© Edgard César

c.Edgard Césa

架构师提供的文本描述。这座房子位于巴西利亚的一个居民区，尽管位于市中心，但与大自然有着很好的互动关系。考虑到该地区的城市规划要求，该项目的重点是在出入道路的最小休会范围内，以便根据客户的要求，整个背景可由绿地占用。

Text description provided by the architects. The house is located in a residential area of Brasilia that despite being in the city center, provides great interaction with nature. Given the urban planning requirements of the district, the project focuses within the minimum limits of recess from the access road so the entire background could be occupied by the green area, as requested by the customers.

 © Edgard César

c.Edgard Césa

这个项目的出发点是这对夫妇希望拥有一座与景观相结合的房子，并将其功能和美学结合起来。

The project starting point was the couple's desire to have a house that integrates with the landscape, combined with the functionality and aesthetics.

 © Edgard César

c.Edgard Césa

我们的目标是把景观运用到建筑中去。该项目从外部设计，充分体现了内外一体化，通过大开口和天窗，重视自然采光和通风。

Our goal was to bring the landscape into using the architecture. The project designed from the outside in shows full integration between the interior and exterior, and through large openings and skylights, it values the natural lighting and ventilation.

 Ground Floor Plan

主要外观的不可穿透的表面，守卫着发现，为那些进入者保留了惊喜。采光有很多种方式，但是它的主要影响来自于上面，它几乎存在于房子的所有房间。从房子的各个地方都可以看到天空。

The impenetrable surfaces of the main façade guarding the findings surprise reserved for those who enters. Daylighting happens many ways, but its main impact comes from above and it is present in almost all the house’s rooms. The sky can be seen from various parts of the house.

 © Edgard César

c.Edgard Césa

这种自然光带来了光，打破了直线的寒冷，重视所使用的材料，并提供更好的利用日光，也通过太阳能电池板喂养加热系统。

This natural light brings light and breaks the straight lines’s coldness, valuing the materials used and providing a better use of daylight that also feeds the heating system through solar panels.

 Upper Floor Plan

上层平面图

为通风，建议大开口，板条板和天窗，与高天花板提供一个内部温度总是令人愉快。有了一个简单而合理的建议，这个项目是作为一个整体来设计的，从赞成直线和纯形式的政党，到结构和细节，在那里自然材料是有价值的。

For the ventilation, large openings were proposed, slat panels and skylights that along with high ceilings provide an internal temperature always pleasant. With a simple and rationalist proposal, the project was designed as a whole, from the party that favors straight lines and pure forms, through the structure and coming to detail, where natural materials were valued.

 © Edgard César

c.Edgard Césa

这两个盒子的重叠是一个独特的建筑结构，但与使用和不同的内部组成。装配是通过金属和木梯结构连接起来的，这种结构作为一个中轴，定义了内部空间的运动流。

The overlap of the two boxes is a unique architectural structure, but with use and different internal compositions. The assembly is interconnected by metal and wood ladder structure that functions as a central axis defining a movement flows by internal spaces.

随着两个盒子之间的转换，建筑获得了一个时尚和现代的体积，结合美学和完全开放的花园和接近道路，较低的方框接受主要通道，车库和社会区域整合到绿色和美食区，通过大面板与铝框架和透明玻璃；而上面的盒子，几乎是盲侧的山墙，住在亲密的地方。后立面完全打开天空和花园，并保持他们的隐私通过大板条滑动板，可以各种方式打开。这些面板发挥光过滤功能，同时保持自然通风。

With the shift between the two boxes, the architecture gains a stylish and contemporary volumes, combining the aesthetics and completely open to the garden and closed to the access road, the lower box received the main access, garage and social areas integrated into the green and the gourmet areas through large panels with aluminum frames and clear glass; while the upper box, with virtually blind side gables, houses the intimate area. The rear facade opens completely to the sky and the garden and have their privacy preserved through large slatted sliding panels that can be opened in various ways. These panels exert light filter function at the same time maintaining the natural ventilation.

 © Edgard César

c.Edgard Césa

材料的选择取回巴西房屋的特点，在一个简单的调色板混凝土，玻璃和木材。它的重点是使用相对较少的元素，欣赏空间和自然光，创造一个中立的基础，这使房子的演变和成为与其成员。

The materials choice retrieves the Brazilian house features in a simple palette of concrete, glass and wood. It focuses on the use of relatively few elements, the appreciation of space and natural light, creating a neutral base, which enables the house evolve and become together with its members.

Architects Patricia Almeida Arquitetura

Location Brasília, Brazil

Category Houses

Architect in Charge Patricia Almeida Arquitetura

Area 640.0 sqm

Project Year 2012

Photographs Edgard César

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