© Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

架构师提供的文本描述。作为从基础转变的社会催化剂的生产性新兴住宅建筑的日志。

Text description provided by the architects. Log for a productive emerging dwelling Architecture as a social catalyst for transformation from the basics.

有时，开始一个项目是一种令人眼花缭乱的冒险，既诱人又不可避免。激情被困在一系列需要解决的环境中：技术问题、即兴创作、干预、合作，然后阐述所有实现目标的举措：为Velfor、他的妻子和三个孩子建造一所房子。

There are times when starting a project is a dizzying adventure; seductive and inevitable. Passion is enmeshed in a series of circumstances to solve; technical issues, improvisations, interventions, collaborations, then articulating all initiatives to reach the aim: a house for Velfor, his wife and three children.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

查克拉斯镇位于厄瓜多尔的埃尔奥罗省，在一部古老的西方电影中出现，因为它靠近邻近的秘鲁，所以充满了历史上的记载(这里居住的解放者西蒙·玻利瓦尔的合伙人马努埃利塔·萨恩兹(Manuelita Saenz)。现在，唐·韦尔福和他的家人住在这里。从今年4月开始，他们在地震中失去了家园，并在他的岳母马米·伊茨(Mami-Itzi)占领的12x10米的地区找到了避难所。

Located in the province of El Oro, Ecuador, the town of Chacras appears as in an old western movie, full of historical references due to its proximity to neighboring Peru (Manuelita Saenz, partner of Simon Bolivar, the Liberator lived here). Presently Don Velfor lives here with his family. They lost their home in the earthquake from April this year and found refuge in an area of 12 x 10 meters partially occupied by his mother-in-law Mami-Itzi.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

该项目于2016年5月建成，为期10天。Natura Futura ArquArchtura和Cronopios-El Oro(一个文化管理集体)进行了不同的过程。在提出了一个新兴的设计方案之后，我们通过媒体、数字媒体网络和口碑等方式打了电话。收集捐赠的材料和工具，并召集志愿者进行施工；他们接受培训，以完成项目建设所需的各种日常任务。

The project was built in May 2016 during a period of 10 days. Natura Futura Arquitectura along with Cronopios-El Oro (a cultural management collective) carried out the different processes. After proposing an emerging design, we made calls through press, digital media networking and word of mouth. Donated materials and tools are collected, and volunteers gather for the construction; they are trained to perform the various daily tasks that will achieve the construction of the project.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

在用混凝土和砖块制作地基后，房屋被连接成托盘上的模块，用松木建造，通常用于在大型仓库装载货物。棍子和条被用作结构支撑。窗户是用半硬木和回收废料条建造的.最后，用锌板做屋顶。

After making the foundations with concrete and bricks, the house is articulated as modules on pallets, built with pine wood, usually used to load goods in large warehouses. Sticks and strips are used as structural support. The windows were built with semi-hard wood and recycled waste strips. In the end, zinc plates are used to make the roof.

 Diagramation

diagrammatize作成图表，图解

我们提出了支持家庭经济的策略，这会受到工作中断和位置变化的影响。创建一个家庭花园是产生一种新的生活精神的第一个想法。我们让唐·韦尔福(DonVelfor)在学习过程中学习，这样他就可以复制他在基础建设中学到的东西，以便在该地区建立一种经济活动。我们建议活动空间来创造收入，例如出售零食或午餐。

We propose strategies to shore up the family economy, affected by the work stoppage and change of place. Creating a family garden was a first idea to generate a new spirit of livelihood. We included Don Velfor in a process of learning by doing so he can replicate what he learned in basic construction, in order to establish an economic activity within the region. We propose spaces for events to generate revenue, such as selling snacks or lunches.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

接入平台是家庭成员之间以及与相邻房屋的家庭之间进行社会互动的空间。它既可以用来摆一张有椅子和午餐的桌子，也可以用来铺地毯、垫子和休息。开幕当天，举行了一场文化活动：一场木偶戏和乐队的舞蹈团在一起。透明度，光和风。

The access platform is a space for social interaction between family members, and with the families of adjacent houses. It serves both to set a table with chairs and lunch, or to lay a carpet or mat and rest. The opening day a cultural event was made: a puppet show with the group Rompecabezas. Transparency, light and wind.

这座房子是以三卷书为基础的，两卷用来睡觉，一本用来厨房和客厅。从高架房屋到地面的距离保护结构不受潮湿的影响，同时允许地板下的空气持续流动。屋顶和空旷空间的高度，加上窗户的透明度，允许在任何时候进行交叉通风。屋顶和屋檐的形状就像一顶大帽子，可以保护房子，提供遮荫，保护它不受雨水的影响。这是被动系统的选择。

The house is based on three volumes, two used for sleeping and one for kitchen and living room, with an optional progressive growth towards the platform. The distance from the elevated house to the ground protects the structures from moisture while allowing a constant flow of air under the floor. The height of the roof and open spaces plus the transparency of the windows allow for cross ventilation at all times. The form of the roof and its eaves are like a large hat that protects the house providing shade and protecting it from the rain. It is the choice of passive systems.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

托盘模块的稳定性与窗户的空间相混合，这些窗口之间的空间允许光线泄漏，在里面产生异想天开的阴影。低楼层的窗户作为儿童的逃生门；娱乐的可能性在一个鼓励流动性的空间中被接受。

The constancy of pallet modules is mixed with spaces for windows whose spaces between strips allow for light to leak generating whimsical shadows inside. The low floor level windows function as escape doors for the little ones; recreational possibilities are embraced in a space that encourages fluidity.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

宽阔的前门连接了基本厨房，其货架由回收篮子(用于水果)制成，平台扩大了空间。这座用轮胎铺满土地的花园为孩子们带来了希望，因为他们把它当作自己的项目。

The wide front door articulates the basic kitchen, with its shelves made of recycled baskets (used for fruit) with the platform expanding the space. The garden made of tires filled with sown ground renews hope in children who embrace it as their own project.

 © Eduardo Cruz y Natura Futura

(Eduardo Cruz Y Natura Futura)

我们寻求在社区内建立一个新的核心，从而重新激活该地区，将其意义颠倒过来，从焦虑和不确定的时刻转向从基础的转变，其社会催化剂是建筑。

We seek to create a new core within the community thus reactivating the area, inverting its meaning, moving from moments of anxiety and uncertainty to a transformation from the basics, whose social catalyst is architecture.

Architects Natura Futura Arquitectura + Colectivo Cronopios

Location Reserva Ecológica Militar Arenillas, E50, Ecuador

Category Social Housing

Collaborators Don Velfor, Joao , Gabriela Torres, Eduardo Cruz, Christian Bravo. Fausto Quiroz, José Gómez, Verónica Alvarado, Víctor Torres, Lorena Torres, Betty Alvarado, Diana Alvarado, Xavier Carrera, Leopoldo Bravo, Jamil Jara, Gonzalo Chávez, Todos somos Ecuador, Cuerpo Militar Arenillas, Wagner Aguirre, Juan Sánchez, Ing. Macas, Santiago Arcos , Lylibeth Coloma

Project Area 30.0 m2

Project Year 2016

Photographs Eduardo Cruz y Natura Futura