Jungle House Studio MK27

2016-07-07 09:00
室内设计师戴安娜·拉德梅勒景观设计师伊莎贝尔·杜普拉特结构工程师Le o Associados,Eng。Joo Rubens Le o MEP Grau Engenharia承包商Eng罗格利奥公司装货.多规格少规格
Interiors Diana Radomysler Landscape Designer Isabel Duprat Structure Engineer Leão Associados, Eng. João Rubens Leão MEP Grau Engenharia Contractor Eng. Rogerio Biral Manufacturers Loading... More Specs Less Specs
 © Fernando Guerra | FG+SG
费尔南多·格拉
架构师提供的文本描述。该项目位于雨林地区的Paulista海岸上,土地地形多山,植被茂密。将这座房子引入这一景观,目的是优化建筑与自然之间的联系,欣赏远望海洋的景色,以及室内空间的阳光照射,此外,房屋在场地上的定位也遵循了植被中先前开放的区域。(鼓掌)
Text description provided by the architects. The project is located on the paulista shore in the region of the Rain Forest and the land has a mountainous topography with dense vegetation. The introduction of this house to this landscape has the objective of optimizing the connection between architecture and nature, privileging the view looking out to the ocean and the incidence of sunlight in the internal spaces.  Furthermore, the positioning of the house on the site obeyed the previously-open area in the vegetation.   
 © Fernando Guerra | FG+SG
费尔南多·格拉
房子的主要体积是从地面上升起的,似乎是在地势中建造的。因此,这座房子从山上突出了出来。斜坡和建筑之间的接触元素-例如木甲板-被塑造成尊重现有土地,从而在自然和建筑元素之间创造了一种有机的相互作用。在它从山上出来的部分,结构接触到地面,只有两根柱子。(鼓掌)
The main volume of the house is elevated from the ground and seems built into the topography.  The house, therefore, projects itself out from the mountain. The contact elements between the slope and the construction - as for example the wooden decks – were shaped to respect the existing land, thereby creating an organic interaction between nature and the architectural elements. In the part that it comes out of the mountain, the structure touches the ground with only two pillars.  
 © Fernando Guerra | FG+SG
费尔南多·格拉
“丛林之家”的三层楼为这个项目创造了一个清晰的规划分区:底层有一个大的有盖的木甲板,连接着一间儿童用的小房间;在一楼有六间卧室-其中五间带有小阳台,带吊床-和一间电视房;三楼也就是最后一层是房子的社交区,包括游泳池、客厅和厨房。(鼓掌)
The 3 floors of Jungle House create a clear programmatic division for the project: the ground floor houses a large covered wooden deck, connected to a small room for the children; on the first floor there are six bedrooms – five of them with small verandas with hammocks – and a tv room; the third and last floor is the social area of the house, including a swimming pool, a living room and the kitchen.    
 © Fernando Guerra | FG+SG
费尔南多·格拉
 
