STUDIO QI Hangzhou Office Shanshan Qi, Jian Huang

2016-06-14 20:00

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 Office Plan

公司规划

架构师提供的文本描述。办公地点位于杭州老河山和西湖以北的一座电影制作园区的底层，建筑外观混乱无序，四周植被茂盛，四季分明，营造了统一的特色，引导着周边的自然景观。都是在项目开始时处理的。

Text description provided by the architects. The office site is located on the ground floor of an old building at a film production campus, north to Laohe Mountain and West Lake in Hangzhou.  The exterior façade of the building is in a chaotic and disordered condition, but the vegetation around is luxuriant and with four distinctive seasons.  Thus, creating an unified identity and guiding the surrounding natural sights, were dealt with at the beginning of the project.

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在建筑上，要减少建筑原有的压抑和沉重印象，引入轻盈、动态、活泼的元素，将所有的墙壁和结构元素全部剥落到最低限度，露出混凝土表面，引入一种简朴的感觉，从而给整个建筑带来内在的宁静和现代主义的合理性。

Architecturally, the original repressive and heavy impression of the building should be decreased, and light, dynamic and lively elements need to be brought in.  All the walls and structural elements are striped to the bare minimum, and the concrete surfaces are exposed.  A feeling of primitive simplicity is introduced, and thus brings the intrinsic calmness and rationality of modernism of the whole building.

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这座旧建筑的底座由一个白色的油漆金属板勾勒，它将一条起伏的白色边缘拉到外墙。原来的边界梁被延伸并连接到一条一米宽的斜梁上。它由二次环形梁支撑，植入整个玻璃表面，没有多少。这一米的延伸有助于大大扩展办公空间，并将表面玻璃板与柱子隔开。在修剪时，玻璃天花板与环形梁的横梁底部错开，然后将其装进玻璃内。这消除了外部外墙低高度带来的压抑。外部立面因此成为一个连接的屏幕，并允许持续阅读周围的景观，透明地观看和反射。

The depressing base of the old building is outlined by a white paint metal plate that draws out an undulant white edge to the exterior façade.  The original boundary beam is extended and connected to a one-meter wide oblique beam, which is held with the secondary ring-beam and implanted into the whole surface of glass with no mullion.  This one-meter extension helps to far extend the office space, and separates the surface glass panels from the pillar.  At trimming, the glass ceiling is staggered with beam bottom of ring-beam and packs it inside, which eliminates the repression brought by low height of exterior façade.  The exterior façade thus becomes one connected screen, and allows for a continuous reading of the surrounding landscape, both transparently viewed and reflected.

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办公空间和周围环境构成了界面的相互借用，突出的边缘变成了内外交流的视觉机制，而不是一个单一的屋檐。室内光线像帆布一样通过白色边缘的微调投射到环境中。山下的四季景观跨越界面，渗透到室内空间。这创造了生动的工作环境，并允许不同的经验透明度。

The office space and the surroundings constitute the inter-borrowing of interface, and the striking margin becomes a visual mechanism of internal and external communication instead of one single eave.  Indoor light is projected into the environment by trimmings of the white margin like an canvas.  The submontane four season views get across the interface and permeate into the interior space, which create lively working environment and allow for different experience of transparency.

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室内空间延续了外墙简洁、触觉的氛围，大型浇筑混凝土会议台是结构改造的缩影，在桌子周围的对角线切线上，边缘允许轻薄的接触。其余的建筑构件和家具采用白色，而一些设备和管道则漆成红色。在整体简洁的基础上，精致光滑的白色边缘和表面与广阔的混凝土空间和谐共存。

The interior space lasts the atmosphere of conciseness and tactility of exterior façade.  The large poured concrete meeting table is a miniature of the re-constructed structural feature, where a diagonal cut is made sectionally around the table and allows for a light and thin touch for the edge.  The rest of the building components and furnitures adopt with white color while some of the equipment and pipes is painted red.  There is harmonious coexistence between the exquisite and smooth white edges and surfaces, and the extensive concrete space, based on the integration of overall conciseness.

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办公室内没有多余的颜色或表面，所有组件都通过最直接的形式连接。站在一个地方，一个人的视线可以穿透任何地方，在这样的对立和透明中，人们会以情感和质朴的触觉接触界面，体验自然、季节、环境和空气。

There is no redundant color or surface inside the office and all components connect through the most direct form. Standing in one place, one's sight could penetrate any place.  In such opposition and transparency, people are welcomed with an emotional and pristine touch with the interface and to experience with the nature, seasons, environment as well as air.