Smithsonian National Museum of African American History and Culture Freelon Adjaye BondSmithGroup

2016-08-30 06:30
结构工程师Guy Nordeson and Associates,Robert Silman Associates机械工程师WSP Fack Kurtz可持续性顾问落基山研究所景观设计师Gustafson Guthrie Nichol照明咨询公司Fisher Marantz Stone Acoustics/AV/剧院/多媒体顾问沈米尔森·威尔克·法塔德顾问R.A.
Structural Engineer Guy Nordeson and Associates, Robert Silman Associates Mechanical Engineer WSP Flack + Kurtz Sustainability Consultant Rocky Mountain Institute Landscape Architect Gustafson Guthrie Nichol Lighting Consultants Fisher Marantz Stone Acoustics / AV / Theatre / Multi-Media Consultants Shen Milson Wilke Façade Consultant R.A. Heintges & Associates Security Consultants ARUP North America Contract Value $504m Manufacturers Loading... More Specs Less Specs
 © Darren Bradley
c.达伦·布拉德利
架构师提供的文本描述。在设计美国国家非裔美国人历史文化博物馆的比赛中获胜,这使该公司在美国的投资组合与美国最负盛名的新建筑相结合。该博物馆位于宪法大道,毗邻美国国家历史博物馆和华盛顿纪念碑,将为NMAAHC提供展览馆、行政空间、剧院空间和藏品存储空间。作为Freelon Adjaye Bond/SmithGroup(Fab)团队的首席设计师,David Adjaye的方法是与这个独特的网站建立有意义的关系,以及与美国深厚而悠久的非洲遗产形成强烈的概念共鸣。该设计基于三个基石:建筑物的“冠”形状和形状;将建筑物延伸到景观-门廊;以及青铜丝状封套。
Text description provided by the architects. Winning the competition to design the National Museum of African American History and Culture has consolidated the practice’s US portfolio with arguably the nation’s most prestigious new building. Located on Constitution Avenue, adjacent to the National Museum of American History and the Washington Monument, the museum will house exhibit galleries, administrative spaces, theatre space and collections storage space for the NMAAHC. As lead designer for the Freelon Adjaye Bond/SmithGroup (FAB) team, David Adjaye’s approach has been to establish both a meaningful relationship to this unique site as well as a strong conceptual resonance with America’s deep and longstanding African heritage. The design rests on three cornerstones: the “corona” shape and form of the building; the extension of the building out into the landscape – the porch; and the bronze filigree envelope.
 © Darren Bradley
c.达伦·布拉德利
博物馆坐落在华盛顿纪念碑的地面上,在景观中保持着微妙的轮廓-超过一半在地下-上面有五层楼。日冕以华盛顿纪念碑的元素为基础,与顶板的17度角紧密匹配,并以纪念碑石为参考,开发了石板的尺寸和图案。整座建筑被装饰成青铜格子,这是对非裔美国人手艺的历史借鉴。该模式的密度可以被调节,以控制阳光的数量和透明度进入内部。南入口由门廊和中央水景组成。作为建筑物延伸到景观中的一部分,门廊创造了一个室外房间,将室内和外部的缝隙连接起来。
Situated on the Washington Monument grounds the museum maintains a subtle profile in the landscape – more than half is below ground – with five storeys above. The corona is based on elements of the Washington Monument, closely matching the 17-degree angle of the capstone and the panel size and pattern has been developed using the Monument stones as a reference. The entire building is wrapped in an ornamental bronze lattice that is a historical reference to African American craftsmanship. The density of the pattern can be modulated to control the amount of sunlight and transparency into the interior. The south entry is composed of the Porch and a central water feature. An extension of the building out into the landscape, the porch creates an outdoor room that bridges the gap between the interior and exterior.
 © Darren Bradley
c.达伦·布拉德利
 Ground Floor Plan

                            
 © Darren Bradley
c.达伦·布拉德利
在50米(49‘-2“)深,挫折是类似于其他建筑物在北侧的购物中心。门廊屋顶的底部向上倾斜,允许下面移动的水反射。这一被覆盖的地区创造了一种小气候,微风与冷却的水结合在一起,形成了一个避暑的地方。门廊屋顶上还有一个室外露台,可以从大楼内的阁楼水平进入。
At 50m (49’-2”) deep, the setback is similar to other buildings on the north side of the Mall. The underside of the porch roof is tilted upward allowing reflection of the moving water below. This covered area creates a microclimate where breezes combine with the cooling waters to generate a place of refuge from the hot summer sun. There is also an outdoor patio on the porch rooftop that is accessed from a mezzanine level within the building. 
 © Darren Bradley
c.达伦·布拉德利
在大楼内,游客将领略一段历史和情感的旅程,其特点是巨大的无柱空间、巨大的自然光的注入和由预制混凝土、木材和青铜格子内的釉面组成的多样化的材料调色板。地下的环境是沉思和不朽的,由三层高的历史画廊实现,象征着纪念空间-“Oculus”-从纪念碑的地面向沉思的空间注入一串水所散发的光。向上移动,景观变得非常关键,因为一个人在日冕上流通,环绕着购物中心、联邦三角建筑和纪念碑的无与伦比的全景。
Inside the building, visitors will be guided on a historical and emotional journey, characterised by vast, column free spaces, a dramatic infusion of natural light and a diverse material palette comprising pre-cast concrete, timber and a glazed skin that sits within the bronze lattice. Below ground, the ambience is contemplative and monumental, achieved by the triple height history gallery and symbolised by the memorial space – the “oculus” – that brings light diffused by a cascade of water into the contemplative space from the Monument grounds. Moving upwards, the views become pivotal, as one circulates along the corona with unrivalled panoramas of the Mall, Federal Triangle buildings and Monument Grounds. 
 © Darren Bradley
c.达伦·布拉德利
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Freelon Adjaye Bond / SmithGroup
Location Washington, DC, United States
Category Museum
Design Team David Adjaye, Philip Freelon, J. Max Bond / SmithGroup JJR
Client Smithsonian Institution
Area 420000.0 ft2
Project Year 2016
Photographs Darren Bradley
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