© Jorge Taboada

c.Jorge Taboada

架构师提供的文本描述。教堂位于墨西哥蒙特雷一个新城市开发项目东南的一个大广场上。它的主要入口打开到广场，与通畅的宽度11.5米，这个开放允许视觉连接的内部空间与广场。因此，广场可以作为教堂的附属设施，当参加人群的人数超过350人时，宗教庆祝活动和仪式就会涌出门外。在入口天篷上方，立面是一堵没有开窗或装饰的大而平坦的墙，是一个坚固的、接近正方形的平面，说明了教堂内部和后面的空间的不同之处：教堂内部的神圣空间。

Text description provided by the architects. The church is located on a large plaza to the southeast of a new urban development in Monterrey, Mexico. Its main entry opens right onto the plaza, and with an unobstructed width of 11.5 meters, this opening allows for the visual connection of the interior space to the plaza. The plaza can therefore function as an annex to the church, with religious celebrations and rites spilling out of doors when attending crowds exceed the church’s capacity of 350. Above the entry canopy, the façade is a large flat wall without fenestration or ornament, an emphatic and nearly square plane, declarative of the otherness of the space behind and within: the sacred space of the church interior.

 Courtesy of Moneo Brock

莫尼奥·布洛克(Moneo BRock)

通过这一当代建筑项目，我们进行了一场对话，在这个对话中，寺庙的空间不仅允许教理、社会活动、仪式和庆祝活动，而且代表着一种具有悠久历史的建筑语言的发展，讲的是连续性，也是一种更新。我们认为这个教堂是一个冥想的地方，也是一个社会和教育中心。

With this project of contemporary architecture we engage in a dialogue where the spaces of the temple not only allow for teachings, social activities, rites and celebrations, but also represent a development of an architectural language with a long history, speaking of continuity but also renewal. We see this church as a place of meditation as well as a social and educational center.

 © Jorge Taboada

c.Jorge Taboada

 Floor Plan

 Courtesy of Moneo Brock

莫尼奥·布洛克(Moneo BRock)

教堂的体积概念来源于传统的教堂规划，其设计呈现出早期基督教庙宇原型的可识别建筑特征，如钟楼、彩绘玻璃窗、正面祭坛、洗礼仪式、唱诗班、三座教堂和侧院。尽管如此，这一设计无疑是现代的。

The volumetric concept of the church derives from traditional church plans, and the design presents recognizable architectural features taken from early Christian temple prototypes, such as the bell tower, the stained-glass windows, the frontal altar, the baptistery, the choir, the three chapels and the lateral courtyard.  Nonetheless, the design is undoubtedly modern. 

该计划是一座大教堂，中央有一个长方形的内殿，高约15米，其长轴指向祭坛。室内有多种自然光源，洗礼后有一堵长长的玻璃墙，长长的玻璃墙可以看到一个封闭的露台。在这个区域上方是一个玫瑰花窗的版本，一个用彩色玻璃向西方开放的九方格网。在东南方，三个小礼拜堂各享受着高高的天窗带来的阳光。最后，祭坛上方是第四个高高的天窗，它的光从倾斜的面板后面洗下来，切割成四个部分，露出一个巨大的拉丁十字，十字架与上面的光一起发光。

The plan is that of a basilica, with a rectangular central nave some 15 meters high, its long axis oriented towards the altar. There are multiple sources of natural light in the interior.  Behind the baptistery a long glass wall runs the length of the nave giving views of an enclosed patio. Above this area is a version of a rose window, a nine-square grid opening to the west with colored glass. To the southeast, three small chapels each enjoy daylight from high skylights.  Finally, above the altar is a forth high skylight, whose light washes down behind an inclined panel cut into four sections to reveal a large Latin cross, the cross glowing with the light from above.

 Courtesy of Moneo Brock

莫尼奥·布洛克(Moneo BRock)

Architects Moneo Brock Studio

Location Carr Nacional 500, Sin Nombre de Col 50, Monterrey, N.L., Mexico

Category Churches

Architect in Charge Jeffrey Brock

Area 1600.0 m2

Project Year 2016

Photographs Jorge Taboada

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