns that highlight and delineate features such as the rake of the roof and a triangular soffit that is also reflected internally. Strip lighting highlights the soffits and again reinforces the ubiquitous triangular shapes within the design. High-tech glazing systems were developed and installed, and the function areas support the latest audiovisual equipment. The interior, designed by Hecker Guthrie, is a reflection of the architecture and features fine contemporary furniture and a bespoke carpet designed for the function spaces, all set against the backdrop of raw cement walls. Throughout the interior and exterior subtle references to the Collingwood Football Club abound. The palette of black, white, beige and grey reinforces Club colours (black and white) and the shape of the building echoes the span of a bird’s wing, in this case, the Australian magpie (the Club’s nickname is the Magpies).
Location Melbourne VIC, Australia
Category Community Center
Project Directors Andrew Croxon, Catherine Ramsay
Project Architect Nick Gamble
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