House in Goa Ankit Prabhudessai

2016-07-12 20:00

架构师提供的文本描述。优雅地放置在灌木丛上的花岗岩是一棵略带倾斜的黄色、白色的弗兰基帕尼树，它以令人陶醉的芬芳和美丽的花朵欢迎游客。我试图通过当代建筑的解读，讲述室内与户外的关系，身体与自然的关系，以及我们传统与跨层美学史根源的联系，以及透明而有节奏的可读性。这是我的房子的改造项目，建于14年前，坐落在商业首都果阿的山脚上。

Text description provided by the architects. Elegantly placed on a bush hammered granite is a slightly tilted yellow white Frangipani tree which welcomes the visitors with its intoxicating fragrance and beautiful flowers . I tried to tell the stories about the relationship of the indoors to the outdoors , of the body with nature and that of our traditional connection with the roots of interlayered aesthetic history with transparent and rhythmical legibility through the contemporary interpretation of architecture. It is a transformation project of  my house that was built 14 years ago perched at the foothills of the commercial capital of Goa,  Margao.

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

我们喜欢娱乐很多人在房子里，所以一个主要的简要是修改房子的布局，使其铭记传统。为了迎合不同规模和不同类型的社会聚会，房子里有很多地方。

We like to entertain a lot of people in the house, so one major brief was to modify the layout of the house in such a way that it keeps in mind the tradition. There are many areas that are positioned throughout the house so as to cater to various sizes and type of social gathering.

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

房子的主要概念是模糊室内和室外之间的界线。房子里的空间相互交融，创造了一个自由流动的计划，把前面的草坪和绿色的后院连接起来，与葡果安历史的元素交织在一起。

The main concept of the house was to blur the line between indoors and outdoors. The spaces in the house blend into each other creating a free flowing plan that connects the front lawn to the green backyard interlaid with elements from the Goan - Portuguese history.

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

我们不能忽视这样一个事实：果阿被葡萄牙人统治了近400年，但从这个时代兴起的建筑是由果阿人发展而来的，在葡萄牙建筑背景的启发下，果阿的热带气候被铭记。

We cannot overlook the fact that Goa was ruled by Portuguese for nearly 400 years, but the architecture that sprung up from this era was developed by Goans keeping  the tropical climate of Goa in mind inspirited by the Portuguese architecture context.

 Ground Floor Plan

受建筑师勒·柯布西耶概念的启发，这座房子的规划是围绕着风景和场景的框架而设计的，这些风景和场景可以在自然的控制性视图和广袤的全景之间交替，从而在整个房子里创造出各种不同的氛围和体验。

Inspired by the concept of Architect Le Corbusier, the planning of the house is choreographed around framing of views and scenes that alternate between controlled views of the nature and wide panoramas that create a variety of different atmosphere and experience throughout the house

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

这所房子从来没有被立即揭穿过。流通的计划是这样一种方式，空间是慢慢展开的游客在体验和空间旅行贯穿整个房子。

The house is never revealed at once. The circulation is planned in such a way that the spaces are slowly unfolded to the visitors in an experiential and spatial journey throughout the house.

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

一个莲花池作为一个倒影池欢迎客人来到巴尔索岛(入口门廊的传统名称)。

A lotus pond acting as a reflection pool welcomes the guest towards the balçao (traditional name for entrance porch).

 © Prashant Bhatt

c.普拉尚·巴特(Prashant Bhatt)

一扇柚木门，上面放着一张“Janger舞者”的雕塑脸，一盏工业笼灯，装饰着一个管状的灯丝灯泡，还有一张红色的IPS(印度专利石)长凳，长凳上嵌入了阿祖尔佐斯或果安彩绘的瓷砖，决定了入口的门廊或巴尔索岛。更多的魅力是地板完成了灌木丛锤打黑色花岗岩。干净的建筑元素与纯粹的几何体积相结合，在入口处创造了一个平衡的、几乎极简的构图。

A teak wood door with a 'janger dancer' sculptural face placed on the lintel, an industrial cage light adorned with a tube shaped filament bulb  and the red IPS (Indian Patented stone) finished bench with Azulezos or Goan painted tiles embedded in it define the entrance porch or balçao. Adding to the charm is the floor finished with the bush hammered black granite. Clean architectural elements combined with pure geometrical volumes create a well balanced, almost minimalistic composition at the entrance.