© Eva Bloem

(伊娃·布卢姆)

架构师提供的文本描述。克林克文化中心被赋予生动的外表，以反映其节目的表现力。它位于温斯普滕的中心位置，使居民可以很容易地享用剧院、艺术中心、电台演播室和图书馆提供的文化服务，或在剧院咖啡厅享用咖啡。通过这种方式，居民自己对城市的文化生活做出了积极的贡献。

Text description provided by the architects. The Klinker Cultural Centre was given a lively exterior to reflect the expressive nature of its programs. Its central location in Winschoten makes it easily accessible to the residents who can enjoy the cultural offerings of the theatre, arts centre, radio studio and library, or savour a coffee in the theatre café. In this way, residents themselves actively contribute to their city’s cultural life.

在格罗宁根地区的文化图标中，中心的醒目的雕刻外形设计成没有正面或背面的立面，以便更好地与四周的环境接触。这也使其在场地上的足迹最大化并突出其足迹，而连续立面的柔和角度与透视定律一起播放并缩短视觉距离。在格罗宁根的20世纪20年代的表现主义建筑中，水平剖面、曲线边缘和悬突。建筑锚通过呼应其周围的形态而在Winschen中进行锚定。它的作用是历史上城市的小型建筑与战后发展和翻新的规模较大的交界处。相邻城市中心的特点是由当地格罗宁根粘土建造的双层砌体房屋。减小的比例由水平带强调，当它们在建筑物周围移动时，该水平带分开并连接。建筑的主要特点是它的详细的垂直砌筑和深的倾斜窗凹槽，使建筑具有坚固和大胆的外观。该项目特别设计了不同类型的砖，并在传统的橙色格罗宁根粘土中生产。底座中的技术区域也反映了与周围环境的连接。建筑特征的原始、棕色/橙色末端用Groningen景观的轮廓穿孔。

Cultural icon in Groningen region The striking carved exterior of the centre is designed without front or back facades in order to better engage its surroundings on all sides. This also maximises and accentuates its footprint on the site, while the gentle angles of the continuous facade play with the laws of perspective and shorten visual distances. The horizontal sections, curved edges and overhangs recall 1920s Expressionist architecture in Groningen. The building anchors itself in Winschoten by echoing the morphology of its surroundings. It functions as a juncture between the small-scale buildings of the historic inner city and the larger scale of post-war developments and renovations. The adjacent city centre is characterised by double-storey masonry houses made of local Groningen clay. The reduced scale is emphasized by the horizontal bands that split and join as they move around the building. Major characteristics of the building are its richly detailed vertical masonry and deep, sloping window recesses which lend the building a strong and bold appearance. Different types of bricks were specially designed for the project and produced in traditional orange Groningen clay. The technical zones in the plinth also reflect a connection to the surroundings. The raw, brown/orange ends of the building feature CorTen steel surfaces perforated with the contours of Groningen’s landscape.

 © Eva Bloem

(伊娃·布卢姆)

主要的创新之处在于，立面完全是用砖砌成的。非常具体的生产过程能够在窗框周围使用深的揭示。这些元件由六个单独的元件组成，这些元件被注入工厂的一个单一结构中，并被安装为在窗口前面的一个部位上。

Façade The main innovation is the fact that the facade is entirely sculpted from brickwork. A very specific production process enabled the use of deep reveals around the window frames. These are composed of six separate elements poured into one single structure in the factory and installed as one piece on site in front of the windows. 

 Courtesy of Atelier Pro

Atelier Pro提供

预制立面完全没有传统的竖井或屋檐/悬垂。流过窗框的水通过排水腔排出。原则上不需要额外的排水。在发生过度泄漏的情况下，决定在每个框架下安装排水沟，以减少损坏的风险，并使维护更容易。为了获得额外的保证，排水沟会捕获多余的水，并通过污水系统排出。

The prefab facade is completely constructed without traditional sills or eaves/overhangs. Water that runs over the window frame is discharged through the drainage cavity. In principle no additional drain is necessary. In case of excessive leakage it was decided to implement gutters under every frame to reduce the risk of damage and make maintenance easier. For extra reassurance, the gutters catch excess water and drain it away through the sewage system.

 © Eva Bloem

(伊娃·布卢姆)

Architects atelier PRO

Location Meester D.U. Stikkerlaan, Winschoten, The Netherlands

Category Cultural Center

Architect in Charge Dorte Kristensen, Lisette Plouvier, Eelko Bemener

Interior Architect Lisette Plouvier

Area 8125.0 m2

Project Year 2015

Photographs Roland Halbe, Eva Bloem

Manufacturers Loading...