© Adam Letch

(亚当·莱奇)

架构师提供的文本描述。简略

Text description provided by the architects. Brief

“客户与SAOTA接触，设计了一个家庭度假屋，以响应网站，特别是意见。他们想要一个轻松而优雅的家，在招待许多客人时会感到舒适，但在只有一两位客人的时候，他们也会感到亲切和舒适，“导演兼项目负责人菲利普·福歇(Phillippe Fouché)说。其他推动建筑物概念组织的因素包括景观、阳光、风向和分区参数。

“The clients approached SAOTA to design a family holiday home that responded to the site, especially the views. They wanted a relaxing, yet elegant home that would be comfortable when entertaining many guests whilst also feeling intimate and cosy when it’s only one or two of them in the house,” said director and project leader Phillippe Fouché. Other factors that drove the conceptual organisation of the building were the views, sunlight, prevailing wind direction and the zoning parameters.

 Upper Basement Plan

上地下室平面图

 Ground Floor Plan

 1st Floor Plan

一楼图则

这个地点位于普莱滕贝格湾比肯岛的南面。该地点下坡到海滩，在印度洋上有不间断的风景，东南方向的罗贝格和向北的乌特尼卡山脉。最初的等高线图显示，这个地点原来是一个沙丘，在该地点的南部有一个较高的土丘。

This site is located to the South of Beacon Isle in Plettenberg Bay. The site slopes down to the beach and has uninterrupted views over the Indian Ocean, Robberg to the South East and the Outeniqua Mountains in the distance towards the North. The original contour plans revealed that this site was originally a dune with a higher mound towards the southern part of the site.

 © Adam Letch

(亚当·莱奇)

这座房子被设想成一个简单的盒子，漂浮在沙丘上，捕捉和描绘着景色。这个盒子的外壳是在一个粗糙的纹理混凝土中完成的，与光滑的外观形成鲜明对比，使之变细，形成一个精致的框架。

The house was conceived as a simple box, floating over the dune, capturing and framing the view. The outer shell of the box is finished in a rough textured concrete, contrasting with the smooth reveal and soffit that tapers to create a delicate frame.

 © Adam Letch

(亚当·莱奇)

SAOTA的建筑师、项目组成员Mias Claassens指出：“从海滩上看，这座建筑表现为一块石柱，代表着”泥土“，卧室的空间似乎漂浮在上面。”上卧室的机翼是完成在一个天然的沙子涂层，直接响应原来的沙丘在现场。为了利用该地点允许的最高高度，上层的南部较高，似乎以雕塑的方式从北部切割。这个开口垂直延伸到整个建筑，通过房子的更深的空间冲洗北光。“楼梯被微妙地悬挂在这个雕刻的洞口内，也允许从上面的天窗看到风景。楼梯的几何形状继续以对角线的形式延伸，将悬臂式的娱乐平台延伸到Robberg，“菲利普·福歇(PhillippeFouché)说。

 “From the beach, the building is expressed as a stone plinth, representing “earth”, with the bedroom spaces appearing to float over it,” noted Mias Claassens, architect at SAOTA and member of the project team. The upper bedroom wing is finished in a natural sand coating, a direct response to the original dune on the site. In order to exploit the maximum height allowed on the site, the southern part of upper level is higher and appears to be sliced off from the northern part in a sculptural way. This opening extends vertically through the building, washing northern light through the deeper spaces of the house. “Stairs are delicately suspended within this carved opening, also allowing views through it and lit from a skylight above. The geometry of the staircase continues as a diagonal line that extends the cantilevering entertainment terrace towards Robberg,” said Phillippe Fouché. 

 © Adam Letch

(亚当·莱奇)

当从道路上接近时，房子的规模是适中的，居住空间隐藏在较低的水平上。木材百叶窗提供隐私的画廊一样的卧室通道上方，同时保护外观免受下午的阳光。入口的树冠上有很强的水平感，在板状边缘上栽种着土著灌木。一堵石墙从较低的水平引入了基座，当一步走到前门时，它似乎就会脱落。生活空间是没有柱的，卧室的机翼上方由一个大型雕塑壁炉支撑。从废弃的热水钢瓶中打捞出来的氧化铜被编织在火场的内部。这使得海洋的颜色可以作为主要的焦点在视觉上延伸到客厅。

When approaching from the road, the scale of the house is modest and the living spaces concealed on a lower level. Timber shutters provide privacy to the gallery-like bedroom passage above whilst protecting the façade from the afternoon sun. A strong horizontality is articulated in the entrance canopy which is planted with indigenous shrubs cascading over the slab edge. A stone wall introduces the plinth from the lower levels and appears to fall away as one steps down to the front door. The living space is column free with the bedroom wing above supported by a large sculptural fireplace. Oxidised copper, salvaged from discarded hot water cylinders, is woven to line the inner part of the fire place. This allows the colour of the ocean to extend visually into the living room as the primary focal point.

