© Carlos Berrios

卡洛斯·贝里奥斯

架构师提供的文本描述。游客的精神避难所，永久的崇拜，包括传统的宗教仪式活动。

Text description provided by the architects. Spiritual refuge for visitors, perpetual adoration and includes traditional religious ceremonial activities.

物化需要两个时刻：

The materialization entails 2 moments:

-宇宙观念

-Cosmic idea

-有形建筑

-Physical construction

 © Carlos Berrios

卡洛斯·贝里奥斯

创世纪1.2.“神的灵降如鸽子，掠过水面”，鸽子的特点是：温柔、优雅、纯真、柔软、平和、纯洁、耐心、容易悲伤、害怕和忠诚。

Genesis 1.2. : "The Spirit of God descending like a dove swept over the face of the waters".The characteristics of the pigeon are: gentle, tender, graceful, innocent, soft, peaceful, pure, patient, easily grieved or scared and faithful.

 © Carlos Berrios

卡洛斯·贝里奥斯

圣神的白鸽，简洁、现代，体积纯净，与现有医院的塔楼形成了正式的对比，与中央庭院相连；与主大厅、新大堂、自助餐厅、儿科和停车场通畅，金色使用者(轮椅等)可以在所有内外空间自由移动。

The White dove of the Holy Spirit, simple, contemporary, of pure volumes, in harmony by formal contrast to the towers of the existing hospital, joint from the central courtyard; with fluent Access from the main lobby, new lobby, cafeteria, Pediatrics and parking lot, Golden users (wheelchair, among others), can move freely by all internal and external spaces.

 © Carlos Berrios

卡洛斯·贝里奥斯

平面图布局为10m×10m对称正方形。每个顶点都指向一个基数。它的前面是一个拉长的门厅，作为连接的外部和内部，以保证隐私。这个门厅的高度平均为2.3米，每当你进入教堂内部的主门限时，就会产生上升漏斗效应。

The floorplan layout corresponds to 10 m x 10 m symmetrical square. Each of its vertexes is oriented towards a cardinal point. It is preceded by an elongated foyer that serves as a connection between the exterior and the interior which guarantees privacy. This foyer is of low height averaging 2.30 m, which makes an asceding funnel effect whenever you access  the main threshold into the interior of the chapel.

一个有趣的现象是自然照明，内部的事件不断变化，根据时间的一天，这是通过天窗和由于弯曲的覆盖。薄薄的窗户吸收光线，形成了一种精神暮色的感觉。

An interesting phenomenon is the natural  lighting, inside the incidences constantly vary according to the time of day, this is achieved through skylights and due to the curved covering. The thin Windows absorb light forming a sense of spiritual twilight.

 © Carlos Berrios

卡洛斯·贝里奥斯

教堂的外观是一种冷白色，植被上有相同颜色的花朵；还有一些种类，如鸭舌兰和阿尔巴，它们是热带气候的特色花卉，其中包括尼加拉瓜的国花-萨库兰-乔奇(Sacuanjoche)。所有这些细节都产生了和平与安宁的效果。

The exterior of the Chapel is sober of a  cold white color, the vegetation was designed with flowers of the same color; and species as plumeria pudica and alba, flowers characteristic of the tropical climate including - Sacuanjoche – the national flower of Nicaragua. All these details create an effect of peace and tranquility.

在内部，材料和元素的暖色欢迎游客。家具和地板上木材装饰细节的口音。这些颜色分别是绿宝石、红酒、紫色和白色，每个颜色都对应着与圣灵有关的符号。

In the inside, materials and elements of warm color welcome the visitors. Accents in details of wood desings in furniture and floordecors. The colors ochre, red wine, purple and white each correspond to symbols related to the Holy Spirit.

 © Carlos Berrios

卡洛斯·贝里奥斯

在天花板的木工工程中，交织的木板为弯曲的覆盖提供了连续性。它们代表着橄榄树的枝条，手工艺品、巴尔萨、木雕、鸽子从橄榄树上垂来晃去。

In the carpentry works of the ceiling, the interwoven wood planks provide continuity to the curved  covering. They represent branches of olive trees from which  handcraft balsa wood pigeons dangle. 

这座可容纳84人的细长结构由Cemex钢筋混凝土建造，采用4000 PSI，60级钢。它的最高高度为14.50米，山顶上由一个白色的大十字架组成。

The slender structure with capacity for 84 people, was built from Cemex reinforced concrete, of 4000 PSI, + grade 60 steele. With a maximum height of 14.50 m, settled by a large white cross on its Summit.

 © Carlos Berrios

卡洛斯·贝里奥斯

大部分工作是用尼加拉瓜的材料、配件和劳动力进行的。

The majority of the work has been carried out with Nicaraguan materials, accessories and labor.

所采用的设计标准：节奏、对比、不对称、均衡和国家认同的集合。

Criteria of design that were applied: rhythm, contrast, asymmetry, equilibrium and an aggregate of national identity.

 © Carlos Berrios

卡洛斯·贝里奥斯

Architects Ricci Architetti Studio

Location Managua, Nicaragua

Category Chapel

Architect in Charge Donald Ricci

Area 125.0 sqm

Project Year 2016

Photographs Carlos Berrios

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