© Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

架构师提供的文本描述。13.乌泽斯街：在令人印象深刻的19世纪工业正面立面后，在埃菲尔工作室制作的玻璃天花板覆盖的庭院后面，新成立的塔伦特总部。由于地板和天花板的窗户后面出现了轻量级的品牌名称，三楼出现了IO。

Text description provided by the architects. 13, rue d’Uzès : behind the impressing 19th century industrial front elevation, at the back of a courtyard covered by a glass ceiling made by Eiffel workshop, the brand new head office of Talent.IO pops up from the 3rd floor thanks to the lightened brand name appearing behind floor to ceiling windows.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

为这种康复而选择的建筑理念是找回被相继的作品所掩盖和改变的建筑的原始美，而这一建筑是一个世纪和半世纪的作品。拆除、清洁、酸洗已经揭示了木地板、原始的埃菲尔风格的墙壁和结构，让这个大地板腾出了一个宽敞的空间：高高的天花板，500个没有墙的sq.meters。

The architectural concept chosen for this rehabilitation was to find back the original beauty of the building that has been masked and altered by successive works for a century and a half. Demolitions, cleaning, scouring pickling have revealed a wooden floor, original Eiffel-style walls and structure, freeing this big floor with a generous volume: high ceilings, 500 sq.meters without walls.

 Previous Plan

上一计划

 General Plan

为了尊重这个地方的原始工业精神，技术网络显然是故意留下的，而灯则是工业管状装置。这些画故意保持不完整，以创造一个对比和突出的区域，已留下的原始。

In order to respect the raw industrial spirit of the place, technical networks have been left apparent on purpose, and lights are industrial tubular devices. The paintings are purposely remaining incomplete to create a contrast and highlight zones that have been left raw.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

已在开放式楼层的尽头设置了封闭的房间，以使中央空间尽可能开放。从地板到天花板的工业窗户让自然光进入封闭的空间。

Closed rooms have been placed at the end of the open floor to let the central space as open as possible. Floor to ceiling industrial windows let the natural light enter the closed spaces.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

每个文森特

Alike every Vincent & Gloria project, the architectural approach is expressed from end-to-end and a specific focus is made on choosing and designing furniture. Raw, industrial materials have been chosen, often with a different usage than the initial one.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

关注细节和几种木质材料的叠加(Finadiamant，工业地板，Batipin)正在创造一个可定制的，充满个性的欢迎空间。随着他们的有机设计，办公室桌子允许开发人员根据他们的情绪和团队合作改变他们的位置：面对面，旁边或交替。

Attention paid on details and the superposition of several wooden materials (Finadiamant, industrial floor, Batipin) are creating a customizable, welcoming space full of character. With their organic design, the office tables are allowing developers to change their position according to their mood and teamwork: face to face, alongside or alternate.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

Batipin和Fermacell(传统上用于密封的水泥板)已被用于公用空间的家具：厨房、酒吧和餐室。‘Talent.IO’霓虹灯突出和区分了这个空间与其他开放的地板。

Batipin and Fermacell (cement panel traditionally used for tightness) has been used for the furniture of common spaces: kitchen, bar and eating room. The ‘Talent.IO’ neon light highlights and differentiates this space from the rest of the open floor.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

在庭院前的立面，工作和休息空间感谢对比和过滤的灯光，一个长期的多用途家具已设计在巴蒂平。长条桌由2个茧座组成，上面覆盖着用于电话通话或简单休息的音响材料。

Along the courtyard front elevation, work and rest space thanks to contrasted and filtered lights, a long multipurpose furniture has been designed in Batipin. The long bar table is combined with 2 cocoon seats covered by acoustic material for phone calls or simply rest.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

Architects Vincent & Gloria Architectes

Location 13 Rue d'Uzès, 75002 Paris, France

Category Offices Interiors

Area 500.0 sqm

Project Year 2016

Photographs Arnaud Schelstraete

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