 © Fernando Guerra | FG+SG
费尔南多·格拉
因此,与通常在单户式住宅中所做的工作相比,该建筑定义了程序的倒置垂直组织:当游泳池和社会区域在屋顶上时,卧室位于下面的地板上。甲板在底层-由房子的投影保护-是一个宽敞而又宽敞的空间,为孩子们提供了一个遮荫的避风塘,供孩子们玩耍。公用室也位于这层楼上。(鼓掌)
Thus, the architecture defined an inverted vertical organization of the program when compared to what is usually done in single-family houses: while the pool and the social areas are on the roof, the bedrooms are located on the floor below. The deck is on the ground floor- protected by the projection of the house – is an ample and generous space that configures a shaded shelter for the children to play.  The utility rooms are also located on this story.          
 © Fernando Guerra | FG+SG
费尔南多·格拉
从底层的木甲板开始楼梯,进入“中断”混凝土板的房屋体积。在进入封闭空间之前,一个人经过一个中间空间,被混凝土包裹着,里面放着艺术家奥拉弗尔·埃利亚松(Olafur Eliasson)的一幅亮丽的作品。室内设计试图营造一种现代氛围,为留在这个热带环境中提供一种舒适的感觉。
From the wooden deck on the ground floor starts the stairs to access the house volume that “interrupts” the concrete slab. Before entering the closed space, one passes an intermediary space, enveloped by concrete and which houses a luminous work by the artist Olafur Eliasson.  The interiors project sought to create a modern atmosphere, offering a cozy feeling necessary to remain in this tropical environment. 
 © Fernando Guerra | FG+SG
费尔南多·格拉
 © Fernando Guerra | FG+SG
费尔南多·格拉
景观改变了当地的物种。当一个人在屋内时,与周围植被的关系不仅通过视野,还通过环绕木甲板的植物发生。在一楼,你可以漫步在树木中间;在一楼,光线透过树梢进入;屋顶上有以海洋为背景的植被。(鼓掌)
The landscape recomposes the native species.  When one is in the house, the relationship with the surrounding vegetation occurs not only through the view but also through the plants that surround the wooden decks.  On the ground floor, you can stroll in the midst of trees; on the first floor, light enters filtered through the tree-tops; and on the roof, there is the vegetation with the ocean in the background.  
 © Fernando Guerra | FG+SG
费尔南多·格拉
这座房子的建筑采用了裸露的混凝土和木材,无论是在室内空间还是外部,卧室里都有木制的防晒霜,小砖块-太阳,作为折叠门安装在一起,用户可以根据高度的需要进行操作。(鼓掌)
The architecture of the house privileged the use of exposed concrete and wood, as much in the interior spaces as well as the exterior.  The bedrooms have wooden sun-screens, small brises-soleil, mounted as folding doors that can be manipulated by the users according to the climactic needs.  
 © Fernando Guerra | FG+SG
费尔南多·格拉
在丛林大厦,这项工程以横切的方式开始,使泳池的位置可以半建在楼板上,这样就不会失去下面地板上的任何区域。此外,无穷大的水池以及相对于甲板高度的凸起的边框,使泳池的景观和景观成为泳池水平线的延伸部分。为了减少顶层的高度,从而使外部比例与这个体积更加水平,起居室的地板相对于外部木甲板降低了27厘米。(鼓掌)
In the Jungle House, the project began with a transversal cut which allowed for the positioning of the pool to be semi-built-in to the slab thereby not losing any area on the floor below.  Furthermore, the infinity pool as well as the raised border relative to the height of the deck makes it such that the view and the landscape serve as an extension of the pool waterline. To lessen the height of the top floor and thus get an external proportion more horizontal to this volume, the floor in the living room was lowered by 27 cm relative to the external wooden deck.   
 © Fernando Guerra | FG+SG
费尔南多·格拉
最后一层提供了一种空间感觉,它综合了房子的原理:一边是一层甲板,里面有热水浴缸和桑拿浴室-在那里,建筑和山以及它的植被之间有着强烈的联系;在另一边,是一个地面壁炉和游泳池;在这两个自由空间之间的中间,是向两边开放的、交叉通风的起居室。这一社会空间与自然有着根本的联系,既可以俯瞰海洋,也可以接近山中的森林。
This last floor offers a spatial sensation which synthesizes the principles of the house: on one side, there is a deck which houses the hot tub and the sauna – where there is an intense relation between the architecture and the mountain and its vegetation; on the other side, a ground fireplace and the pool; in the center – between these two free spaces – is the living room open to both sides and with cross-ventilation.  This social space has a radical relation with nature, by means of both the view of the ocean as well as the proximity to the forest in the mountain.
 © Fernando Guerra | FG+SG
费尔南多·格拉
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Samanta Cafardo, Studio MK27 - Marcio Kogan
Location Guarujá, Brazil
Category Houses
Author Marcio Kogan
Co Author Samanta Cafardo
Project Team Carlos Costa, Eline Ostyn, Laura Guedes, Mariana Ruzante, Mariana Simas, Oswaldo Pessano, Fernanda Neiva
Area 805.0 m2
Project Year 2015
Photographs Fernando Guerra | FG+SG
Manufacturers Loading...

                    

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