Kyobo Book Center - Hottracks WGNB
2016-07-22 20:00
架构师提供的文本描述。商业空间的设计基本上反映了生活方式的变化。位于釜山的Kyobo图书中心用两幅意味深长的图片展示了这样的变化。两幅素描图像说明了这个空间的前后。虽然现有书店的空间结构使购房者忙于选择、购买和外出,但改变后的空间被设计成一个人们即使不买书也能轻松参观和逗留的地方。低矮的书架和开阔的空间使这家书店成为人们想要长期居住的地方。设计师选择了阿戈拉,一个形成于城邦古希腊城邦的广场,作为这一空间的动机之一。阿戈拉是广场、集市、讲故事的场所,是人们自由讨论政治、经济和社会的场所。阿戈拉是希腊人民日常生活的中心,这是一个开放的空间,无论是否买书,都可以在日常生活中为邻近的居民或来访的人安顿下来。因此,它是一个日常生活的空间,形成了文化,设计师计划在这个项目中创造这样一个空间。
Text description provided by the architects. Design for commercial space reflects the changing lifestyle basically. Kyobo book Center at Busan Seomyeon shows such a change with two implicative images. Two images of sketch tell the before and after of this space. While the space of existing bookstore had the structure which made purchasers busy to choose, to buy and to go out, the changed space is designed to be a place where people can visit and stay easily even though buying no books. Low bookshelves and open space make this bookstore be a space where people want to stay for a long time. Designer chose Agora, a plaza formed in polis ancient Greek city state, as a motive of this space. Agora is the day was plaza, marketplace, place with storytelling, and such a space where people discussed about politics, economy and society freely. The Agora was the center of daily life for Greek people, this is an open space settled in the daily life for neighboring residents or those who visit it, regardless of buying books or not. Consequently, it was a space of daily life forming culture in it, and the designer plans to create such a space at this project.
位于釜山的Kyobo图书中心由一楼和一层地下室组成。在一楼,畅销书排在以入口为中心的正面,它的布局反映了韩国的特色。在诗人、小说、文化、散文、杂志社、唱片、卡通等角落后面。研讨会区域位于卡通角上方。地下室的空间通过扩大两侧的楼梯,形成一个大的空隙,给两层楼带来了开放的感觉。它由每个部分与透墙分开.透墙使用穿孔板对空间进行分类.
Kyobo Book Center at Busan Seomyeon consists of the first floor and the first basement. On the first floor, the best-sellers are arranged at the front centering around the entrance, and its layout reflects Korean peculiarity. Behind the corners of poet, novel, culture and essay, corners of magazine, record figure and cartoon are situated. Seminar area is located above the cartoon corner. Space of basement gives the sense of openness to the two floors by expanding stairway on both sides and making a large void. It is divided with see-through walls by each part. The see-through walls categorize the space by using perforating panels.
地下室的书架是按类别划分的,但由于主要的人流线、图书区和HPTTRACTS区域的通透墙,它们保持了开放空间的一般概念。在地下室的中央,有一个与自然和谐相处的广场。有各种各样的领域,但基本上,设计师创造了休息的地方,人们可以在阅读时自然地相互交融。室内园艺从收银台的垂直花园开始,起到替代标志或放松干燥空气的审美作用。
The bookshelves on the basement are divided by categories but they maintain the general concept of open space due to the see-through walls at main human traffic line, books area, and HPTTRACTS area. In the middle of the basement, there is resting place like a plaza, which harmonizes with nature. There are various types of areas, but basically, the designer creates resting place where people can mingle each other naturally while reading. Inner gardening plays the aesthetic role to substitute for signs or to relax dry air, starting from the vertical garden at the cashier area.
Location Seomyeon, Bujeon-dong, Busan, South Korea
Collaborators Jonghwan Baek, Sungchil Park
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