© Enrique Macías

c.Enrique Macías

架构师提供的文本描述。位于墨西哥圣米格尔·德阿连德郊外的卡萨·坎德拉里亚，是根据其存在的力量并属于其根植之地的概念构思的，为此，它决定回到墨西哥庄园的项目，解决庭院周围的新房子，其中本身包含一个活动，代表紧张和功能之间的功能，围绕着它。

Text description provided by the architects. Casa Candelaria, Located at the outsides of San Miguel de Allende, Mexico, was conceived under concepts that detonate the strength in it presence and belonging to the place where it uproots, for which it was decided to return to the program of the Mexican haciendas and solve the new house around courtyards which themselves contain an activity that represents the tension and the relationship between the functions of the volumes that surround it.

 © Enrique Macías

c.Enrique Macías

设计发展的另一个主要意图是决定将夯土墙作为一种建设性的方法，用天然的聚集体使地球变成黑色，以寻求与环境的融合和模仿，在环境中，外界的主要元素是植被。

Another key intention for the design development was the decision to use as constructive method rammed earth walls, with natural aggregates that allows the earth to become black toned that seeks the integration and mimicry with the environment where it was intended that the main element outside was the vegetation.

 Floor Plan

至于使用夯土给我们带来的好处，是由于厚度为50厘米，在极端天气的地方，如圣米格尔·德·阿连德(San Miguel De Allende)，它的目的是实现白天可以保持新鲜的空间，并在夜间保持白天获得的热量，并将其辐射到内部，以创造温暖的空间。这一策略，在节约远距离物资的购买和转移的同时，使施工时间、成本和功能效果尽可能地优化。

As for the benefits that the use of rammed earth gives us, is the thermal storage because of the thickness of 50cm, in a place of extreme weather, as San Miguel de Allende, it´s sought to achieve spaces that during the day could stay fresh and at night preserve the thermal gain they achieve during the day and radiate it into the interior, in order to create warm spaces. This strategy along with saving on the purchase and transfer of materials from distant places, make the construction time, cost and functional outcome to optimize in the best way possible.

 © Enrique Macías

c.Enrique Macías

容积式房屋独立地解决每个区域，形成具有固体和开口优势的黑色土壤块，其通过从地板到2.44m高度的间隙包围所述体积，在所述高度处，光的隐私和控制由木质百叶窗、产生孔的旋转板和与室外空间的总集成形成。

Volumetrically the house solves each of the areas independently, creating blocks of black soil with predominance of solid and opening to the nature that surrounds the volumes through gaps that arise from floor to a 2.44m height where privacy and control of light is given by wooden blinds, revolving plates that generate an aperture and a total integration with the outdoor space.

 © Enrique Macías

c.Enrique Macías

从程序上讲，该项目在4公顷的土地上连根拔起，包括一所主人的房子、一所大房子、另一所较小的房屋、招待所、俱乐部屋、看门人的房子和一条1公里长的慢跑跑道，这些都是整个项目本身的统一体和代表，沿着其路线活动让路，考虑和在构成洞屋的各部分之间进行转运。

Programmatically the project uproots in an area of 4 hectares and consists of a master house, the big house, another smaller houses, the guest house, a club house, the caretaker’s house and a jogging track 1km long that unites and represents all the project itself, giving way along its route activities, contemplation and transit between the volumes that make up the hole house.

 © Enrique Macías

c.Enrique Macías

这座大房子由12套房子组成，它们围绕着2个大庭院，将房子的公共和私人区域划分为930平方米和630平方米的户外区域，分别位于露台、游泳池和花园之间，以及两条向外编织的室内走廊。

The big house consists of 12 volumes that are organized around 2 large courtyards, dividing public and private areas of the house with 930sqm and 630sqm of outdoor areas between patios, terraces, pool and gardens and two interior corridors that weave the total volumes outwards.

 © Enrique Macías

c.Enrique Macías

招待所由4卷书组成，由一个有盖的庭院和200平方米的建筑连接起来。该项目主要使用的材料是压实的土墙、室内的帕罗塔木和室外的考古石材，伴随着较小程度的混凝土、铁皮和瓷砖地板。

The guesthouse consists of 4 volumes connected by a covered courtyard and 200sqm of construction. The materials used in this project as key players are compacted soil walls, parota wood indoor and archaeological stone outdoor, accompanied lesser extent of concrete, blacksmithing and tile floors.

 © Enrique Macías

c.Enrique Macías

总之，这座房子以一套创新而有效的建筑体系回应了当代墨西哥的建筑风格。

In short, this house responds to Mexican haciendas in contemporary time with an innovative and effective construction system.

Architects Cherem arquitectos

Location San Miguel de Allende, Mexico

Category Houses

Architectural Design Abraham Cherem, José Antonio Aguilar

Design Team Daniel Huerta, Cristian Noriega

Year of project 2016

Photographies Enrique Macías