© Daniel Pinilla

丹尼尔·皮尼拉

架构师提供的文本描述。在比奥地区的Tumbes‘s Península悬崖边缘，海拔60米的一所房子。

Text description provided by the architects. A house on the edge of the cliffs, 60 m above the sea, on Tumbes’s Península, at the Bío-Bío Region.

 © Daniel Pinilla

丹尼尔·皮尼拉

充分致力于太平洋的存在的概念，使得建筑姿态在空间和正式资源上表现出简单和谦逊的态度，让以前的风景流动。

The concept of full dedication to the presence of the Pacific Ocean conditions the architectural gesture to an attitude of simplicity and modesty in space and formal resources to let flow the previous landscape.

 © Daniel Pinilla

丹尼尔·皮尼拉

以这种方式，建筑计划解决了基本和基本的卷，字面上，纵向黑色容器坐在下降的水平边缘和不对齐，不改变或接触特有的百年植被的人民，博尔多斯，乌尔莫斯。

In this way, the architectural program resolves in basic and essentials volumes with, literally, longitudinal black containers sitting in the descending levels of the edge and unaligned to not alter or touch the endemic and centennial vegetation of Peumos, Boldos, Ulmos.

 © Daniel Pinilla

丹尼尔·皮尼拉

体积集适应并服从于树形景观的首要地位。从到达的方式，黑暗和紧密的容器转化为照明，开放和透明的空间，一旦你发现了家庭的出入口，内在的海洋的突出地位。

The volume set adapts and submits to the arboreal primacy of the landscape. From the way of arrival, the dark and tight containers transform into illuminated, open and transparent spaces towards the immanent sea prominence once you discover the home access point.

 © Daniel Pinilla

丹尼尔·皮尼拉

因此，建筑程序从卧室所在的东北翼或你可以找到社会空间的西北翼流动和溢出；在它们之间，只有相互交流的楼梯。开放和连续的内部由不断重复的实木桁架构成的恒定速率来调节。这些是由8x8“柏树的原木作为柱和梁，并配置大的小斜面在天花板上。

Therefore, the architectural program flows and spills by the North-East wing where the bedrooms are located or the North-West wing where you will find the social chambers; between them, only the intercommunication staircase. The open and continuous interior is modulated by the constant rate made of the repeated solid wood trusses. These are made of 8x8” Cypress’s logs as the columns and beams and configure large slightly inclined planes at the ceiling.

 Ground Plan

由于拉尔科大坝，时间和水库排水，它被创造了一个淹没的安第斯森林，一个完美的黑色丛林，在那里我们可以找到一块8x8“的柏木，从那里我们可以得到木梁，柱和屋顶桁架，有一个稍微倾斜的天空。

As a consequence of the Ralco dam, time and reservoir drain, it was created a submerge Andean forest, a perfect black jungle where we can find pieces of cypress wood of 8x8”, from where we obtain wooden beams, columns and roof trusses which have a slightly tilted view of the sky.

补充物质性也指很少的项目：裸露混凝土的内部体积，水泥表面或覆盖木材的地板或墙壁，或黑白合成表面，表明它们作为生活空间附件或补充物体的地位。

Complementary materiality also refers to few items; Interior volumes in bare concrete, cement look floors or walls covered in wood, or black and white synthetic surfaces, denoting their status as living space accessory or complementary objects.

Architects Prado Arquitectos

Location Hualpén, Chile

Category Houses

architect in Charge Cristián Prado, Tomás Prado, Raúl Espinoza

Area 425.0 m2

Project Year 2015

Photographs Daniel Pinilla

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