© Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

架构师提供的文本描述。OMA在威尼斯对16世纪的丰达科·代伊·特德斯基的修复工作已经完成。贝纳通家族于2009年委托将这座9000平方米的大楼改造成一家百货公司，目前根据与香港DFS签订的租赁协议。OMA已经完成了它的工作，并将大楼转移到DFS进行零售。

Text description provided by the architects. OMA’s restoration of the 16th Century Fondaco dei Tedeschi in Venice is complete. Commissioned by the Benetton family in 2009 to transform the 9,000m2 building into a department store, now under a leasing agreement with Hong Kong-based DFS. OMA has nished its work and transferred the building to DFS for their retail t out.

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

始建于1228年，位于里阿尔托大桥脚下，横贯什市场，丰达科代伊泰德斯基是威尼斯最大和最知名的建筑之一。它曾被用作德国歌唱家的贸易站，拿破仑时期的海关机构，墨索里尼时期的行政长官职位。由卡纳莱托和其他圣诞节，无数次拍摄的里阿尔托桥令人印象深刻但匿名的背景，方达科站作为威尼斯人商业时代的无声见证，其作用削弱了威尼斯的逐步人口减少。

First constructed in 1228, and located at the foot of the Rialto Bridge across from the sh market, the Fondaco dei Tedeschi is one of Venice’s largest and most recognizable buildings. It was used as a trading post for German mer- chants, a customs house under Napoleon, and a post of ce under Mussolini. Depicted by Canaletto and other mas- ters, and photographed countless times as the impressive but anonymous backdrop of the Rialto bridge, the Fondaco stands as a mute witness of the Venetian mercantile era, its role diminished with the progressive depopulation of Venice.

 Axonometric

两次被重新摧毁和重建(1506年以现在的形式出现)，在18世纪被操纵，然后在20世纪受到一系列激进的建筑干预，以适应法西斯政权下的行政长官的中心职位，方达科静静地体现了威尼斯的秘密暴行。在20世纪30年代，方达科几乎完全用现代混凝土技术进行了改造，它是一种历史上最古老的现代物质，它的保存跨越了几个世纪的建筑技术。无论其改造的历史(塔被拆除，庭院覆盖着玻璃，增加窗户，结构重建.)而客观上缺乏其结构的真实性，其法定地位的“纪念碑”(1987年授予)几乎禁止任何改变。

Twice destroyed by re and rebuilt (in its current form in 1506), manipulated in the 18th Century, and then subject to a series of radical architectural interventions in the 20th Century to accommodate the central post of ce under the fascist regime, the Fondaco quietly embodies Venice’s secret brutality. Almost entirely reconstructed with modern concrete technology during 1930s, the Fondaco is a historical palimpsest of modern substance, its preservation span- ning ve centuries of construction techniques. Regardless of the history of its adaptations (towers removed, courtyard covered with glass, windows added, structure rebuilt ...) and the objective lack of authenticity of its structure, its legal status of ‘monument’ (granted in 1987) forbade almost any change.

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

 Conceptual Image

概念意象

OMA的改造计划是基于大量的战略干预措施和垂直分配装置，这些措施支持新项目，并提供一系列公共空间和路径。每一次干预都被认为是通过现有的大量挖掘，释放新的视角，揭示建筑的真正实质，作为一种身份的积累。

OMA’s renovation scheme is based on a nite number of strategic interventions and vertical distribution devices that support the new program and de ne a sequence of public spaces and paths. Each intervention is conceived as an excavation through the existing mass, liberating new perspectives and unveiling the real substance of the building to its visitors, as an accumulation of authenticities.

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

该项目由建筑和规划两部分组成，向行人开放庭院广场，主要保留了它在城市“坎普”中的历史作用。这座新的屋顶是通过翻修现有的19世纪的凉亭，矗立在中央庭院上方的一座新的钢和玻璃橡树之上，以及一个大型木制露台的加装而成的，可以俯瞰整个城市的壮丽景色。屋顶，连同下面的庭院，将成为公共场所，向城市开放，随时可到达。

The project – composed of both architecture and programming – opens the courtyard piazza to pedestrians, main- taining its historical role of covered urban ‘campo’. The new rooftop is created by the renovation of the existing 19th Century pavilion, standing over a new steel and glass oor which hovers above the central courtyard, and by the addi- tion of a large wooden terrace with spectacular views over the city. The rooftop, together with the courtyard below, will become public venues, open to the city and accessible at all times.

 Conceptual Image

概念意象

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

从Campo San Bartolomeo和Rialto创建了大楼的新入口；保留了作为捷径的庭院的现有入口；增加了自动扶梯，以创造一条穿过大楼的新公共路线；以尊重原有顺序的方式整合了房间；街角房间等关键历史要素仍未被触及。建筑的某些方面，已经失去了几个世纪，已经复活：墙壁的画廊将再次成为壁画的表面，重新出现在当代形式。

New entrances to the building are created from the Campo San Bartolomeo and the Rialto; existing entrances into the courtyard, used by locals as a shortcut, have been retained; escalators have been added to create a new public route through the building; rooms are consolidated in a way that respects the original sequences; crucial historic elements like the corner rooms remain untouched. Some aspects of the building, lost for centuries, have been resurrected: the walls of the gallerias will once again become a surface for frescoes, reappearing in contemporary form.

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

丰达科迪伊·特德斯基(Fondaco Dei Tedeschi)将发掘其作为游客和威尼斯人的主要目的地和有利地点的潜力；这是一家当代城市百货公司，从事从购物到文化活动、社交聚会和日常生活等各种活动。OMA的翻新，既微妙又雄心勃勃，延续了Fondaco的生命力和适应性的传统，它保存了该建筑辉煌和多层次历史的又一篇章。它避免了对过去的怀旧重建，它揭开了一座历史建筑的“神圣”形象。该项目由Ippolto Pestellini Laparelli、Rem Koolhaas和Silvia Sandor领导。

The Fondaco dei Tedeschi will unlock its potential as a major destination and vantage point for tourists and Venetians alike; a contemporary urban department store staging a diverse range of activities, from shopping to cultural events, social gatherings and everyday life. OMA’s renovation, both subtle and ambitious, continues the Fondaco’s tradition of vitality and adaptation, its preservation yet another chapter of the building’s illustrious and multi-layered history. It avoids nostalgic reconstructions of the past and it demysti es the ‘sacred’ image of a historical building. The project was led by Ippolito Pestellini Laparelli, Rem Koolhaas and Silvia Sandor. 

 © Delfino Sisto Legnani + Marco Cappelletti

c Delfino Sisto Legnani Marco Cappelletti

Architects OMA

Location Sestiere di S. Marco, 5339, 30124 Venezia, Italy

Category Store

Partners Rem Koolhaas, Ippolito Pestellini Laparelli

Project Architects Francesco Moncada, Silvia Sandor

Area 9000.0 sqm

Project Year 2016

Photographs Delfino Sisto Legnani + Marco Cappelletti