© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。去年4月16日，卓别林的世界，一个为查理卓别林而设的博物馆，经过了两年多的建设，终于正式落成。该项目由行政长官的IttenBrechbühl SA构想，并由总承包商HRS Real Estate SA实现，该项目整合了一座既清醒又现代化的新的大型建筑，以及恢复和改造Manoir de潘基文及其外围建筑的工作。

Text description provided by the architects. Last 16th April, Chaplin’s World, a museum dedicated to Charlie Chaplin, was inaugurated after more than 2 years of construction. Conceived by the IttenBrechbühl SA of ce and realised by the general contractor HRS Real Estate SA, the project integrates a new large-scale building that is both sober and modern as well as the restoration and transformation of the Manoir de Ban and its outbuildings in a preserved rural environment.

 © Fernando Guerra | FG+SG

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一个特殊博物馆的特殊地点

An exceptional site for an extraordinary museum

毗邻洛桑-维维高速公路，这片占地14公顷的地块在Vevey上方有田园诗般的位置，俯瞰风景和日内瓦湖。

Adjoining the Lausanne-Vevey motorway, this 14 hectare plot enjoys an idyllic position above Vevey, overlooking the landscape and Lake Geneva.

 © Fernando Guerra | FG+SG

费尔南多·格拉

查尔斯·卓别林在瑞士流亡期间所居住的宇宙由一座豪宅(Manoirdeban)、外围建筑和农业建筑组成。随着新的Musée Chaplin，一个额外的综合体，工作室，现在正在添加。它巧妙地融入到其独特的环境中，并重新评价现有的元素。

The universe in which Charles Chaplin lived during his exile in Switzerland was composed of a mansion (The Manoir de Ban), the outbuildings and agricultural buildings. With the new Musée Chaplin, an additional complex, the Studio, is now being added. It is subtly integrated into its unique environment and revalues the existing elements.

 © Fernando Guerra | FG+SG

费尔南多·格拉

演播室或流浪汉的房子

The Studio or The Tramp’s house

作为车库的延续，这座新的半埋两层楼的建筑包含了超过1350平方米的艺术家、演员和导演的电影宇宙。五卷联锁，形成一个精简和清醒的建筑物。已实现

Set up as a continuation of the garage, this new half-buried two-storey building houses the cinematographic universe of the artist, actor and director over more than 1350 m2. Five volumes interlock to form a streamlined and sober building. Realised

 © Fernando Guerra | FG+SG

费尔南多·格拉

在预制混凝土板中，矿物正面在景观中起着背景作用.周围樱桃树的阴影投射在这个简单的体积的正面，就像一个电影屏幕。由于它的简单性，建筑对现场和现有的建筑物表示敬意。

in pre-cast concrete slabs, the mineral facades play the part of a background in the landscape. The shadows of the surrounding cherry trees are projected onto the facades of this simple volume, as if it were a cinema screen. By its simplicity, the building pays homage to the site and to the existing buildings.

 © Fernando Guerra | FG+SG

费尔南多·格拉

在卷内，多媒体场景使游客有可能从不同的角度了解卓别林的电影遗产。入口处是一个开放，明亮和通风的悬垂。它打开一家电影院，把参观者转移到卓别林作品的秘密世界。然后，银幕升起，展现出一条具有好莱坞气息的标志性街道，邀请游客在卓别林的电影制作空间中漫步。在这条路的尽头，在这两层楼，游客从地下室来到一个灯光，玻璃空间打开到餐厅。

Inside the volume, a multimedia scenography makes it possible for visitors to  nd out about the cinematographic heritage of Chaplin from different perspectives. The entrance is located on an open, bright and airy overhang. It opens out onto a cinema theatre which transposes visitors into the secret universe of Chaplin’s work. The screen then rises to reveal an emblematic street with a Hollywood air which invites visitors to wander through spaces producing the films of Chaplin. At the end of this path on both floors of the building, the visitor comes up from the basement into a light, glass space opening out onto the restaurant.

 Ground Plan

马诺伊·德班或卓别林的房子

The Manoir de Ban or Chaplin’s house

在瑞士国家文化财产目录中注册的新古典风格的Manoir de ban于1840年由Vevey建筑师Philippe Franel建造，除其他外，作者是Vevey的Ch teau de l‘aile和h tel des Trois Couronnes。

Registered with the Swiss Inventory of Cultural Property of National Significance, the Manoir de Ban, of neo-classical style, was built in 1840 by the Vevey architect Philippe Franel, author, among other things, of the Château de l’Aile and the hôtel des Trois Couronnes in Vevey.

