© Mansyur Hasan

C.Mansyur Hasan

架构师提供的文本描述。如果我们看到当今建筑的发展有多远，大多数人已经“忘记”了建筑的基本原则，人们越来越远离精神维度，与自然不和谐，远离城市意识。正因为如此，安迪·拉赫曼(AndyRahman)决定用回归基本原理来设计这座房子。这方面的基本知识包括灵性、物质和都市生活的基本知识。

Text description provided by the architects. If we see how far the architecture development nowadays, most of them have ‘forgotten’ the basic principles of architecture, people are increasingly distant from the spiritual dimension, disharmony with the nature, and far from urban awareness. Because of that, Andy Rahman decided to design this house with Back to Basics principles. Basics in this context cover the basics of spirituality, materials, and urbanity.

 © Mansyur Hasan

C.Mansyur Hasan

回到灵性的基础上，房屋计划是从祈祷室(Mushola)的设计开始的，作为业主和邻里人们祈祷的场所。在伊斯兰教中，穆斯林必须面对犹太祈祷。而奇布拉河则在泗水的西北部。这就是为什么祈祷室的布局在某种程度上偏离了它的网站线。

Back to basics on spirituality, the house plan is started with the design of the praying room (mushola) as a place for the owners and the people in the neighborhood to pray. In Islam, muslims have to pray facing the Qibla. And the Qibla is slightly on the northwest of Surabaya. This is the reason why the praying room layout is somewhat angled from its site line.

 © Mansyur Hasan

C.Mansyur Hasan

这种独特的角度布局正在成为一个设计理念。这就是为什么它有一个基本的立方体的形状，它是对角切割的。这种对角线形状是与外部区域，如门廊，车库，和栅栏相对立地阐述的。

This unique angled layout is becoming a design idea. So that is why it has a basic shape of a cube that have been cut diagonally. This diagonal shape is elaborated hostically to the outer areas, such as the porch, carport, and the fences.

回到材料的基础上，建筑物的设计带有未完成的触觉，如未涂油漆的灰泥、水泥油漆和卷筒(有原始的水泥颜色)，使业主更容易维护建筑物。因此，这些装修使得这座房子不需要高成本的维护，其原则是：低成本、低维护。

Back to basics on materials, the building is designed with unfinished touch, such as unpainted plaster, cement paints and rolls (with original cement color) to make it easier for the owner to maintain the building. Thus, these finishes make this house doesn't need high cost maintenance, with its principle: low budget low maintenance.

 © Mansyur Hasan

C.Mansyur Hasan

此外，它还回到了回收的基本原则，目前已开始适用于建筑师，采用回收材料，如二手木箱。在许多地方，从公共区域的起居室到更加私密的卧室，它们都被改建成家具。

In addition, it also returns to basic principles of recycling which has currently started to be applied by architects, by adopting recycled materials such as used wooden crates. They are remade as furnishings in many areas, from the living room which is public area to bedrooms that are more private.

 © Mansyur Hasan

C.Mansyur Hasan

随着城市的发展，它开始于这样一种现象，即大城市(包括泗水)中的大多数房屋通常都被其所在地的所有土地用作建筑。相反，这所房子想要给地球一个可以呼吸的空间，它只使用了40%的土地作为建筑，剩下的60%是作为邻里的城市开放空间之一。

With urbanity, its started from the phenomenon that most houses in the big cities (including Surabaya) are commonly used all the land on its site for buildings. Instead, this house wants to give the earth a room to breathe, its only using 40% of the land for the building and the remaining 60% is dedicated as one of the city open spaces in the neighborhood.

尽管房子有整体形式，但它仍然采用热带元素，例如建筑物两侧的宽开口。因此，即使使用占主导地位的混凝土，它仍然知道环境和气候，并且由于良好的光照和更好的空气循环，它是宜居的。

Eventhough the house has monolith form, it still adopts tropical elements such as wide openings on the sides of the building. So, even with the usage of concretes which are very dominant, it remains aware of the environment and climate, and it is livable because of good lightings and better air circulation.

 © Mansyur Hasan

C.Mansyur Hasan

这也是为了实现绿色城市的宏伟理念，使我们的城市在不失去精神、物质和城市元素的情况下，更加人性化地居住。这三个基本原则成为这座房子设计的一个强有力的概念起点。

It is also to actualize the grand idea of green city, so that our cities are more humane to be inhabitated without losing its spirituality, materiality and urbanity elements. These three basic principles become a strong conceptual starting point in the design of this house.

 © Mansyur Hasan

C.Mansyur Hasan

今天，大多数现代人忘记了这些基本原则，宁愿追求自己的个人利益和野心，而不顾自然和他人。从这座房子里，我们可以了解到建筑是如何与上帝、自然和它的城市和平相处的，它成为一座有意义的建筑。

Today most of modern people are forgetting these basic principles, and preferring to pursue his personal interests and ambitions without regard to the nature and others. From this house, we can learn how architecture can make peace with God, natures and its city, and it becomes a meaningful architecture.

Architects Andyrahman Architect

Location Rungkut, Indonesia

Category Houses

Architect in Charge Andy Rahman, Abdi Manaf

Civil contractor Griya Karya Mandiri

Area 238.0 sqm

Project Year 2016

Photographs Mansyur Hasan

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