© Tetsuya Yashiro

.Tetsuya Yashiro

架构师提供的文本描述。该遗址位于福冈县南部的优井镇(UkihaYoshii)。从小山地区的南边镇，水和风丰富，它是一个壮丽的景观可以享受土地。这座日本房子的翻修计划是在小山脚下建造60年的。居民们想要比现在的三个人都富裕一点，无论是中年人还是老年人。

Text description provided by the architects. The site is located in Ukiha Yoshii town in southern Fukuoka prefecture. From Minoyama areas of the south side of the town rich water and wind, it is a magnificent landscape can enjoy land. Renovation of the Japanese house of this plan is built 60 years at the foot of the Minoyama land. Residents wanted a little richer life than the current three both, in the middle-aged and elderly people.

 © Tetsuya Yashiro

.Tetsuya Yashiro

那个时代的现有建筑设计与配送材料的流行程度已经上升了3倍，到目前为止已经分散了。它提出并利用了天花板的各种元素，如松木板的天花板，从完工之时起，当人在混合时，被松木梁的美丽所吸引，这一美丽的松木板的核心概念。

Existing buildings epidemic of design and distribution material of that era have been up 3 times renovated in up to now has been scattered. It advanced the design and that take advantage of the ceiling of the various elements like the ceiling of pine plate there from the time of completion when the person in the mix are attracted by the beauty of the beams of pine this beautiful pine plate to the core of the concept.

 © Tetsuya Yashiro

.Tetsuya Yashiro

 © Tetsuya Yashiro

.Tetsuya Yashiro

在这座所谓的日式住宅中，如没有隔墙，其作用是隔断细木工的补充。当大量的人在节庆和追悼会上聚会时，功能非常灵活，或类似的，可以使用双室细木工作为一间房。细木工是形状的房间，在被移除的状态是横梁，其中四个角落的支柱连接它。这一次的横梁，是从玻璃板上的土墙上换来的。已经成为清晰的横梁，让我把松木板的天花板伸展到整个建筑，即使是在细木工的封闭状态下，空间也有其自身的顺序，将其作为一个细长的空间轮廓，将它从细木工中剥离出来。

In this so-called Japanese-style house, such as there is no partition wall, its role is partition joinery supplement. When a large number of people gather at the time of festivals and memorial service is functional in very flexible, or the like can use the two-chamber joinery is tought as 1 room. Joinery is shape the room in a state of being removed is the transom where the four corners of the pillars connect it. The transom this time, has been changed from the soil wall on a glass plate. Has become the clear transom is let me spread the ceiling of pine board to the entire building even in the closed state of the joinery, space with its own sequence that will function as a thin outline of the room that it is taken off the joinery.

 © Tetsuya Yashiro

.Tetsuya Yashiro

作为一个整体，为了改变平面图和楼梯的位置，按照生活方式的潮流，我正在做着交换和打磨的柱子。入口细木工装备有更换照明，蒙上眼睛和打击，使盲人在玻璃之间。我做了一个新的墙部分是硅藻土的白色，当阴影穿过玻璃横梁时，会被搬到建筑物的后面，同时滑动硅藻土的入口，这是从罢工中进来的。

As a whole to change the position of the floor plan and stairs in accordance with the current of living the way, I am doing the swapping and HajimeSo beating of the pillars. Entrance joinery is equipped with changing the lighting and the blindfold and strike that put the blind in between the glass. I made a new wall portion is a diatomaceous earth of white, will be carried to the back of the building while shaded passes through the glass transom while sliding the entrance of the light wall of diatomaceous earth, which came in from the strike.

 © Tetsuya Yashiro

.Tetsuya Yashiro

园主在园地里也有你从事园林绿化的行业，一切都离开了。而坐在前厅南边的阳台上，大家都很了解，愿意把家园的景观和小山的土地连接起来。我认为，当地装修的可能性，在不一定寻求戏剧性改变的情况下，发现了一点丰富的生活，在这个项目中是显而易见的。

Owner garden in the grounds there is also that you are engaged in the landscaping industry and leave it all. And sit on the veranda south side of the vestibule is understood well that is willing connects the landscape of the home and Minoyama land. I think that the possibility of local renovation found a little rich life without necessarily seek a dramatic change was visible in this project.

 © Tetsuya Yashiro

.Tetsuya Yashiro

Architects tatta architects

Location Ukiha Yoshii, Japan

Category Houses

Architect in Charge Tatsunori Kakuno

Area 226.61 sqm

Project Year 2016

Photographs Tetsuya Yashiro