Marimba House ISON Architects

2016-08-23 19:00

 © Kim jong oh

(金)

架构师提供的文本描述。这所房子是作为一个住宅和一个录音室的打击乐家。四个情节在两条街道旁面对面排列，在每个小区的两栋房子里，音乐家的父母和祖母已经住了。两块土地仍然是空的，在两块空地上，房屋将被规划。

Text description provided by the architects. This house is for a residence and a studio of the percussion musician. Four plots are arrayed facing one another alongside two streets and in two houses on each plot parents and grandmother of the musician are already reside. Two plots are still empty and on two empty plots, houses would be planned.

 © Kim jong oh

(金)

我们从这所房子的布局开始，作为总体规划的一部分，基于这样的理念，每一个地块上都有一个单独的房子。最后，中心的一个庭院周围布置了四栋三代住宅。每所房子都是由一个低倾斜屋顶在一楼聚集在院子里，在低倾斜屋顶的上一层有一个大块放在街角的街道上。(鼓掌)

We started from the placement of this house as a part of the masterplan based in the idea that one individual house on each and every plot. Eventually four houses for 3 generation were arranged around a courtyard in the center. Each house were consist of a low pitched roof on the first floor gathering toward the courtyard and a mass -placed on the upper floor of the low pitched roof - at the corner side toward the street.

 © Kim jong oh

(金)

一楼倾斜的屋顶正向街道一侧上升，并自动连接到二楼的质量。在那块地方，私人房间被安置在倾斜的屋顶下，有工作室和起居室。练习和录音的工作室被赋予一个开放的特点，把它们放置在内部庭院和街道，因为那里可能有频繁的访客访问。我们把起居室放在工作室和私人房间之间，作为一个松散的连接。

The pitched roof on the first floor is rising toward the street side and it is automatically connected to the mass on the second floor. On that mass, private rooms are placed and under the pitched roof, there are studios and living room. Studios for practicing and recording were given an open characteristic by placing them next to the inner courtyard and street since there might be frequent visitor access. We placed the living room between the studios and the private rooms to act as a loose connection.

房屋的结构和内部主要是木制的，因为声音是考虑适当结构时最重要的因素。两个元素在表演场所和庭院之间建立了关系，一个是长而低的高度是向庭院的22m开放，另一个是足够深的是1.8米的遮阳篷继续沿着前面的立面。此外，我们还在长而低的开口内侧设置了一扇木制折叠门-用于视觉深度-以控制玻璃的声音反射。我们在倾斜屋顶和上部质量的交汇点设置了天窗，以使自然光线有效地穿透深空。此外，立方体形成的质量和倾斜屋顶被分开。(鼓掌)

The structure and interior of the house is mainly wooden, since the sound was the most important factor while considering the proper structure. Two elements are creating a relationship between the performance place and the courtyard, one is a long and low –height is 2.2m- opening toward the courtyard, and the other one is a sufficient –depth is 1.8m- awning continues along the front facade. In addition we set a wooden folding door –it serves for a visual depth- on the inner side of the long and low opening for controlling the sound reflection of glass. We set a skylight at the meeting point of the pitched roof and the upper mass for the effective penetration of the natural light to deep space. And also, the cube formed mass and pitched roof were separated.

 © Kim jong oh

(金)

二楼的立方体由高密度的房间和露台组成，这与宽敞的一楼形成了鲜明的对比。考虑到附近最常用的材料-砖块，橙色干钻头被涂在了这个块体的外部。(鼓掌)

The cube formed mass on the second floor was consisted of rooms and terrace with a high density which is a clear contrast of spacious 1st floor. And orange-colored dry bit was applied on the exterior of this mass considering the most frequently used material in the neighborhood, the brick.

围栏作为街道与场地之间的分界线，以10 mm厚的100 mm钢筋作为立线，其间距为100 mm，高度不同，有时与房屋的质量有关，有时与庭院的关系密切，以解决开放与隐私问题。

The fence as a boundary between the street and site is emphasizing vertical line by 10mm thick iron flat bar with 100mm interval which are aliened in diverse height reacting sometimes to the mass of the house and sometimes to the courtyard for solving opening and privacy at the same time.

 © Kim jong oh

(金)

体验从街道、庭院、演播室、一楼客厅、上层露台到大开屋顶的独特空间，不仅可以为居民提供丰富的建筑形象，还可以为游客-主要是音乐家-提供丰富的建筑形象。

Experiencing the unique sequence of space from street, courtyard, studio, living room on the first floor, terrace on the upper floor and finally to the dramatically opened roof top might provide rich architectural images not only to the residents but also to the visitors –mostly musicians-