 © Fernando Guerra | FG+SG

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与沃州纪念碑和现场服务处合作，IttenBrechbühl办公室建筑师和HRS房地产公司作为总承包商，对其进行了全面修复和翻修。许多工匠对石板屋顶的修复、摩拉石门框的更换、拱形地窖的加强和保存以及建筑物原有颜色的恢复作出了贡献。环境和安全升级是必要的，以使该建筑物可供公众使用。今天，一楼和一楼的房子专门用于卓别林的私人生活，包括重建艺术家和他家人的私人房间。阁楼变成了一个大的接待区，农场和车库

In collaboration with the Monument and Site service of the Canton of Vaud, it has been completely restored and renovated by the IttenBrechbühl Office architects and HRS Real Estate SA  acting as General Contractor. Many artisans have contributed towards the restoration of the slate roof, the replacement of the molasse door and window frames, the enhancement and preservation of the vaulted cellars and the restoration of the building’s original colours. Environmental and security upgrades were necessary to make the building accessible to the general public. Today, the ground floor and the first floor house the areas devoted to the private life of Chaplin including the reconstruction of the artist’s and his family’s private rooms. The attic has been transformed into one single large reception area.The farm and the garage

 © Fernando Guerra | FG+SG

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本着同样的保护精神，农场和车库的正面已经完全翻新和修复，但内部空间已经完全改造。旧农场设有“住房”部分的行政服务办公室和“旧谷仓部分”的餐厅。毗邻的露台可以容纳200多人。售票处和售票处位于旧车库的建造区，这两幢楼的正面已根据建造时的浪漫趋势重新粉刷。为了获得清洁和高贵的一面，材料已完全复制在毛坯或油漆基板上。该技术的优点是可以掩盖原始材料所能显示的所有缺陷。

In this same spirit of conservation, the facades of the farm and the garage have been entirely renovated and restored, but the interior spaces have been completely remodelled. The old farm accommodates the administration services office in the “housing” part and the restaurant in the “old barn part”. An adjoining terrace makes it possible to accommodate more than 200 people. The ticket desk  and shop are situated in the constructed area of the old garage.The facades of these two buildings have been repainted according to the romantic trend at the time they were built. In order to obtain a clean and noble aspect, the materials have been completely reproduced in trompe-l’oeil on a roughcast or paint base. This technique has the advantage of concealing all the defects which the original materials could show.

 © Fernando Guerra | FG+SG

费尔南多·格拉

公园的维护也是本着卓别林的精神继续进行的。他喜欢花草，在花园里种了稀有品种。因此，花园总是邀请散步，因为壮丽的山景，构成了无与伦比的经验。将该地点改造为博物馆还需要开展重要的出入基础设施工作，以便将新机构和谐地纳入当地城市结构：重新开发公路通道、新的行人专用区、单车径、下车处和摩托车、自行车和长途汽车停放区，以及进入大约230个停车场。

The maintenance of the park is also continued in the spirit of Chaplin. He liked flowers and planted rare species in the garden. The garden therefore always invites a walk which, because of the splendid view of the mountains, constitutes an unparalleled experience. The transformation of the site into a museum also entailed important access infrastructure work in order to harmoniously integrate the new institution into the local urban fabric: redevelopment of highway access, new pedestrian precinct, cycle path, drop off area and parking for motor bikes, bicycles and coaches, and access to some 230 car parking spaces on the site.

 © Fernando Guerra | FG+SG

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项目的年表和复兴

Chronology of the project and a revival

1952年被禁止留在美国之后，卓别林和他的家人定居在瑞士。他搬到日内瓦湖上方的Corsier-Sur-Vevey的Manoir de ban.他将在那里度过余生，直到1977年圣诞节去世。

After being banned from staying in the USA in 1952, Chaplin settles in Switzerland with his family. He moves into the Manoir de Ban in Corsier-sur-Vevey, above Lake Geneva. He will spend the rest of his life there until his death on Christmas Day 1977.

 © Fernando Guerra | FG+SG

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90年代，母亲Oona去世后，孩子们将Manoir de潘基文的所有财产遗赠给Musée Chaplin基金会，以便为他们的父亲建造一座博物馆。经过16年的学习和工作，2009年获得了建筑许可证，经过两年的建设，博物馆于2016年4月17日向公众开放。

In the nineties, after the death of their mother Oona, the children bequeath all the property of the Manoir de Ban to the musée Chaplin Foundation so that a museum will be built in tribute to their father. Following 16 long years of study and work, a building permit was granted in 2009 and finally after 2 years of construction, the museum opened its doors to the public on 17th April, 2016.

 © Fernando Guerra | FG+SG

费尔南多·格拉

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects Itten+Brechbühl

Location Route de Fenil 2, 1804 Corsier-sur-Vevey, Switzerland

Category Adaptive Reuse

Project Manager Petra Stump-Lys

Principal Collaborators Jana Krewinkel (Studio and Garage) Guillaume Schobinger (Manor and Farm)

Area 140000.0 m2

Project Year 2016

Photographs Fernando Guerra | FG+SG