© Diego Villar

(迭戈·维拉尔)

由于需要建造新的门面(自助餐厅、行政、洗手间、工作人员区等)为了改变流通布局，提供普遍的可达性，缩小的公共区域的空间感知增加了一倍。这座新大楼与现有的大楼以复杂的方式联系在一起。首先，它承认剧院建筑的主要作用，并从它的设计指导方针：材料和颜色，它自己的高度和它的正式组成部分的高度，它的正面对齐方式，以及固体在空心上的主导作用。然而，这种关系是对立的：旧建筑的重量与轻巧的建筑形成鲜明对比，后者在选择符合折纸逻辑的平面时忽略了体积。前者的遗传记忆以石头为特征，后者则以纸张为特征。这座新建筑的地块被一堵墙包围着，这面墙复制了剧院的材料和美学。随后发生的事情显示了当代的敏感性-正如索拉-莫拉莱斯所表达的-从相似到类比的波动。

As a result of the need to build a new front of house (cafeteria, administration, restrooms, staff areas, etc.) and to change the circulation layout to provide for universal accessibility, the spatial perception of constricted public areas was doubled. The new building associates with the existing one in a complex manner. First, it acknowledges the primary role of the theater building, and takes from it its design guidelines: material and color, its own height and the height of its formal components, how its façade aligns, and the leading role of solid over hollow. However, this relationship is strained by opposites: the weight of the older building contrasts with a light construction that disregards massiveness while choosing planes that join together following the logic of an origami. While the former’s genetic memory features stone, the latter’s one features paper. The plot of land for the new building had been surrounded by a wall that replicated the material and the esthetics of the theater. What ensued shows a contemporary sensitivity that – as expressed by Solá-Morales - waves from resemblance to analogy.

 Courtesy of Estudio Lorieto-Pintos-Santellán

Estudio Lorieto-Pintos-Santellán提供

Teatro Politeama是加拿大城市的主要文化中心(首都同名部，POP)。(10万个)。它建于1921年，长达60年，不仅是艺术和体育活动的场所，也是马戏团表演的场所。2012年，Teatro Politeama被关闭，在此之前，由于一些不明智的建筑干预措施，由于正常的磨损导致了数年的逐渐恶化。当地政府，业主，然后决定招标，以恢复和补充剧院，使其成为一个文化综合体。因此，不仅重建了建筑围护结构，而且还进行了几次关于舞台、观众和服务的再认证操作。最初的项目由一个多功能区域(用于彩排和小规模戏剧或音乐表演)、教室、行政、指导和工作人员支助办公室以及自助餐厅补充。此外，这些行动包括重新设计流通布局和服务地点，以便使整个建筑群普遍无障碍。2014年9月19日，Politeama文化中心重新开放。建造工程耗时八个月。

Teatro Politeama is the main cultural center in the City of Canelones (Capital City of the homonymous Department, pop. 100 000). It was built in 1921 to become, for 60 years, the venue not only of arts and sports events, but also of circus performances. Teatro Politeama was closed in 2012, after years of progressive deterioration caused by normal wear-and-tear added to some ill-advised architectural interventions. The local government, owner of the building, then decided to call for tenders in order to recuperate and complement the theater for it to turn into a cultural complex. Therefore, not only was the building envelope restored, but several requalification operations were performed concerning stage, audience and services. The original project was supplemented with a multi-purpose area (for rehearsals and smaller-scale drama or musical performances), classrooms, administrative, direction and staff support offices, as well as a cafeteria. Furthermore, these actions included redesigning the circulation layout and the services location, in order to provide for universal accessibility in the whole complex. The Politeama Cultural Complex reopened on September 19, 2014. Construction took eight months.

 © Diego Villar

(迭戈·维拉尔)

 Courtesy of Estudio Lorieto-Pintos-Santellán

Estudio Lorieto-Pintos-Santellán提供

PERFORMANCE

自重新开放以来，“政治文化情结”已显示出强大的生命力。编程在其所有不同的领域都非常繁忙：音乐、舞蹈、戏剧、学术和社会活动等，最常被填满。在教育方面，它设有国家舞蹈学校的一个分会、一个常设剧团和一个音乐学校。随着重建剧院大楼，一些公共区域的改善，例如街道成为半步行，作为邻近广场的延伸。相对于建筑群，还有另一座历史建筑处于不稳定的环境中，尽管如此，它还是举办了器乐和抒情音乐课。基于Teatro Politeama的成功，已宣布将对这座大楼进行翻修。一旦这成为现实，Canelones将拥有一个与区域规模相一致的文化中心。

Since it was reopened, the Politeama Cultural Complex has shown great vitality. Programming has been very busy in all its different areas: music, dance, theater, academic and social activities, etc., most often filled to capacity. As to education, it hosts a branch of the National Dance School, a permanent theater troupe, and a music school. Along with reclaiming the theater building came the improvement of some public areas, e.g. the street became semi-pedestrian, as an extension of the neighboring square. Opposite the Complex stands another historical building in precarious conditions, which nonetheless hosts music classes, both instrumental and lyrical. Based on the success of Teatro Politeama, it has been announced that this building will be refurbished. Once this becomes a reality, Canelones will have a Cultural Center of a dimension consistent with regional scale.

 © Diego Villar

(迭戈·维拉尔)

 Plan / Section

计划/科

 Courtesy of Estudio Lorieto-Pintos-Santellán

Estudio Lorieto-Pintos-Santellán提供

Architects Estudio Lorieto-Pintos-Santellán arquitectos

Location Tomás Berreta, Canelones, Canelones, Uruguay

Category Extension

Architects in Charge Conrado Pintos, Victor Lorieto, Luis Santellán

Author Intendencia Municipal de Canelones

Area 600.0 sqm

Photographs Pablo Pintos, Diego Villar

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