The Corner House Poly Studio
2016-10-03 17:00
架构师提供的文本描述。该项目的一个关键概念驱动因素是新旧关系。重要的是,扩展既补充和对比原来的房子。结果,我们用一种澳大利亚硬木木材银顶灰(SilvertopAsh)包覆了延伸部分,以补充原始房屋的风化板覆盖层。但是,虽然风向板被涂成白色,但我们把新的覆层涂上了黑色的污渍作为对比。
Text description provided by the architects. A key conceptual driver of the project was the relationship of the new to the old. It was important that the extension both complement and contrast with the original house. As a result, we clad the extension in Silvertop Ash, an Australian hardwood timber, to complement the weatherboard cladding of the original house. But, whereas, the weatherboard was painted white, we stained the new cladding in a black stain as a contrast.
该项目涉及重建和扩建位于墨尔本郊区的EdwardianWeatherboardHouse,以满足年轻家庭不断变化的需求。
This project involved the re-configuration and extension of an Edwardian weatherboard house in the Melbourne suburb of Balaclava to provide for the evolving needs of a young family.
该设计位于街坊附近一个突出的角落,充分利用了它的多种正面的机会,以及它的体验“在圆”的条件,使之充满活力,并与街景相接触。这座房子的组织结构是以“黑与白”的形式表达的,它位于面向小街的西面高地上,并以说教的方式表达了新旧关系。新的延伸是一个变形的盒子,在木材和染色黑色,形成对比的原始,白色挡风板小屋在前面。一个胶合板天篷折叠到原来的房子的侧面,以雕刻出一个汽车:用于连接房屋的两个主要卷。北外立面登记的剖面空间后面,表示粉红色筋膜带,框架内的生活。
Located on a prominent corner within the neighbourhood, the design leverages the opportunities of its multiple frontages and its condition of being experienced ‘in the round’ to animate and engage with the streetscape. The organisation of the house is expressed in ‘black and white’ on the west elevation which faces the side street, with its didactic expression of the relationship of new and old. The new extension is a deformed box, clad in timber and stained black to contrast with the original, white weatherboard Edwardian cottage at the front. A plywood canopy folds into the side of the original house to carve out a carport: serving to conjoin the two main volumes of the house. The north façade registers the sectional profile of the spaces behind, expressed by a pink fascia ribbon that frames the life within.
扩展的聚集响应于各种参数。它不是在房子后面的一个哑巴盒子,它试图通过绘制海湾窗户和屋顶的形状和几何形状来补充原来的房子。延长线向南推倒,以尽量减少对原房屋的视觉影响。在北面的形状是结合太阳控制-有效地形成一个自遮阳正面,而不需要应用遮阳。
The massing of the extension responds to various parameters. Rather than a dumb box at the back of the house, it seeks to complement the original house by drawing on the form and geometry of the bay window and the roof-form. The extension is pushed down on the south to minimise its visual impact on the original house. The form on the northern face is shaped to incorporate solar control - effectively forming a self-shading facade without the need for applied sun shading.
这所房子的内部规划是围绕着一系列不同的区域进行的。原来的房子在前面包括一个家长区,包括主卧室与WIR和套房浴室,以及一个慷慨的书房/家庭办公室。延伸部分的底层包括一个与厨房和洗衣房相连的居住和就餐区,面向北方,并向花园开放。第三个关键区域位于扩建区的一楼,由儿童卧室组成,这些卧室面向北方,并延伸到一个可俯瞰花园的共用阳台上。路边停车场位于原来房子的脚印内,这创造了一个高效的平面图,最大限度地扩大了后花园的面积。
The internal planning of the house has been structured around a series of separate zones. The original house at the front comprises a parents’ zone including the master bedroom with WIR and en suite bathroom as well as a generous study / home office. The ground floor of the extension comprises a living and dining zone connected to the kitchen and laundry, oriented to the north and opening out to the garden. The third key zone occupies the first floor of the extension and comprises the children’s bedrooms which are oriented to the north and open out onto a shared balcony overlooking the garden. Off street parking has been located within the footprint of the original house which creates a highly efficient floor plan that maximises the size of the back garden.
这座房子的设计也是为了纳入被动设计原则。关键房间和空间朝向北,有效遮阳,尽量减少面向东西的窗户。窗户已被战略性地放置,以鼓励交叉通风。在居住空间中也采用了倒砖贴面结构,以将热团融入房屋。
The house has also been designed to incorporate passive design principles. Key rooms and spaces are oriented to the north with effective solar shading, with a minimisation of windows facing east and west. Windows have been strategically located to encourage cross-ventilation. Reverse brick veneer construction has also been adopted in the living space to incorporate thermal mass into the house
Location Melbourne, Australia
Architect in Charge Daniel Wolkenberg
Photographs Tatjana Plitt
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