Laman Residence A Gruppo Architects

2016-06-30 11:00

 © Mark Menjivar

c.Mark Menjiva

架构师提供的文本描述。在德克萨斯州立大学(前西南德克萨斯州立大学)教授了40年的纤维艺术和室内设计课程后，拉曼一家退休后，希望有一个画廊和工作室来赞美他们20世纪70年代简朴的现代住宅，这是由亨利·D·诺里斯AIA(HenryD.Norris AIA)创办的传统住宅计划书。身穿白色灰泥，面积1800平方米。英国“金融时报”。住宅的特点是由两个棚屋的两旁中央核心组成的三方规划安排。

Text description provided by the architects. Upon retirement after 40 years of teaching Fibre-Arts and Interior Design at Texas State University (formerly Southwest Texas State University), the Lamans desired a gallery and studio to compliment their modest 1970’s era modern home, taken from Heritage Homes plan books originally started by Henry D. Norris AIA. Clad in white stucco, the 1800 sq. ft. residence is characterized by a tripartite plan arrangement of two shed roof’s flanking a central core.

 © Dror Baldinger

C.Dror Baldinge

拉曼一家巧妙地将房子安置在密密麻麻的橡树和雪松榆树中间，位于得克萨斯州圣马科斯的一片1英亩的山地土地上。在过去的30年里，他们在家里开辟了一系列的室外房间，一个秘密的花园和雕塑场，只留下了一个合理的区域-前院。虽然在大多数情况下，增加将补充一个现有结构的运作，这种情况提供了一个机会，以增加取代家园-完全改变它的身份，并创造一个新的条目。

The Lamans expertly sited the house amongst a dense canopy of live oak and cedar elm trees on a 1 acre, hill country lot in San Marcos, Texas. Over the past 30 years, they have carved out a series of outdoor rooms, a secret garden and sculpture courts around their home leaving only one logical area for an addition - the front yard. While in most situations an addition would supplement the operation of an existing structure, this situation presented an opportunity for the addition to supplant the home - completely transforming it’s identity and creating a new entry.

 © Dror Baldinger

C.Dror Baldinge

这个项目需要一个展览馆，一个画室，一个图书馆和一个新的主套房。从现有的房屋聚集的一部分排队，额外是由配对的塔(画廊和工作室)两侧的门厅和上层图书馆。该加载物位于干河床顶部的碗状凹陷中，因此必须通过一系列桥梁进入，这样才能使天然水径流在现有结构和新结构之间流动。

The program called for an exhibition gallery, a painting studio, a library and a new master suite. Taking queues from the parti of the existing home’s massing, the addition is comprised of paired towers (gallery and studio) flanking a foyer and upper level library. The addition is located in a bowl-like depression at the head of a dry creek bed and so must be accessed via a series of bridges which allowing natural water runoff to flow around and between the existing and new structures.

 Floor Plan

塔楼里的气氛是通过两种截然不同的照明策略产生的。周围的光线被北面半透明的墙壁过滤，同时小心地放置天窗，通过一系列的天花板隔板，全天都将光线集中在一起。根据太阳的位置，自然光的色温为拉曼人的艺术提供了多样化的解读。

The atmosphere in the towers is animated through two distinct lighting strategies. Ambient light is filtered by the North facing translucent walls while carefully placed skylights project pools of light through a series of ceiling baffles throughout the day. Depending upon the location of the sun, the color temperature of the natural light provides a diverse reading to the Lamans’ art.

 © Dror Baldinger

C.Dror Baldinge

该图书馆的定义是由架子悬臂进入庞大的改造-伽姆勒屋顶形式的塔楼-连接空间通过节。栖息在入口上方，可以看到周围树木的树冠，为拉曼人和他们的客人创造了一个亲密的交谈和沉思空间。

The library is defined by shelves which cantilever into the voluminous modified-gambrel roof forms of the towers - linking the spaces through section. Perched atop the entry, views to the surrounding canopy of trees create an intimate gathering space for conversation and contemplation for the Lamans and their guests.

 © Dror Baldinger

C.Dror Baldinge

拉曼人对户外生活的欣赏是通过在画廊外增加一个新的雕塑花园和波切庭院来实现的，这是大型展示或家庭聚会的理想选择。在更亲密的环境中，主卧室和浴室直接打开，进入私人禅宗花园。

The Lamans' appreciation for outdoor living is realized with the addition of a new sculpture garden and bocce court off of the gallery, ideal for large showings or family gatherings. While in a more intimate setting, the master bedroom and bathroom open directly into a private Zen garden.

 © Dror Baldinger

C.Dror Baldinge

主套房重新配置，通过一个敏感的增加一个浴室和更衣室，同时把现有的卧室移出，形成一个线性画廊大厅，它平分现有的房子和新的附加物。沿着这条走廊移动，不仅使用户意识到新旧，而且还为新的室外房间提供了框架视图。

The master suite was reconfigured through a sensitive addition of a bathing and dressing room while shifting the existing bedroom out, forming a linear gallery hall which bisects the existing house and new addition. Movement along this corridor not only makes the user aware of old and new but has framed views to the new outdoor rooms as well.