House Bäumle Bernardo Bader
2016-08-26 03:00
架构师提供的文本描述。在一个非常狭窄的集合建筑地块中,房屋试图从分裂的障碍和缺点中提出自己的建筑理念。只有通过对南方道路的自觉定位和邻居的距离放纵,情节的致密化才是可能的。在这片陡峭的向北向罗巴赫(小溪)倾斜的土地上,从那时起,一片长方形的空白垂直延伸到空中3层以上。
Text description provided by the architects. In a very narrow assembled building plot the house tries to formulate its architectural idea from the barriers and disadvantages of the split. Only by the self-conscious positioning to the access road in the south and the distance indulgence granted by a neighbor, the densification of the plot was ever possible. On this strip of land which is steeply sloping north to the Lohbach (small stream), from then on an elongated rectangular blank develops over 3 stories vertically into the air.
在底层地板上注册了一个小型工作室,它使用外部区域的几级曲面。烹调和吃饭是上面的一层。在那里您可以舒适地保护和私有化,无论是在内部还是在小Loggia的桌子上。
On the ground floor a small studio is enrolled, which uses the few level surface of the exterior area. Cooking and eating is a floor above. There you sit comfortably protected and privatized either at a table inside or in a small loggia.
最顶层的是客厅和壁炉,在一个遮挡的地方,连着GabLED的屋顶。战略性地将不同的视图放置在湖、河和村庄的不同视图上。房子的开窗会产生一个令人愉快的光线和较暗的区域。FASTMade的开口部分是适当的,防止空间从内部流出。窗户以一种经过验证的方式与外界沟通,并以愉快的方式在房子里同时生活。
Topmost are the living room and fireplace under a sheltering, uniting gabled roof. Strategically placed openings stage different views to the lake, the river and back to the village. The fenestration of the house generates a pleasant pulse of light and darker areas. The opening portion of the façade, deeming appropriate, prevents the spatial flow out of the interior. The windows communicate in a proven way to the outside and privatize at the same time life in the house in a pleasant way.
房子有一个巨大的混凝土核心地带。从墙和屋顶向外,从垂直的木质元素上完成木套。房子的固体特色中心的经典主题是操作的,它包括炉子、厨房和浴室。相反,朝向窗户,它变成了连续的木制、更嫩、更轻。内部的空间压缩随着有区别的过渡而柔和地变宽到外部。
The house has a massive core zone of concrete. Outwardly to wall and roof completes a wooden mantle from vertical wood elements. The classic theme of a solid characterful center of the house is operated, which includes the stove, the kitchen and the bathrooms. Opposite, towards the windows it becomes continuous wooden, more tender, lighter. The spatial compression of the interior widens softly, with differentiated transitions, to the exterior.
在户外,它的黑色着色在紧邻阳光焚烧的农舍的流行图像的附近。由于在Voraralberg的莱茵河流域推动农业使用,这些遗迹中很少有这些遗迹。
Outdoor the facade with its black coloring engages in the immediate vicinity to still prevailing images of sunburned agricultural huts. Because of the pushing back of agricultural use in Vorarlberg's Rhine Valley, too few of these relics have remained.
Architects Bernardo Bader
Photographs Adolf Bereuter
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