H3 House Luciano Kruk

2016-08-15 09:00

 © Daniela Mac Adden

c.Daniela Mac Adden

架构师提供的文本描述。玛·阿祖尔(MarAzul)是比拉·盖塞尔镇(Villa Gesell Department)附近的马德拉斯潘帕斯(Marde LasPampas)，它的沙丘地形被划分它茂密的陈年松木赋予了马阿祖尔的气氛愉快、宁静和宁静。

Text description provided by the architects. Mar Azul, a seashore town in Villa Gesell Department, neighboring Mar de las Pampas, had its sand dunes terrain divided into a grid pattern. Its dense aged pinewood grants Mar Azul’s atmosphere pleasant quietness and tranquility.

 © Daniela Mac Adden

c.Daniela Mac Adden

在距离大海八个街区的拐角处，一块面积适中的210平方米的土地上，有H3楼，这是一座最小的踏面房屋，旨在充分利用这片土地的面积和自然环境。

In a modest, 210 square meter plot of land on a corner, eight blocks away from the sea, rises H3, a minimum tread house designed to make the most of the parcel’s dimensions and the natural surroundings.

 © Daniela Mac Adden

c.Daniela Mac Adden

专员：三个姐妹和他们的每个家庭。

The commissioner: 3 sisters and each of their families.

即使他们的预算有限，我们也很重视他们表达他们希望H3成为什么样的东西的能力：他们共同的避暑之所，他们在大自然中休息的地方。

Even though their budget was limited, they we valued ability to express what they wished H3 should be: their shared summer house, their own place to rest amid nature.

 © Daniela Mac Adden

c.Daniela Mac Adden

他们要求非常严格地界定房子的尺寸。这份简报应该包括一个占主导地位的社交空间和一个更私人的空间，由两间卧室组成：一间宽敞的主卧室和一间小木屋，两者共用一间公共浴室。他们希望主卧室向外开放，形成半覆盖的外部区域。同时，他们也表示希望把一只火蜥蜴放在房子的中心。

They requested that the house’s dimensions should be defined very rigorously. The brief should comprise a predominant social area and a more private one, constituted by two bedrooms: an ample master bedroom and a smaller cabin-like one, both sharing a common bathroom. They wanted the master bedroom to open up outwards into a semi-covered outside area. Also, they expressed their desire for a salamander to be placed at the heart of the house.

工作室和专员同意了房屋的重要性。H3完全是在暴露的混凝土中建造的，这很好地满足了维护的节制。为了尽可能保持设备的需求，甚至将家具视为混凝土体积的一部分。

The house’s materiality was agreed on by the studio and the commissioners. H3 was completely built in exposed concrete, which served well to the maintenance moderation. Intending to keep the needs for equipment at a minimum, even furniture was conceived as a part of the concrete volume.

 © Daniela Mac Adden

c.Daniela Mac Adden

用松木板来设置模板，使隔板和板保持木纹的纹理，试图与当地树木的树皮建立和谐的对话。

Pine planks were used to set the formwork so that the partitions as well as the slabs would preserve the texture of the wood veins in an attempt to establish a harmonious dialogue with the bark of the local trees.

 © Daniela Mac Adden

c.Daniela Mac Adden

这所房子是作为一个紧凑的街区组成的。一楼有厨房、餐厅和客厅，所有这些都在一个完整的空间里，楼梯从那里一直延伸到第一层。鉴于房子的规模，使用交叉视图和消失点的目的是统一和流动的空间在房间里。它们不是把房子的不同用途限制在单独的房间里，而是相互连接起来的，目的是产生一种空间扩展的普遍感觉。根据简短的要求，卧室和浴室位于楼上，但主卧室的室外半覆盖空间被设计成与第二卧室共用。此外，它还将部分用作楼下甲板的屋顶。

The house was constituted as a compact block. The ground floor houses the kitchen, the dining room and the living room, all in an integrated space from which the staircase emerges towards the first floor. Given the house’s scale, the use of crossed views and vanishing points aimed at unifying and fluidifying the space in the room. Instead of confining the house’s different uses into separated rooms, they have been connected with each other, aiming at producing the general feeling of spatial expansion. As requested on the brief, the bedrooms and the bathroom were located upstairs, but the main bedroom’s outdoor semi-covered space was designed to be shared with the secondary bedroom. Additionally, it would partially work as the roof for the downstairs deck.

由于走廊和服务设施设置在邻近地段的旁边，主窗户设置在房子更私人的后方，允许住宅向外甲板开放，并呼吁保护原始树木。

As the corridor and the serving facilities were set to the side next to the neighboring lot, the main windows were set on the house’s more private rear, allowing the dwelling to open towards the outside deck and calling for the conservation of the original trees.

 © Daniela Mac Adden

c.Daniela Mac Adden

由于森林的丰富提供了丰富的阴影，没有必要用建筑装置来减少太阳在里面的影响。事实上，除了连接房子内部和获得视觉效果外，房子的窗户也吸收了流经浓密的树冠的光线。

On account of the abundant shadows provided by the profusion of the woods, there was no need to reach for architectonic devices to reduce the sun’s incidence inside. As a matter of fact, apart from connecting the house interior and gaining visuals, the windows of the house also absorb the light that dribbles through the dense canopy of the trees.

 © Daniela Mac Adden

c.Daniela Mac Adden

悬垂和隔墙保护房子不受水的影响，也不受街道的影响。

Overhangs and partitions preserve the house both from the effects of water and the sight from the streets.

此外，容纳浴室的音量遮住了房子的入口。

Also, the volume housing the bathroom shelters the entrance to the house.

 © Daniela Mac Adden

c.Daniela Mac Adden

侧壁主要是盲墙，楼上的前部则显示浴室和主卧室的高窗户，里面有一个储藏室。在后方，从地板到天花板的窗户将两个窗户与它们共用的户外甲板连接起来。

While the sidewalls are mainly blind, the front upstairs show the blind volume housing the bathroom and the high windows of the main bedroom, under which a storeroom lies inside. On the rear, floor-to-ceiling windows connect both windows with the outdoor deck they share.

 © Daniela Mac Adden

c.Daniela Mac Adden

与楼上不同的是，从地板到天花板的窗户从入口向另一边打开。当我们设计这个平面图时，我们的目标是让它感觉既像一个室内空间，在屋顶和窗户的掩护下，但同时，介于两者之间的一个与外部的连续体。

Unlike what happens upstairs, floor-to-ceiling windows open the ground floor from its entrance towards the opposite side. When we designed this floor plan, we aimed at making it feel both like an indoor space, sheltered by the roof and the windows, but at the same time, somewhere in between in a continuum with the outside.

 © Daniela Mac Adden

c.Daniela Mac Adden

这样，房子的布局是姐妹的意图和欲望的建筑综合的结果。在其最小的规模，房子上升它自己的意愿，但也与它的环境，无论是自然的和人类建造的尊重自己。

In this way, the layout of the house is the result of an architectural synthesis of the sisters’ intentions and desires. In its minimum scale, the house rises by its own will, but also integrates itself respectfully with its surroundings, both natural and human-built.