© Richard Chivers

理查德·奇弗斯

架构师提供的文本描述。桑迪·伦德尔建筑师已经完成了南大街142号工程，这是风景秀丽的南唐斯国家公园内位于东苏塞克斯州刘易斯河岸的一座新房子。

Text description provided by the architects. Sandy Rendel Architects has completed 142 South Street, a new house within the scenic South Downs National Park on the banks of the River Ouse in Lewes, East Sussex.

 © Oliver Perrott

C.奥利弗·佩罗特

这所房子取代了一个废弃的车间，在一个棕色的场地上，在历史上作为码头的老采石场和水泥工程后面，房子占据了一个突出的位置在入口的城镇。当地规划部门渴望建造一座“地标”建筑，作为该镇入口的标志，并规定了一个大胆的设计方案。正如你所看到的第一栋建筑，从A26号公路的入口，到河的对岸，从克利夫山的上方，你都能看到它的高度。

Replacing a derelict workshop on a brownfield site that historically functioned as a wharf for the old quarry and cement works behind, the house occupies a prominent position at the entrance to the town. The local planning authority aspired for a ’landmark’ building to mark the entrance to the town and stipulated a bold design. As the first building you see, it is highly visible from the approach on the A26, as well as across the river and from above on Cliffe Hill.

 Ground Floor Plan

坐在一条狭长的河岸上，可以俯瞰铁路自然保护区，科滕钢铁屋坐落在白色悬崖的戏剧性背景下。这座五卧室的住宅建于粗糙的混凝土河墙之上，南面和西面景色开阔，河面平坦，地势低洼。克利夫山的粉笔面陡峭地向东升起，提供了一个壮丽的背景。

Sitting on a long and narrow strip of the riverbank overlooking the Railway Land Nature Reserve, the Corten steel clad house is set against the dramatic backdrop of white cliffs. Built off the roughcast concrete river wall, the five-bedroom home enjoys expansive views to the south and west over the river and low-lying flood plain. The chalk face of Cliffe Hill rises steeply to the east providing an imposing backdrop.

 © Richard Chivers

理查德·奇弗斯

房子的主体是一个简单的两层不对称倾斜屋顶结构，它的脊被雕刻下来，打破了它的规模，并反映了悬崖面后面的轮廓。简单的图则安排在每一端都被微妙地扭曲，以吸引关键的意见，并在南端提供一个有盖的露台，在入口处提供一个有遮蔽的庭院，以缓冲邻近道路的声音。

The main body of the house features a simple two-storey asymmetrical pitched roof structure whose ridge is carved away to break down its scale and reflect the contours of the cliff face behind. The simple plan arrangement has been subtly distorted at each end to draw in key views and also to provide a covered terrace at the southern end and a sheltered courtyard at the entrance, buffering the sound of the adjacent road.

 © Leigh Simpson

利·辛普森(Leigh Simpson)

强调建筑物的形式，一个简单的调色板的自我完成材料已被精心选择，以保持稳健和自然的天气，发展了一个特点，反映了现场和周围地区的质量。在河岸的底层，外露的框架是用木板标记的混凝土建造的，与下面坚固的混凝土河墙的色调和质地相呼应。与此形成鲜明对比的是，街道的立面以手工灰釉苏塞克斯砖的墙壁为特色，传统的苏塞克斯砖传统于城镇，为街道提供了更柔和的质地和更贴心的比例尺。

Emphasising the building’s form, a simple palette of self-finished materials has been carefully selected to be robust and weather naturally, developing a character that reflects the qualities of the site and surrounding area. On the ground floor on the riverside the exposed frame is constructed of board-marked concrete echoing the tone and texture of the rugged in-situ concrete river wall below. In contrast, the street elevation features walls of handmade ash-glazed Sussex brickwork traditional to the town, which gives a softer texture and more intimate scale to the street.

屋面和第一层的外墙都是用Corten钢膨胀网片包裹的，表面的均匀外观掩盖了排水沟、屋檐和其他传统建筑元素，从而形成了干净、清晰的细节。与下面砖石基座的静音相比，装饰性的

The roof and external first floor walls are wrapped in a continuous skin of Corten steel expanded mesh that articulates the form of the upper volume.  The homogenous appearance of the surface conceals gutters, eaves and other traditional architectural elements resulting in clean, crisp detailing. Contrasting with the muted tones of the masonry base below, the decorative

 © Oliver Perrott

C.奥利弗·佩罗特

科滕雨屏自然会形成一种醒目的红色，带有微妙的色调和质感。该网与当地软红色粘土砖和瓷砖的颜色相呼应，但仍保持鲜明，暗示着该地区的工业遗产。

Corten rainscreen weathers naturally to a striking red ochre colour with a subtle variety of tone and texture. The mesh echoes the colour of the local soft red clay brickwork and tiles, whilst still remaining distinct, alluding to the industrial heritage of the area.

这所257平米的房子是通过一个小庭院进入的，然后是一个封闭的、戏剧性的走廊，两边是漆黑的橡木板。从这里开始，当你进一步进入房子的时候，室内就会打开，从地板到天花板的无框玻璃窗的墙壁可以看到河和自然保护区以外的广阔景色。与杰里米·皮茨设计公司紧密合作开发的橡木墙内衬和细木工继续进入开放式居住空间。开发不同的处理方法进一步强调了材料的质量，并允许随着时间的推移而开发帕蒂纳。作为橡木内部的补充，中间灰色的水磨石瓷砖流过底层，并通过玻璃连接到建筑物周围的外部铺路的边缘。

The 257m2 house is entered through a small courtyard followed by an enclosed and dramatic hallway lined with blackened sawn oak boards. From here the interior opens out as you move further into the house, and walls of floor-to-ceiling frameless glass windows reveal expansive views of the river and nature reserve beyond. Developed in close collaboration with Jeremy Pitts Design, the oak wall lining and joinery continue into the open plan living space. Exploiting different treatments further emphasises the material qualities and allows for the development of patina with use over time.  Complementing the oak interior, mid-grey terrazzo tiling flows throughout the ground floor and connects through the glazing to the skirt of external paving around the building.

 © Oliver Perrott

C.奥利弗·佩罗特

布局是灵活的，以适应变化，因为年轻的家庭成长。三间相互连接的中央一楼客房将允许随着时间的推移而进行不同的配置，而不需要对大楼进行物理更改。

The layout is flexible to accommodate changes as the young family grows up. The three interlinked central first floor rooms will allow different configurations over time, without physical changes to the building being required.

 © Oliver Perrott

C.奥利弗·佩罗特

南街142号是一个可持续的，当代家庭住宅，最大限度地发挥戏剧性和广泛的看法，沿着河的中心，镇中心和河流泛滥成灾平原。独特的形式和形象的房子作出了积极的贡献，其周围的环境，并增加了丰富的建筑遗产的城镇。

142 South Street is a sustainable, contemporary family home that maximises dramatic and extensive views up the river towards the centre of the town and out over the river floodplain. The distinct form and profile of the house makes a positive contribution to its surroundings and adds to the rich architectural heritage of the town.

 © Oliver Perrott

C.奥利弗·佩罗特

Architects Sandy Rendel Architects

Location Lewes, United Kingdom

Category Houses

Architect in Charge Sandy Rendel Architects

Area 257.0 sqm

Project Year 2015

Photographs Richard Chivers, Leigh Simpson

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