N STRIPS Jun Murata

2016-07-10 20:00

 © Jun Murata

(3)村田军(Jun Murata)

架构师提供的文本描述。 用白色鱼翅的正面遮住了基地内的两家商店。这座39年楼龄建筑的翻新，使租户、写字楼和住宅与其城市环境相协调，同时形成了标志性的存在。

Text description provided by the architects. With a facade of white fins to conceal two stores within its base. The renovation of the 39 year old structure yields tenants, offices and dwellings which harmonize with its urban surroundings while forming an iconic presence.

 © Jun Murata

(3)村田军(Jun Murata)

这是位于大阪郊区的多租户大楼的翻新工程。它包括小租户和住宅。 外墙已经退化，公共区域没有维护，每个租户和住宅没有使用和不通风。修复一切都是必要的，主要是因为存在条件太肮脏了。

This is the renovation of the multi-tenant building located in the suburb of Osaka. It contains small tenants and dwellings. The outer wall had debased, the public area has not maintained, and each tenants and dwellings has not used and unventilated. It was necessary to repair everything mostly because the existence condition was too squalid.

工地附近有办公楼、工厂和住宅。北面是绿色公园的美丽景色。虽然南侧没有停车的建筑，但对于新建筑来说，有必要保持隐私。因为计划在不久的将来在这个停车场建一套新公寓。

There are office buildings, factories and housings near the site. To the north, there is the beautiful view of green park. Though there is no buildings of parking of opposite side of south side, it was necessary to keep privacy for new architecture. Because a new apartment is planned to build in this parking site in the near future.

 © Jun Murata

(3)村田军(Jun Murata)

部分水泥剥落后，表面已被仔细修复。此外，在建筑物的正面，立面由立式百叶窗提出，作为一个相反的水平横越天空的建议。这不仅是为了保持隐私，也是一个解决办法，不暴露不均匀的表面和新管道的外墙表面。

After part of the cement was peeling that has been removed, the surface has been carefully repaired. In addition,on the front of the building, the proposal of the facade by the vertical louvers, to act as an opposite horizontally crossing the sky went. This is not only to keep privacy is also a solution for not exposing the uneven surface and new pipes of the outer wall surface.

为了进行合理的研究，本文给出了光阑比、百叶窗尺寸、成本、重量等条件，对无数的立面图案进行了数值模拟。我试图通过生成无数的模式并通过参数化设计来积累考虑，从而自然地引导最优解。最终的判断不依赖于任何人，而是从几种模式的内部被采纳了最理性和最有效的一种。

For the rational study, innumerable patterns of facade had simulated by the algorithm which is given the condition of aperture ratio, louver size, cost, weight and etc. I tried to lead optimum solution naturally by generating the countless patterns and piling up consideration by parametric design. Final judgement didn't depend on anyone, and was adopted most rational and efficient one from the inside of several patterns.

 © Jun Murata

(3)村田军(Jun Murata)

每个百叶窗几乎有2.55米长的方面，30毫米厚x 75毫米深度。超过300的垂直百叶窗安装有方向性的高度和宽度有节奏的凸起。

Each louvers has almost 2.55m long with the aspect of the 30mm thickness x 75mm depth. Vertical louvers beyond 300 are installed with directionality of the height and width with rhythmical bumps.

所有的内墙和旧设备的每一个房间，作为办公室，SOHO和客人的空间被移除。它的旧布局被规划成一个大的一个房间的风格，以适应各种现代生活方式灵活。在重新安置了漏水的维修和每一次铺设管道后，我安装了一个核心箱，里面有浴室、盆和厨房。 最小的室内设计和中性的设计旨在提供最广泛的可能性，并试图尽可能地满足现代生活方式和社会需求的最大多样性。从室内空间看到的百叶窗可以适度观看和照明。

All of inside walls and old equipments of each room which used as office, SOHO and guest space are removed. Its old layout was planned into a big one-room style in order to correspond to various modern lifestyles flexibly.. After relocating a leaking repair and each laying of the pipes, I installed one core box which contains the bathroom, basin and kitchen. The minimal interior and the neutral design intends to grant the widest range of possibilities, and tried to accomodate the maximum diversity of modern lifestyle and social needs as possible. Louvers seen from the inside space are enabling moderate viewing and lighting.

 © Jun Murata

(3)村田军(Jun Murata)

新立面的百叶窗显示了各种表达。白天，随着阳光的照射，它的线状阴影发生了剧烈的变化。到了晚上，它被上方的间接照明照亮，昏暗地站在暮色中。埋葬在杂乱无章的环境中的前一栋建筑 因沉默而苏醒过来。

New facade by louvers shows various expressions. By day, its linear shadow changes dramatically along with sunlight. By night, it's illuminated by an upper indirect lighting, and standing dimly in the twilight. The previous building buried in the miscellaneous environment revived with silence.