1975年这座博物馆的建造是巴塞罗那的一个重要事件，因为当时城市缺乏文化基础设施。现在已经有40年了，基金会的空间占据了琼米尔的工作，以及20世纪和21世纪新兴艺术家的临时展览。

The construction of this museum in 1975 was a major event in Barcelona because at the time there was a lack of cultural infrastructure in the city. Now 40 years have passed and the Foundation’s spaces host the work of Joan Miró as well as temporary exhibitions of emerging artists of the 20th and 21st centuries.

 © Ana Rodríguez

安娜·罗德里格斯

基金会是Miró独特的作品与Sert设计的建筑之间的完美匹配。他们之间的工作关系是显而易见的，尽管形式上的差异似乎是显而易见的，因为他们的职业不同。那些对加泰罗尼亚民间艺术同样感兴趣的好朋友，给他们的作品带来了人性的一面。他们的作品展示了类似的反复出现的主题，如平衡、空间、颜色、光线、物质和对自然的热爱。

The Foundation is the perfect match between the unique works of Miró and the building designed by Sert. The relationship between their work is evident despite the formal differences that seem obvious due to their different professions. Great friends who shared the same interest in the Catalan folk arts, bringing a human side to their works. Their pieces showcased similar recurring themes such as balance, space, color, light, substance and love of nature. 

Josep Lluís Sert是1929年第一位国际知名的西班牙建筑师和GATPAC的创始人(Grup d‘ArquArchtes i Tècis per the Progrés de l’Architecture Contemorà尼亚)。他深受赖特、格鲁普斯、米斯范德洛和勒柯布西耶意识形态的影响，导致了他作品中的理性主义和前卫建筑。

Josep Lluís Sert was the first internationally renowned Spanish architect and founder of GATPAC in 1929 (Grup d'Arquitectes i Tècnics per the Progrés de l'Architecture Contemporània). He was strongly influenced by the ideologies adopted by Wright, Groupuis, Mies Van Der Rohe and Le Corbusier, which led to the rationalism and avant-garde architecture in his works. 

SERT的建筑是一种以模块或地中海文化中存在的建筑语言为基础的精细混合比率的作品。

Sert's building is a work that subtly blends ratios based on the Modulor with an architectural language present in the Mediterranean culture. 

 SE & SW Facade/elevation

它的体积组成丰富了空间，内部提供了一个动态的水平，从而创造了宽敞的，双高度的房间与间接自然照明的巨大品质。此外，它还提供室外露台，连接房间之间的元素，为整个空间提供透明。

Its volumetric composition enriches the space, internally providing a dynamic of levels and thus creating spacious, double height rooms with great qualities of indirect natural lighting. Additionally, it offers outdoor patios, connecting elements between rooms providing transparency to the entire space.

 Ground floor / First Lever

一楼/一层杠杆

​​运动思想和空间连续性是建筑的关键要素。空间之间有灵活性，无论是在不同的陈列室，还是在室外空间之间，无论是花园、露台还是露台。

The idea of ​​movement and spatial continuity are key elements in the building. There is flexibility between spaces, both in the different showrooms as well as between outdoor spaces, whether it be the gardens, patios or terraces. 

塞特选择了一个深受勒柯布西耶作品启发的解决方案，将展厅分布在一个中央庭院周围。

Sert chose a solution strongly inspired by the works of Le Corbusier, distributing the exhibition rooms around a central courtyard. 

 © Ana Rodríguez

安娜·罗德里格斯

这就允许了一条螺旋式的道路和一种循环，在这种循环中，除了连接博物馆的不同层次并让游客有机会从不同的角度欣赏米罗的作品之外，没有必要两次参观同一展厅。

This allows for a spiral path and a circulation in which there is no need to go through the same showroom twice, in addition to connecting the different levels of the museum and offering visitors the chance to admire Miró’s works from different angles. 

米罗基金会通过其比例、灵活性和内部空间的头顶照明，揭示出其独特的空间丰富性。

The Miró Foundation reveals a unique spatial richness through its proportions, flexibility and overhead lighting of internal spaces. 

 © Ana Rodríguez

安娜·罗德里格斯

一种大胆、实用、理性和地中海的解决方案；使这座建筑在今天仍然具有现实意义的特点。

A  solution that is bold, functional, rational and Mediterranean; features that make this building remain relevant today.

 © Ana Rodríguez

安娜·罗德里格斯

建筑师Josep Lluís Sert Location Parc de Montju c，巴塞罗那，Espa类别博物馆

Architects Josep Lluís Sert Location Parc de Montjuïc, Barcelona, Barcelona, España Category Museums & Exhibit Area 24000.0 m2 (25,8334 sq ft) Project Year 1975 Photos Ana Rodríguez