House 119 Takeshi Hosaka Architects

2016-08-27 20:00
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
尺度的横截面和纵向方面
The cross-sectional and longitudinal aspects of scale
这所房子属于一对已婚夫妇,有两个孩子,坐落在塔马河附近,这条河流经神奈川地区的阿苏吉市。
The house belongs to a married couple with two children, and stands near the Tama River, which flows through Atsugi City in Kanagawa Prefecture.
 
虽然塔马河的水面在房屋下面八米处,但河水的干燥部分与房屋的属性是一样的,河床的干燥部分与房屋的属性相邻,没有任何路堤或其他结构的隔开,虽然干涸的河床和地产之间有一条道路,但由于海拔几乎没有差别,该房产本质上是河床的延续,塔马河的规模远远大于房屋的规模;然而,萨加米河的规模甚至更大,塔马河从那里向下游流过一段很短的距离。
Although the surface of the Tama River flows eight meters below the house, The dry part of the river is at the same level as the house’s property.  The dry part of the bed adjoins the property without any separation by an embankment or other structure.  Although a road is situated between the dry river bed and the property, because there is almost no difference in elevation, the property is essentially a continuation of the river bed.  The scale of the Tama River is far larger than the scale of the house’s property; however, the scale of the Sagami River, into which the Tama River flows just a short distance downstream from that point, is even larger. 
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
在这个独特的位置,从超小到超大的尺度一起存在,我想出了一个把超小型和超大型尺度结合在一起的倒V形平面的想法。倒V的开放式表示尺度向河流方向无限扩展,缩小的一侧成为室内的衣物或食物的空间。我安排了6个倒V形的。形成类似扇形平面的平面。
For this unique location, in which scales ranging from the ultra small to the ultra large exist together, I came up with the idea of using an inverted V-shaped plane that combines both ultra small and ultra large scales.  The open side of the inverted V indicates extensity whereby scale grows infinitely in the direction toward the river.  The narrowing side becomes the space for clothing or food in the house.  I arranged six of these inverted V-shaped planes to form a flat house resembling a fan-shaped plane. 
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
 
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
在横截面上,我在一楼和二楼之间的中间层布置了同样大小的窗户(从周围房屋的尺度上看),在一个面向河流的相联阵列中。对于楼层,我换了一个高地板和一个低楼层。楼上的起居室是一个全景空间,天花板高度被抑制。下层的儿童房间是一个长方形的空间,天花板很高。我把较高楼层下的面积称为“地板下的空地”,并安装了设备。在那里游玩和日常生活。这是一个户外生活的地方,类似于延伸到河床毗邻的超大型干燥部分的花园。
For the cross-section, I arranged windows of the same size at the intermediate level, between the first and second floor (when viewed at the scale of the surrounding houses), in an associative array facing the river.  For the floors, I alternated a high floor and low floor.  The living room on the higher floor is a space of panoramic proportions with a suppressed ceiling height.  The children’s room on the lower floor is a space of oblong proportions with a high ceiling.  I called the area under the higher floor an “under-floor open space” and installed equipment for play and daily life there.  It is a place for outdoor living, resembling a garden that extends to the adjoining ultra large-scale dry portion of the river bed.
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
在室内,人们在倒V形平面的开口侧和窄侧之间来回移动,因为它们也在较高楼层和下层之间上下移动。在室外,它们通过邻接的土地直接从下层敞开空间向干燥河床行进。对于室内和室外,根据住宅的内部和超大尺度之间的平面和横截面图,变焦在平面和横截面上自由移动。
Indoors, people go back and forth between the open side and the narrow side of the inverted V-shaped plane as they also go up and down between the higher floor and the lower floor.  Outdoors, they go directly out from the under-floor open space to the dry river bed via the adjoining land.  For both the indoors and outdoors, the zoom moves in and out freely in terms of the planar and cross-sectional view between the ultra small scale of the house’s interior and the ultra large scale of the river.
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
当菜籽开在超小型开花的整个干涸的河床上时,自然景观的规模在一定范围内波动。这创造了一个超大型的景观,使高山。富士山显得很小,使得坦桑尼亚山(比山还低)。我想创造一种生活的感觉,那里有菜花、房子、河流和山脉,就在这种调皮的规模变化中。
When rapeseed blossoms on the ultra small scale bloom across the entire dry river bed, the scale of the natural landscape in view swings within a certain range. This creates an ultra large-scale landscape, making the tall Mt. Fuji appear small, and making the Tanzawa mountains (which are lower than Mt. Fuji) appear larger.  I wanted to create a sense of living where there are rapeseed blossoms, a house, a river, and mountains within such a mischievous shifting of scale.
 © Koji Fujii / Nacasa & Partners Inc.
C.Fujii/Nacasa曲
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Takeshi Hosaka Architects
Location Atsugi, Japan
Category Houses
Area 194.45 sqm
Project Year 2014
Photographs Koji Fujii / Nacasa & Partners Inc.
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