OJI House Kenta Eto Atelier Architects

2016-09-04 20:00

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

架构师提供的文本描述。它是一个房子，它的外墙切断了一个尖锐的角度与周围环境的关系。植物轻轻地定义了边界，并把房子和它的邻居连接起来。

Text description provided by the architects. It is a house with its exterior wall cut off at an acute angle for the relationship with the surrounding environment. Plants gently define the boundary and link the house with its neighborhood.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

厂址位于奥塔地区，略远离奥塔城中心。它坐落在一个较低的地面区域，从一个密集居民区的上升到许多分离的房屋和公共建筑。在现场前面有一条4m宽的街道，它岔开西向东的方向，影响了场地的形状。有必要把生活在一个山谷状的条件下，条件是周围的条件是狭窄的又拥挤的交通街道，在这个地点的东西部和西部的建筑和公共建筑。考虑到主人的隐私，我们把客厅和水节放在二楼作为一个公共区域，而卧室和其他私人空间位于一楼。出于安全原因，第一层上的开口被最小化。除了基本的计划配置外，我们还梳理了那些丰富的外部元素的条件，如开放、白天照明、自然通风和借用的风景。

The site is located in Oita prefecture, slightly away from the center of Oita city. It is situated at a low ground area coming down from a rise in a dense residential area with many detached houses and public buildings. In front of the site, there is a street in 4m wide, which diverges into the west and east directions and affects the shape of the site. It was necessary to think about the living in a valley-like condition with such surrounding conditions as the narrow yet heavy traffic streets, condensed houses and public buildings in the east and west sides of the site. Considering owner’s privacy, we placed a living room and water section on the second floor as a public zone, while bedrooms and other private spaces were located on the first floor. Openings on the first floor level were minimized for security reason. In addition to the basic plan configurations, we sorted out the conditions of those enriching external elements to be layered, such as openness, day lighting, natural ventilation, and borrowed scenery.

高大的西墙是为了隐私而修建的，对面就是街对面的房子，到了高度，不失去在高层上的野生樱桃树的视线。在东侧，因为樱花树在公共建筑物的边界处排成一行，东面的街道约为80厘米。在二楼的起居室提供开口，欣赏那些樱花树的景色。由于没有相邻的房子，所以可以从位于南面的叉路的场地的角落取出日光，通过创建庭院作为缓冲区，日光和风可以进入室内空间。我们还在庭院的边界种植树木，使房子与周围的环境（社区）温和地连接。这些树木是建筑物的一部分，被转化为房屋的表达要素-在这种情况下，它是一个网格状的元素，或者用作屏幕，而不是房屋的典型植被。

Tall west-side wall is built for privacy against the adjacent house across the street, to the height not to lose the sight of wild cherry tree on the rise.  On the east side—since cherry blossom trees line up at the boundary of the public building, and the street on the east is about 80cm lower along the site, opening is provided for the living room on the second floor level to enjoy the view of those cherry blossoms.  Daylight can be taken in from the corner of the site facing to the fork road on the south side because there is no adjacent house.  By creating a courtyard as a buffer zone, daylight and wind can come into the interior space.  We also planted trees at the boundary of the courtyard to connect the house gently with surrounding environment (neighborhood).  Those trees are rather a part of the building translated into the element for the expression of the house— in this case, it is a lattice-like element, or used as screen—than typical vegetation of a house

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

这样，这个表情锐利，与周围环境脱节的建筑，仍能以温和的方式与周围的环境(邻里)相连，随着树木的移动或生长，房子的表现方式发生了变化，我们的室内空间目标是通过借来的风景创造丰富的空间，庭院树和樱花树可以在二楼的客厅下面看到。

By doing so, this building, with acutely cut off expression, detaching itself from the surrounding environment, can still connect itself with the surrounding environment (neighborhood) in gentle manner, as the expression of the house changes when the trees move or grow.  Our aim for the interior space was to create rich spaces through the borrowed scenery with courtyard trees and cherry blossoms trees to be viewed beneath the living room on the second floor.