© Simon Devitt

西蒙·德维特

架构师提供的文本描述。在拉维提度过了四十年的夏天，他们在斯特鲁瑟斯家留下了深刻的印象。为了适应下一代的家庭，迪和约翰想要用一个拥抱几十年来发展起来的文化，满足从亲密的夫妇到一大群庆祝人群的任何东西，而重要的是成为下一代的传家宝，取代他们深受爱戴的巴赫。

Text description provided by the architects. Forty years of summers in Rawhiti had imprinted themselves on the Struthers. To accommodate the next generation of their family, Di and John wanted to replace their much-loved bach with one that would embrace the culture evolved over decades, would cater for anything from an intimate couple to a large celebratory crowd, and importantly become an heirloom for the next generation.

 © Simon Devitt

西蒙·德维特

主建筑提供主要的聚会空间、主卧室、非正式的“阁楼”空间和游艇商店。它们一起包含了以前巴赫的空间布局的痕迹，导致了一种设计为对象组合的形式，有着预定的失调、滑动和怪癖。它爬出地面，突出到近处和远处的景色。

The main building provides primary gathering spaces, main bedroom, informal ‘loft’ space, and boat store. Together these contain a trace of the spatial arrangements of the previous bach, leading to a form designed as an assemblage of objects, with intended misalignments, slippages and quirks. It climbs out of the ground, projecting out to near and distant views.

 © Simon Devitt

西蒙·德维特

虽然巴赫家族植入了家庭心理，但这座被戏称为“睡懒觉”的建筑却没有先例；相反，它以该网站的地理特征为主导，并作为主要建筑的对立面，俯冲到山坡上。它的卧室从主建筑的公共喧嚣中退了下来。百叶窗创造了一个充满活力的立面，为居住者提供了对隐私的控制，以及对远处景观的看法。连同光阱，这些看起来操纵光和空气的运动。

While the bach was embedded in the family psyche, the additional structure, nicknamed the ‘sleep-out’, had no precedent; instead, it takes its lead from the site’s geographical qualities and, as a counterpoint to the main building, hunkers down into the hillside. Its bedrooms offer a retreat from the communal bustle of the main building. Shutters create a dynamic façade providing occupants with control over privacy and views to the landscape beyond. Together with the light-wells these look to manipulate the movement of light and air.

 © Simon Devitt

西蒙·德维特

将功能分散到两个结构中，减少了对敏感环境的影响，并激活了一个有意放松和自发的室外空间。

Dispersing the functions into two structures lessened the impact on the sensitive setting, and activated an outdoor space that is left deliberately relaxed and spontaneous.

这些建筑被设计成持久的建筑，被根植在场地上，融入景观，增强了场所感，塑造了灯光和风景。丰富来自高水平的工艺，空间的质量和材料，纹理，颜色和谷物的表达。最终，设计的目的是加强和提供多种方式来聚集在一起，分享时间和记忆。

The buildings have been designed to be long lasting, be grounded in the site, engage with the landscape, reinforce the sense of place, and sculpt light and views. Richness comes from a high level of craft, the quality of the spaces and the expression of materials, texture, colour, and grain. And ultimately, the design looked to reinforce and provide for a multiplicity of ways to come together, and share time and memories.

 © Simon Devitt

西蒙·德维特

Architects Studio Pacific Architecture

Location Rawhiti, New Zealand

Category Houses

Design Team Nick Barratt-Boyes, Peter Mitchell, Arindam Sen and Beth Chaney with Michael, Davis, Wayne Lightfoot, Patrick Thompson, Anna Windsor

Area 640.0 m2

Project Year 2013

Photographs Simon Devitt

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