New Casa Triângulo Metro Arquitetos Associados
2016-10-31 11:00
© Leonardo Finotti
莱昂纳多·芬诺蒂
架构师提供的文本描述。麦德龙开始了一个新的Casa Tri n古洛的项目,与他们的客户合作,广泛搜索适合巴西最重要的当代艺术画廊之一的网站,该画廊已经运营了28年。这一伙伴关系确保了在Rua Estados Unidos(圣保罗最独特的街道之一)上的财产不仅是根据其实际位置而选择的,而且也是根据现有结构的特点选择的,这将使其能够迅速转变为一个巨大的展览空间。因此,设计与施工之间的差距仅为11个月。
Text description provided by the architects. METRO began the project for a new Casa Triângulo by collaborating with their clients on an extensive search for a site suitable for one of Brazil’s most important contemporary art galleries, which has already been in operation for 28 years. This partnership ensured that that the property on Rua Estados Unidos (one of Sao Paulo’s most distinctive streets) was not simply chosen based on its physical location, but was also selected for the characteristics of an existing structure that would allow for a rapid conversion into a substantial exhibition space. The resultant gap between design and construction was just 11 months.
© Leonardo Finotti
莱昂纳多·芬诺蒂
新建筑物被设想为一个大容量,容纳两个展区,藏品的储存、管理和支持面积约500平方米,分布在三层(地面、阁楼和一楼)。主展区的高度接近5米,相当于圣保罗双年展馆的高度,这使得新的卡萨·特恩古洛画廊(Casa Tri n古洛)成为镇上为数不多的几家规模如此之大的画廊之一。
The new building is conceived as a single large volume, housing two exhibition areas, the collection’s storage, administration and support areas totalling approximately 500sqm spread over three levels (ground, mezzanine and first floors). At almost 5m, the height of the main exhibition area is equivalent to that of the Sao Paulo’s Biennale Pavillion, making the new Casa Triângulo one of the few galleries in town with proportions of this scale.
© Leonardo Finotti
莱昂纳多·芬诺蒂
© Leonardo Finotti
莱昂纳多·芬诺蒂
关于外部区域,面对Rua Cristv o Diniz的立面-比Estados Unidos更少受到交通流的影响-是由一个由画廊混凝土地板延伸而成的庭院定义的,其长度由一个预制混凝土长凳构成。这有助于显示公众性格,既有利于活动日,也有利于行人的日常使用。这是补充的第二个沥青和砾石区,可用于装卸艺术品,但也激活作为额外的外部活动空间。Rua Estados Unidos前方的区域保留供一般进出的停车场使用。半透明聚碳酸酯面板形成整个画廊周边允许自然照明和透明度在白天,而在反向,在夜间传输它。在这些连续板内发现大的旋转孔,加强内部和外部之间的渗透性。
Regarding the external areas, the façade facing onto Rua Cristóvão Diniz – less exposed to flows of traffic than Estados Unidos - is defined by a courtyard demarcated by the extension of the concrete flooring of the gallery and at its lengeth by a pre-cast concrete bench. This helps suggest a public character conducive to both event days and the daily use of pedestrians. This is complemented by a second asphalt and gravel area which may be used for loading and unloading works of art, but also activated as additional external event space. The area fronting Rua Estados Unidos is reserved for general-access parking. Translucent polycarbonate panels form the entire perimeter of the gallery allowing for natural lighting and transparency during the day, whilst in reverse, transmitting it at night. Large pivoting openings found within these continuous panels, reinforce the permeability between interior and exterior.
© Leonardo Finotti
莱昂纳多·芬诺蒂
在详述阶段选择了材料,因为它们是预制的,或者在施工过程中不需要过度的修整。在外部立面和主展区衬里中使用的聚碳酸酯和水泥板以及覆盖天花板的膨胀的钢格是这样的材料的例子。
Materials have been selected for their efficiency at the detailing stage, either because they were prefabricated or did not require excessive finishing during construction. The polycarbonate and cement panels used on the external facade and in the lining of the main exhibition area, together with the expanded steel grills covering the ceiling, are examples of such materials.
© Leonardo Finotti
莱昂纳多·芬诺蒂
Architects Metro Arquitetos Associados
Location São Paulo, Brazil
Category Houses
Area 450.0 sqm
Project Year 2016
Photographs Leonardo Finotti
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