© Takuji Shimmura

(C)Shimmura Takuji

架构师提供的文本描述。19世纪期间，爱沙尼亚经历了“觉醒时代”，民族意识的传播，爱沙尼亚语言文学、戏剧和专业音乐的建立，以及爱沙尼亚民族认同的形成。爱沙尼亚最初是在20世纪20年代从苏联统治下获得独立的，直到1938年议会才被解散。第二次世界大战期间，爱沙尼亚先是被苏联占领和吞并，后来又被第三帝国占领，1944年又被苏联重新占领。爱沙尼亚的战争损失约占人口的25%，是欧洲损失最多的国家之一，估计有9万爱沙尼亚人死亡。

Text description provided by the architects. During the nineteenth century Estonia experienced an ‘age of awakening’ with the spread of a national consciousness and the establishment of Estonian language literature, theatre and professional music, as well as the formation of the Estonian national identity. Estonia initially gained its independence from Soviet rule in the 1920’s, only for its parliament to be disbanded in 1938. During World War II, Estonia was occupied and annexed first by the Soviet Union and subsequently by the Third Reich, only to be re-occupied by the Soviet Union in 1944. War losses in Estonia, at around 25% of population, were among the highest in Europe and an estimated 90,000 Estonians died.

 © Takuji Shimmura

(C)Shimmura Takuji

爱沙尼亚于1991年8月20日重新获得独立，并于2004年加入欧洲联盟。此后，它开始了一项迅速的社会和经济改革方案。新的爱沙尼亚国家博物馆将设在塔尔图市，这证明了为重新唤起民族特征和独特的文化历史而再次觉醒的努力。2005年发起了设计和执行34 000平方米建筑的国际竞赛，收集了14万件物体。

Estonia regained its independence on 20 August 1991 and joined the European Union in 2004. It has since embarked on a rapid programme of social and economic reform. The creation of the new Estonian National Museum, to be located in the city of Tartu, is testament to the quest for reawakening a pride in national identity and a unique cultural history. The international competition for the design and execution of the 34 000 m² building, housing a collection of 140 000 objects, was launched in 2005.

 © Takuji Shimmura

(C)Shimmura Takuji

 © Takuji Shimmura

(C)Shimmura Takuji

DGT关于这个博物馆的提议对竞赛简报提出了质疑。DGT没有将这座建筑安置在拟议的遗址上，而是选择重新征用附近的一个前苏联军事基地，作为博物馆的背景-这是一段痛苦历史的“废墟”。他们认为，新博物馆应该在该地区的复兴中发挥重要作用，要做到这一点，就必须首先处理这个充满沉重负担和空间独特的地方。随着这个地点的一个敏感的实施，国家博物馆成为机场的延续-它的屋顶提升和扩大到“无限的空间”，邀请游客进入景观和博物馆的中心。DGT的设计为公众活动创造了一个开放的场所-展览、表演、学习-一个聚会和互动的地方，把人们聚集在一起庆祝一个丰富的，有时甚至是痛苦的历史。

DGT’s proposal for this Museum challenged the competition brief. Instead of locating the building on the proposed site, DGT chose to reappropriate a nearby former Soviet military base as the setting for the Museum - a physically present ‘ruin’ of a painful history. They believed that the new Museum should play an essential role in the regeneration of the area and to do so it had to start by dealing with this heavily charged and spatially unique place. With a sensitive implementation on this site, the National Museum becomes a continuation of the airfield – its roof lifting and expanding towards ‘infinite space’ - inviting the visitor to enter into the landscape and into the heart of the museum. DGT’s design creates an open house for public activities – exhibition, performance, learning - a place of gathering and interaction, bringing people together to celebrate a rich, if sometimes painful, history.

 © Takuji Shimmura

(C)Shimmura Takuji

 © Takuji Shimmura

(C)Shimmura Takuji

Architects Dorell.Ghotmeh.Tane

Location Muuseumi tee, 60534 Tartu, Estonia

Category Museum

Area 34000.0 m2

Project Year 2016

Photographs Takuji Shimmura , Arp Karm

Manufacturers Loading...