架构师提供的文本描述。在景观中放置和关联一系列物体的想法-住所、礼拜堂、狩猎亭和警卫官邸-赋予了这个项目双重意义：除了景观、物体和行程-空间和物体-之间的密切关系之外，每一项都必须以不同的重点提供不同的回应，从最具象征意义的项目到最沉默或最私密的项目。统一的线索是折叠的概念：褶皱是不同空间的一个隐藏的生成器。

Text description provided by the architects. The idea of situating and relating a series of objects in the landscape- Dwelling, Chapel, Hunting pavilion and Guard´s residence- gave the project a dual significance: in addition to the close relationship between landscape, objects and itinerary –between space and objects-, each item had to provide a different response with different emphasis, from the most symbolic to the most silent or private. The unifying thread was to be the concept of the fold: the fold as a hidden generator of different spaces.

礼拜堂单元是围绕着研究和操作集中紧张的“盒-折叠”而发展起来的。

The Chapel unit is developed around the study and manipulation of a focally tensed "box-fold".

它设置在一座小山的顶部，把它变成从地产入口处看到的景观中的一个参照点，距离较低的一层有2公里的距离，在整个行程中呈现出不同的景象。它稍微偏离东西轴方向.一到住宅区，就绕着礼拜堂转，使它成为入口的转折点。游客通过西面进入礼拜堂，直到到达，内部，在一个不对称的前面的焦点。

It is set at the top of a slight hill, turning it into a reference point in the landscape seen from the entrance to the property, at a 2km distance from a lower level, displaying different visions along the entire itinerary. It is oriented slightly off an east-west axis. One goes around the chapel on arrival at the residential zone, making it an entrance turning point. Visitors enter the chapel rising through the western façade until arrival, interiorly, at the focal point in a non-symmetrical front.

 Courtesy of Juan Carlos Sancho

胡安·卡洛斯·桑乔(Juan Carlos Sancho)提供

沿着这个演练间隔，折叠的变化尺度使得紧凑的体积中断提供了一个封闭的、开放的、在时间上不断变化的空间序列。

Along this walkthrough interval the varying scale of the fold makes the compact volume break offering a closed-compact, open-fragmented sequence of spaces in a constant change of time.

教堂被认为是赤裸裸的，没有人为的闪电，比如在一个外部-内部空间关系决定了它的感觉和注意力的地方；只有一个十字架、一盏红玛瑙灯和一个焦点上的图像加强了该项目所涉及的象征性方面。

The chapel has been thought naked, with no artificial lightning, as in a place where the exterior-interior spatial relationship determine its sense, its attention; only a cross, an onyx lamp and an image in the focal point reinforce the symbolic aspects involved in the project.

 Courtesy of Juan Carlos Sancho

胡安·卡洛斯·桑乔(Juan Carlos Sancho)提供

通过在盒子中提出一个折叠，在Corbusian的“bo te”中，出现了一种单一的材料：捕捉对体积所需的所有阴影的金色混凝土，从捕捉穿透空间组成中的另一个平面的直接光，到传递不稳定的、彩色的黎明气味。

By proposing a fold in the box, in the corbusian “boîte”, a single material arises: golden concrete that captures all of the shades demanded to the volume, from capturing the direct light that breaks through an additional plane in the spatial composition, to the transmission of the unstable, coloured scent of dawn.

光因此承担了第二种材料在礼拜堂中的作用，与混凝土，脆弱，变化，流动，不稳定，支配或消失的材料形成对比。

Light thus takes on the role of a second material in the chapel, a material that contrasts with concrete, fragile, changing, mobile, unstable, dominating or vanishing.

 Courtesy of Juan Carlos Sancho

胡安·卡洛斯·桑乔(Juan Carlos Sancho)提供