 © Adam Letch

(亚当·莱奇)

大滑块打开，从建筑的信封，允许畅通无阻的进入和意见之间的风防娱乐庭院，居住空间和前面的露台。厨房的位置实际上是服务于居住空间和北部庭院，其中比萨饼烤箱烟囱是一个强大的垂直元素，平衡水平入口天篷和浮动卧室机翼。厨房的音量向上打开，允许北极光进入空间，并连接到上面的走廊通道。

The large sliders open past the envelope of the building, permitting unhindered access and views between the wind-protected entertainment courtyard, the living space and the front terrace. The kitchen is practically positioned to serve the living spaces and the Northern courtyard where a pizza oven chimney is a strong vertical element, counter-balancing the horizontal entrance canopy and floating bedroom wing. The kitchen volume opens upwards allowing northern light into the space and connecting to the gallery passage above.

卧室通过大木料和滑动的百叶窗被赋予了隐私和不受晨光照射的保护。房间的设计是为了最大限度地利用现有的空间，凸起的浴室对房间开放，可以从房间的任何地方看到大海。小天窗允许自然光线进入浴室，否则将依赖人工照明。房间末端的大镜子表面进一步突出了空间，并在战略上反映了罗布堡或乌特尼夸山脉，取决于有利位置。

The bedrooms are given privacy and protection from the morning light by means of large timber, sliding shutters. The rooms are designed to take maximum advantage of the space available, raised bathrooms open up to the room, allowing views to the ocean from anywhere in the room. Small skylights allow natural light into the bathrooms which otherwise would have been reliant on artificial lighting. Large mirror surfaces at the ends of the rooms further accentuate the space and strategically reflect either Robberg or the Outeniqua mountains depending on the vantage point.

 © Adam Letch

(亚当·莱奇)

主卧室放置在上层的较高部分，以利用海景。所有卧室、套房、浴室和更衣室都向客房和海景开放。

The main bedroom is placed on the higher part of the upper level to take advantage of the ocean views. All bedrooms’ en-suite bathrooms and dressing rooms open up to the room and to the ocean views.

 © Adam Letch

(亚当·莱奇)

较低层的石座可容纳游戏室、大型客人套房、视听室和后面的服务空间。泳池位于这一较低的露台上，但通过石质楼梯与主要娱乐空间保持方便的连接，而石阶是桥墩的一部分。游泳池位于这个花园/甲板区域的中央，以使主晒黑甲板延伸到可以享受下午阳光的场地的尽头。水池的水位比甲板表面高出20毫米，四周的边缘流动给人的印象是，这种反射的水体插槽进入木材甲板。在阳台的远角降低的博马(火坑)是保护不受风的玻璃面板，这是一个更隐蔽的空间，坐在一个露天的火，靠近海滩。(鼓掌)

 The stone plinth on the lower level accommodates a games room, large guest suite, audio-visual room and service spaces behind. The pool is located on this lower terrace but remain conveniently connected to the main entertainment spaces by means of a stone staircase, articulated as part of the plinth. The pool is situated centrally to this garden/ deck area to allow the main tanning deck to extend to the end of the site where the afternoon sun can be enjoyed. The water level of the pool is 20mm above the deck surface, a rim flow all round creates the impression that this reflective water body slots into the timber deck. The lowered boma (fire pit) in the far corner of the terrace is protected from the wind by glass panels, this is a more secluded space to sit around an open fire, close to the beach.  

 © Adam Letch

(亚当·莱奇)

Architects SAOTA

Location Plettenberg Bay, South Africa

Category Houses

Architect in Charge Phillippe Fouché

Design Team Stefan Antoni, Greg Truen & Mias Claassens

Area 1176.0 sqm

Project Year 2014