© 21estudio + XXStudio

21 estudio XXStudio

建筑师提供的文字说明。收到一份订单，并根据对该计划的评估，它提供了有限的财务收益，但同时具有良好的条件以启动创新过程，该过程以假设前提："生成项目的可能性，该项目是创建的，而不是已经想象到的东西的复制品。"的BET表示

Text description provided by the architects. An order is received and according to the evaluation of the initiative it offers limited financial benefits, but simultaneously has excellent conditions to start a creative process, represented in a bet that assumes the premise: "the possibility of generating a project that is a CREATION and not a replica of something already imagined."

 © 21estudio + XXStudio

21 estudio XXStudio

这项建议的提出是由于三个基本组成部分之间的关系和冲突：自然的、人的和隐喻的；每个组成部分从一个关键变量着手解释其形态(形式-空间)：

The proposal comes as a result of the relationships and conflicts between three basic components: the natural, anthropic and metaphorical; each component is approached from a key variable for its morphological interpretation (formal – spatial):

这样就得到了对话三位一体：土地-植物-屋顶-解决这三个组成部分之间存在的节理和矛盾的分析，导致找到一个复杂的对话者来建立简单的关系(上面-下面，外部-内部和实体-透明度，等等)，从以前对网格进行的探索中，找到一个复杂的对话者来建立简单的关系，允许将项目假设为概念和关系的测试实验室。

In this way the dialogic triad is obtained: LAND - PLANT – ROOF Addressing the analysis of joints and contradictions present and possibles between these three components, leads to find a complex interlocutor to establish simple relationships (above - below, outside - inside and solid - transparency, among others), from the previous  EXPLORATIONS made about THE GRID, allow assuming the project as a testing laboratory of concepts and relationships.

 © 21estudio + XXStudio

21 estudio XXStudio

吸取经验教训：“Para no condidecir la realda，el Arqutecto debería atenerse a los hehos armisectóNicos que a Parr de Ella se puedan式”(Pérez，Aravena y Quintanilla，2007：15)。基于这种反思，它要求对现实进行评估，以寻找必须对三合会作出回应的目的。第一：将与相邻街道相关的行人和车辆无障碍情况处理到45°。第二：从委内瑞拉安第斯山脉吹来的微风形成一个可渗透的正面平面，以清理温暖的草地和芦苇地。第三：垂直浮动的停车场整合到房子的外骨骼，而不是主流的单独建议。第四：建造6*6米的中央庭院，这是一个双向的集流器。第五：开放12.00米，允许将厨房-酒吧-餐厅-客厅整合在一个为家具设置的单元空间中。第六：解决通用变量如下：

Taking lessons: “Para no contradecir la realidad, el arquitecto debería atenerse a los hechos arquitectónicos que a partir de ella se puedan formular” (Pérez, Aravena y Quintanilla, 2007:15). Based on this reflection it asks for an assessment of reality in search of the purposes to which must answer the triad. FIRST: Addressing the pedestrian and vehicular accessibility in relation to the adjacent street to 45°. SECOND: To form a permeable frontal plane to the breezes coming down from the Venezuelan Andes to clean the warm meadows and the reed fields. THIRD: Floating  perpendicularly  the parking integrating to the house exoskeleton, as opposed to the prevailing separate proposal. FOURTH: Structuring the central yard of 6 * 6 meters, which serves as a flow collector in both directions. FIFTH: An opening of 12.00 meters that allows integrating kitchen - bar - dining room – living room in a unit space conditioned for the furniture. SIXTH: Solving generic variables as:

 © 21estudio + XXStudio

21 estudio XXStudio

[构造的构造

 [the tectonic]

…倒置梁…

…inverted beams…

三个相互交叉的网格，第一个形成地面作为一个阶梯层，将房子设置在向下的级联中，允许将部分从内厅扩展到内部；下一个网格形成了植物，一系列与住房计划相对应的水平平面，工作到压缩和支撑屋顶从上面倒梁的网格中。

Three grids that cross each other, the first one forming the LAND as a stepped floor, situating the house in downward cascade, allowing expand the section from the entrace to the interior; the next one forms the PLANT,  a sequence of horizontal planes sized in relation to the housing program, working to compression and supporting the ROOF falling from above in a grid of inverted beams.

