© Pezo von Ellrichshausen

佩佐·冯·埃尔里希·肖森(Pezo Von Ellrichshausen)

建筑师提供的文字说明。由四个刚性框架形成的同心和非定向结构，具有八个连续的柱，其允许在每一层中打开拐角，而其它八个连续的柱在两个升高的水平上规则地向上延伸。这是一个平衡的序列，在该序列中，每个楼层都由下面的一个对称地保护。每个外柱的脚稍微偏离垂直梁，因此它们的头部看起来轮廓装饰性的三字形。该建筑物是一个整体件，其在紧凑的图内支撑一个完全封闭的框架，从内部、致密和几乎机械地分层产生平坦的景观。

Text description provided by the architects. A concentric and non-directional structure formed by four rigid frames, with eight continuous columns that allow for open corners in every floor and other eight that step up regularly in the two elevated levels. This is a balanced sequence in which every floor is symmetrically protected by the following one. The foot of each exterior column is slightly misaligned from the perpendicular beams, thus their heads seem to outline decorative triglyphs. The building is a monolithic piece that supports an entirely confined framework within a compact figure, producing a flat landscape from within, dense and almost mechanically stratified. 

在一条古怪的螺旋楼梯中，有一个过渡，从最小的、有阴影的楼层，以象限划分，在中央过境点有通道，到另一层，在对角线上被一座家具隔开，在最高层，过渡到一个开阔而透明的平面，尽管里面充满了角落，在那里可以展开非正式的空中生活。从顶部看，与底层的视觉关系是不可察觉的，到了取消与自然地面的任何接触点。这种被掩盖的倒转重力调整逻辑(经典的“纠缠”)怯生生地出现在周围的树叶上。

Throughout an eccentric spiral staircase there is a transition from the smallest and shaded storey, compartmented in quadrants with an access in the central crossing point, to another storey diagonally divided by a block of furniture and, in the highest level, to an open and diaphanous plan, although filled with corners, where an informal aerial life can unfold. From the top, the visual relationship with the inferior floor is imperceptible, to the point of cancelling any contact with the natural ground. This veiled logic of an inverted gravitational adjustment (a classical “entasis”) timidly emerges on top of the surroundings foliage.

 © Pezo von Ellrichshausen

佩佐·冯·埃尔里希·肖森(Pezo Von Ellrichshausen)

 Floor Plans

平面图

 © Pezo von Ellrichshausen

佩佐·冯·埃尔里希·肖森(Pezo Von Ellrichshausen)

在漆黑的钢筋混凝土格栅之间，只有固定或滑动窗框的平台、家具和大玻璃板的天然木材。也许，由于它的人造失重，尽管自然的努力从中心下降，沿着一个厚厚的核心，经验总是被悬挂在每一个周边的坚实阴影上，被太阳照到背光的剪影，或者更确切地说是因为它们的非物质反射的诱惑。

In between the darkened reinforced concrete grid there is only native wood for platforms, furniture and large glass panels of fixed or sliding window frames. Perhaps, due to its artificial weightlessness, despite natural efforts descending through the very centre, along a thick core, experiences always tend to be suspended against the solid shadows of each perimeter, against silhouettes backlit by the sun, or rather because of the seduction of their immaterial reflections.

Architects Pezo von Ellrichshausen

Location Navidad, Chile

Category Houses

Architects in Charge Mauricio Pezo & Sofía von Ellrichshausen

Area 232.0 sqm

Project Year 2015

Photographs Pezo von Ellrichshausen