House 4.16.3 Luciano Lerner Basso

2016-07-20 11:00
 © Marcelo Donadussi
马塞洛·多纳杜西
架构师提供的文本描述。住宅4.16.3位于Erechim市,位于南里奥格兰德州的农村,距州首府阿雷格里港约400公里。该地区属亚热带气候,夏季温暖潮湿,冬天寒冷多雨,这给建筑师带来了另一个可居住性方面的挑战。该项目建在一个20米高的地形上,有几种本地植物,它试图尽量改变地形,提出一座位于其最高部分之一的建筑物,从那里开始,有时在自然剖面上自行开发,有时在上面盘旋。
Text description provided by the architects. House 4.16.3 is located in the city of Erechim, in the countryside of Rio Grande do Sul state, around 400 km from the state capital, Porto Alegre. The region has a subtropical climate, with warm, humid summers and chilly, rainy winters, which poses yet another challenge to the architect, in terms of habitability. Built on a terrain with a slope of twenty meters and several native plant species, the project sought to minimally alter the topography, proposing a building that lies on one of its highest parts and, from there on, develops sometimes accommodating itself on the natural profile and sometimes hovering over it.
 © Marcelo Donadussi
马塞洛·多纳杜西
该计划分为两卷:第一卷42米长,8米宽,位置平行于等高线,容纳服务和房子的亲密区域。第二层是下面一层,可容纳社会部门,直接连接到露台和游泳池区。这两个街区形成了一个“T”,就像弗兰克·劳埃德·赖特(FrankLloyd Wright)的大草原之家一样,通过垂直循环而形成。在假想的轴线相交的地方,有一个双高的天花板,它将体积统一起来,并允许房子的亲密区域在空间上接管社会领域。
The program was divided into two volumes: the first is 42 meters long and 8 meters wide, positioned parallel to the contour lines, holds services and the house's intimate area. The second is one floor below and accommodates the social sector, connecting directly to the patio and the pool area. The two blocks form a "T", just as the Prairie Houses of Frank Lloyd Wright and articulate through vertical circulation. Where the imaginary axes meet there is a double height ceiling that unites the volumes and allows the intimate area of the house to spatially take over the social area.
 
 
有两个通道,一个日常使用的居民,穿过车库,允许房屋被使用,好像是一个故事尽管有崎岖的地形,因为基本的程序完全处于相同的水平。另一个出入口位于较低的水平,穿过具有双高度天花板的客厅,并通过它,可以进入散步时开始的散步建筑,在4.5米的结构平衡下通过,并通过主卷下面的支柱进行发展。
There are two accesses, one of daily use of the residents, which is through the garage and allows the house to be used as if it were one-story despite of the rugged topography, since the basic program is completely at the same level. The other access is at the lower level, through the living room with double height ceiling, and through it there is access to a promenade architecturale, which starts on the promenade, passes under the structural balance of 4.5 meters and develops through the pillars below the main volume.
 © Marcelo Donadussi
马塞洛·多纳杜西
在较低音量的楼板上有一个花园露台,可以从亲密的客厅进入,在烧烤休息室旁边还有另一个露台,游泳池就在那里。从这两个用户的位置在同一水平的树梢和这个人造地板的看法,就像景观是可居住的。
On the slab of the lower volume there is a garden terrace, which can be accessed from the intimate living room, and next to the barbecue lounge there is another terrace, where the pool is located. From both the user is positioned at the same level of the treetops and this artificial floor takes the view as if the landscape were habitable.
 © Marcelo Donadussi
马塞洛·多纳杜西
该工程是通过该地区常用的施工技术来实现的:结构为钢筋混凝土结构,墙为陶瓷砖砌体,涂有水泥和砂砾灰泥。使用的劳力是当地的,除了最尊重自然地形外,房子还有雨水回用系统;太阳能供暖;每个房间的自然通风和照明;通过带有空气室的双层外墙和高性能双层窗框减少能源损失。单独的行动在一起会对环境产生影响。
The work is materialized through common construction techniques of the region:  the  structure  is  in  reinforced  concrete  and  the  walls  are  ceramic  brick masonry coated with cement and sand mortar plaster. The labor used was local and in addition to the utmost respect for the natural terrain profile, the house has a rain water reuse systems; heating through solar energy; natural ventilation and lighting in every room; reduction of energy losses through double exterior walls with air chambers and also high performance double glazed window frames. Individual actions that together make a difference for the environment.
 © Marcelo Donadussi
马塞洛·多纳杜西
这座房子是一对夫妇提出的,他们在成为客户之前已经是朋友了,他们也有孩子,我们看着他们长大。设计法比以往任何时候都更需要
This residence was requested by a couple who were already friends before being clients, who also had children whom we watched grow. The design act took, more than ever, the
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Luciano Lerner Basso
Location Erechim, Brazil
Category Houses
Area 510.0 sqm
Project Year 2015
Photographs Marcelo Donadussi
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