…国产骨架-…

…domestic skeleton-…

一套由屋顶研究-露台-停放-自上而下，将倒梁作为悬挂梁同时工作的一套，两组承重面通过隔墙的方式与程序相适应，第一组房间和东北侧的研究结合了房子的亲密区域，而在西南面，厨房，洗衣区和客房，构成贴在地板上的结构护栏，平衡着气势磅礴的悬臂。在地板上，在连续空间12米的开口下，家具被放置在客厅-餐厅酒吧的分界线上，而手风琴则展开，划出面向游泳池的外露台。

A set consisting of roof - study - patio - parking - hangs from above by subjecting the inverted beams working simultaneously as hanging beams, two groups of load-bearing planes that fit with the program by way of partition walls, the first one groups rooms and the study on the northeast side integrating the intimate area of the house, while on the southwest side, kitchen, laundry area and guest bedroom, make up the structural corbel  what affixed to the floor gives balance to the imposing cantilever. On the floor, under an opening of 12 meters in a continuous space, the furniture is placed demarcating living room - dining room - bar, while the accordion unfolds delimiting the outside terrace facing the pool.

 Floor Plan

[物质性]

[materiality]

…裸露混凝土骨架…

…exposed concrete skeleton …

外露的混凝土骨架决定了房屋的物质性，它巧妙地添加了三种材料：黑色混凝土中的Muro-CEL重新定义了它的用途，以开放的方式形成透水的垂直面。用天然蜂蜡处理的Urapo和Pardillo木材使它们的存在标志着其水平颗粒的空间，玻璃与支撑而不是支撑的玻璃交流，以多重反射去物化。

A exposed concrete skeleton defines the materiality of the house, which is subtly added three materials: MURO-CEL in black concrete redefines its use forming the permeable vertical plane in  a openwork way. Urapo and pardillo wood treated with natural wax bee impose their presence marking the space whit its horizontal grains, and the glass communicates that supports and  not that is supported, desmaterialize with multiple reflections.

 © 21estudio + XXStudio

21 estudio XXStudio

[生物气候]

[the bioclimatic]

…透水平面…

… permeable planes…

斜射束接收来自东北方向的微风，并使它们发出自然的加速，向可渗透的锋面(作为滤光器)前进，同时控制通道的太阳辐射，而水平平面则横向漂浮，支持这一策略，并将东西向的太阳光降至最低。

The oblique beam receives breezes from the northeast and send them giving natural aceleration, toward the permeable frontal plane that as a filter allows its path and simultaneously controls solar radiation of the access corridor, while the horizontal planes float laterally supporting this strategy and minimize the east - west  sunlight.

 © 21estudio + XXStudio

21 estudio XXStudio

在西南方，作为手风琴，乌拉波木隔断允许傍晚微风的通过和过滤下午的阳光，给人一种神奇的阴影和倒影的气氛。该系统由一个中央庭院作为补充，由悬挂梁组成，这些梁充当一个流收集器，并将房屋与外部连接起来。

On the southwest side as an accordion, urapo wood partitions allow the passage of the evening breezes and filter the afternoon sun giving a magical atmosphere of shadows and reflections. The system is complemented by a central yard formed by hanging beams that work as a flows collector and link the house with the outside.

 © 21estudio + XXStudio

21 estudio XXStudio

[技术]

[the technique]

…建立金属…

…setting up the metals…

…“作为家庭成员，制定项目计划”(史密森)

… “As family members that project-planning-in-the-making” (Smithson & Smithson, 2001:30)  We have learned from the master to put together things that Mies had; simple self-imposed rules show a clear intention to achieve the maximum benefit of a standard  shuttering; to join two planes requires dilate, the inability to use paints  and this way the "gray work"... is "white work".

Architects XXStudio

Location Villa Del Rosario, Colombia

Category Houses

Architect in Charge Balmor Pereira

Associated Architects 21estudio; Fabián Mena, Pablo Torres

Area 382.0 sqm

Project Year 2016

Photographs 21estudio + XXStudio

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