Hackney New School Henley Halebrown Architects

2016-06-22 02:00
 © Nicholas Kane
(尼可拉斯·凯恩)
架构师提供的文本描述。哈克尼新学校是一个新的混合能力免费学校,重点是音乐,结合一个500名学生的中学和200名学生的中六。
Text description provided by the architects. Hackney New School is a new mixed-ability Free School with a focus on music, combining a 500-pupil secondary school and 200-pupil sixth form. 
 
该遗址紧邻金斯兰运河盆地,位于保护区内。5500平方米的计划是围绕一个中央球场和游戏空间。这是由六层高的运河大楼和五层高的京士兰大厦构成的框架,这两幢大楼构成了京士兰道噪音和烟雾的缓冲地带。运河大楼有一个双高的多功能餐厅、音乐和戏剧表演空间、音乐楼层、科学、教职工室、图书馆、六年级学习和社交空间,以及60%的中学班级基地。金斯兰大楼容纳工作人员、行政人员、艺术、设计和技术人员。唐纳姆路废弃电话交换机的适应性再利用,可容纳其余教室和中六研讨会空间、SEN、更衣室和仓库“。
The site, which is next to the Kingsland Canal basin and in a conservation area, is tight. The 5,500m2 scheme is planned around a central ball court and play space. This is framed by the 6-storey Canal building and the 5-storey Kingsland building which forms a buffer from the noise and fumes of Kingsland Road. The Canal building accommodates a double-height multipurpose dining, music and drama performance space, a floor for music, another for science, the staff room, library, 6th form study and social spaces, and 60% of the secondary school class bases. The Kingsland building accommodates staff and admin, and Art, Design and Technology.  The adaptive reuse of a disused telephone exchange on Downham Road accommodates the rest of the classrooms and sixth form seminar spaces, SEN, the changing rooms and storage “warehouse”. 
 © David Grandorge
(David Grandorge)
形状、轮廓和材料
Form, Silhouette and Material
新的仓库(运河建筑)显示了一个方形的海拔,但与不对称的臀部,无论是盆地和校园。南面的侧面,打开了砖墙,山墙和锯齿形屋顶的旁边的第二级上市仓库的看法。北端有一个砖烟囱,通过这座桥和电话交换机之间的桥梁,打开了运河盆地的一瞥。就像人们所期望的日光工厂一样,室内的大窗分布均匀。支座夸大了仰角到校园的垂直度,而到盆地的高度则从基座上切出一个很大的水平槽,把不同的更大的侧重点放在了砖石坑道上。
The new warehouse (Canal building) presents a squarish elevation, but with asymmetric haunches, to both basin and the schoolyard. The profile of the southern haunch opens up views of the brick gable wall and zigzag roofline of the next-door grade II listed warehouse. The northern end is marked by a brick chimney and opens up glimpses of the canal basin through the bridges that span between this and the telephone exchange. Much like one would expect of a daylight factory, large evenly distributed windows daylight the interiors. Buttresses exaggerate the verticality of the elevation to the schoolyard, whereas the elevation to the basin has a large horizontal slot cut out of the base putting a different and greater emphasis on the masonry haunches.
 © Nicholas Kane
(尼可拉斯·凯恩)
这座塔(金斯兰大厦)完全不同。街道外墙是由三方组成的。一个现有的店面形成了桥墩,在一个新的预制混凝土屏幕上标志着钢琴小孔,上面有一个3层高的盲人砖块被一扇窗户刺穿。
The tower (Kingsland Building) is altogether different. The street façade is a tripartite composition. An existing shopfront forms the plinth, above a new precast concrete screen marks the piano nobile, on top of which there is a 3-storey blind brick mass punctured by just one window.
 © Nicholas Kane
(尼可拉斯·凯恩)
 
北面和西面都有大量的窗户,分布很广,每一扇窗户都将内部定位到一个特定的方面。它既表达了更自由的ADT科目,也承认了城市可能是主题,并与仓库中的有序开窗形成了对比,表明了一种更结构化的教学方法。
The north and west facades are punctuated by substantial windows, liberally distributed, each orientating an interior to a particular aspect. It is both an expression of the more liberal ADT subjects and an acknowledgement that the city may be the subject matter, and contrasts with the ordered fenestration in the warehouse denoting a more structured pedagogy.
 © Nicholas Kane
(尼可拉斯·凯恩)
这四座建筑都是用砖头砌成的。外壳和其他一些细节都是预制混凝土。窗户是粉状涂层(象牙,红色氧化物,三文鱼粉和深棕色)铝和木材复合材料。涂有阳极的铝制檐篷标志着每座建筑物的入口。对于新建筑,承包商选择了一个钢框架,以加快安装速度。
All four buildings are faced in brick. Copings and a number of other details are precast concrete. Windows are powdered coated (ivory, red oxide, salmon pink and dark brown) aluminium and timber composite. Anodised aluminium-faced canopies mark entrances to each building. For the new buildings the contractor selected a steel frame for speed of erection.
 © David Grandorge
(David Grandorge)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Henley Halebrown Architects
Location Kingsland Rd, London, UK
Category Schools
Project Architect Noel Cash
Area 5500.0 m2
Project Year 2015
Photographs Nicholas Kane, David Grandorge
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