Renaixement Pink Intruder

2016-09-29 13:00

 © Noel Arraiz

诺埃尔·阿拉伊兹

(将几何和雕塑与工艺相结合，在西班牙巴伦西亚法拉斯节中使用。从瓦伦西亚丝绸市场，联合国教科文组织遗产建筑从十五世纪重新解释怪诞的装饰。

(Combination of geometry and sculpture with technics used in Fallas festival from Valencia, Spain. A reinterpretation of grotesque decorations from Valencia Silk Market, UNESCO Heritage building from XV century.

 © Noel Arraiz

诺埃尔·阿拉伊兹

 © Noel Arraiz

诺埃尔·阿拉伊兹

沙漠中的一个金色立方体，吸引人们进入它的内部，在那里，他们成为一个艺术装置的一部分，这个艺术装置将亭的格子建筑的当代语言与传统法拉斯协会的纸板和模子混合在一起。

A golden cube in the desert to attract people to its inside, where they become part of an art installation that mixes the contemporary language of the latticed architecture of the pavilion with the cardboard pieces and molds of a traditional Fallas guild.

 © Noel Arraiz

诺埃尔·阿拉伊兹

这个立方体铺在一个由社会团体组装的25.321件木制马赛克上。传统和当代之间的辩论是在集体建造的地板上进行的。没有共同的努力，传统和实验也没有未来。

The cube lays over a wooden mosaic of 25.321 pieces assembled by social collectives. The debate between tradition and contemporary is held over the floor that has been built by the collectivity. Nor the tradition nor the experimentation have a future without communal effort.

 © Noel Arraiz

诺埃尔·阿拉伊兹

 © Noel Arraiz

诺埃尔·阿拉伊兹

法拉斯消防节和达芬奇的家乡巴伦西亚有一个共同点。博尔贾家族。达芬奇在罗马为教皇亚历山大六世工作。博尔贾家族建造了一座宫殿，现在是我们政府的房子。在巴伦西亚，神圣宗教裁判所拥有权力，民间社会正在建造一座贸易大楼。丝绸市场是欧洲最重要的中世纪世俗建筑之一。它装饰着许多怪诞的场景和淫秽的人物，这是人们面对强大教会的方式。巴伦西亚人必须面对的对抗权力的精神是我们文化的一部分，也是法拉斯的主要原因。来取笑权力。

Valencia, home of Fallas fire festival and Da Vinci have a point in common. The Borgia family. While Da Vinci worked in Rome for Pope Alexander VI. The Borgia family built a palace that is now house of our government. While in Valencia the Holy Inquisition had the power, the civil society was building a building for trade. The Silk Market is one of the most important medieval secular buildings in Europe. It is adorned with many grotesque scenes and obscene figures that was how people was facing against powerful church. That spirit that Valencia people has to face against power is part of our culture and the main reason of Fallas. To make fun of power.

 © Noel Arraiz

诺埃尔·阿拉伊兹

这是所有这些传统，也是我们想要带给“燃烧者”的几年来的进化。这个项目将混合在一起：

And is all this tradition but also its evolution during years that we want to bring to Burning Man. The project will mix:

-只有硬纸板才能产生更大的空间，资源最少，而且可以用清洁的方式燃烧的结构。有中世纪装饰的建筑。-马赛克在楼面的设计理念，使其参与到社区的建设中来。这种马赛克将灵感来自诺拉的陶瓷，这是一种传统的瓦伦西亚陶瓷，在19世纪末就失去了它的生产。-以传统的法拉斯建筑方式用硬纸板制作的数字。这些人物将受到巴伦西亚丝绸市场古怪和色情人物的启发。

– An structure made only of cardboard to generate the bigger space with the minimum resources and that can be burned in a clean way. Structure covered with medieval decoration. – Mosaic design in floor with the idea to make participate at its construction to the community. This mosaic will be inspired in Nolla’s ceramic, a traditional Valencian ceramic which production was lost at the end of 19th century. – Figures made in cardboard in the traditional way of building Fallas. The figures will be inspired in the grotesque and erotic figures of the Silk Market in Valencia.