© Haruo Mikami

c.HaruoMikami

架构师提供的文本描述。一套现代公寓，与Brasíliadz一开始的现代集体住宅设计有着明显的联系。这就是当时我们的客户给我们的指导，今天，我们最亲爱的朋友们，在开始建筑设计的时候，对位于巴西利亚中部的公寓进行了改造。一旦确立了设计的概念，其意图就是寻求一种解决办法，以满足巴西利亚的现代生活活力和独特的生活方式，这种居住方式被Lúcio Costa理想化。

Text description provided by the architects. A contemporary apartment, with a clear connection to the modern design of collective housing in the beginning of Brasíliadz. That was the guidance, which our clients gave us at the time, today our dearest friends, in the beginning of the architectonic design to remodel the apartment, located in middle of Brasília. Once establish the concept of the design, the intentions were to reach out to a solution that appease the dynamic of modern life and the peculiar way of living in the residential scale of Brasília, idealized by Lúcio Costa.

 © Haruo Mikami

c.HaruoMikami

 © Haruo Mikami

c.HaruoMikami

在自由观的基础上，Brasserllia的Dzurbsz的空间慷慨，是在Brasserllia的EstendioMRGB的设计中浸渍的一些特征。显然，这取决于建筑师在日常工作中面临的主题。对于公寓Ma而言，在生活空间、餐厅和工作空间等社会空间中，流动性、渗透性和空间慷慨等都存在着明显的差异。所有的空间都是完全集成的，边界被配置为微妙，保护每个空间，并且每一个都有功能。这种观点没有障碍，所有的房间都能充分理解、明确和客观的社会化空间。我们的客户和我们的EestinDIOMRGB的自尊，对于60名“S”的设计由具有重要作用的家具进行保险，并创造完美和预期的氛围。集成这些空间的碎片是由最伟大的大师、建筑师斯瓦吉奥·Rodrigues和PauloMendesdaRocha设计的。

With the free view, spatial generosities that make the DzUrbsdz of Brasília what it is, are a few characteristics that are impregnated in the design of the Estúdio MRGB in Brasília. Clearly appears more or less, depending on the theme that the architects face during the exercise of the daily job. As for the apartment MA the fluidity, permeability and spatial generosity are there clearly in the social spaces such as living room, dining room and work space. All the spaces are fully integrated, and the boundaries are configured subtlety, protected each and every one there functions. The view has no obstacles, all rooms allow their full comprehension, clear and objective of the socialization spaces. The esteem of our clients and ours of the Estúdio MRGB, for the design of the 60’s are insured by the furniture that has an important role, and creates the perfect and intended atmosphere. The pieces that integrate the spaces were designed by the greatest masters, architect Sérgio Rodrigues and Paulo Mendes da Rocha.

 © Haruo Mikami

c.HaruoMikami

 Ground Floor

 © Haruo Mikami

c.HaruoMikami

弗洛伦斯·克诺尔-查尔斯·雷·伊姆斯-同样做出了贡献，使空间与当代家具、新一代充满希望的巴西设计师杰德·阿尔梅达和费尔南多·普拉多的理念完美和谐。主卧室和社交区之间的界线，是由位于餐厅后部的木制面板来定义的。在大木板上集成了一扇通往主卧室的门，它与面板的垂直木条混合在一起。这些元素赋予隐私，舒适和必要的福利，以完美地利用空间亲密和社交。在面板的对面是一个画廊，精心设计，以增强美的艺术收集的夫妇。由于与城市的关系狭窄，Estúdio MRGB设计了一组具有几何形状的个性化瓷砖，参考了在巴西利亚市主要建筑中可以看到的伟大艺术家Athos Bulc o，成为所有建筑师、艺术家、巴西利亚公民的参考。

Florence Knoll a Charles Ray Eames contributes equally, bringing the spaces the perfect harmony with the contemporary furniture, concepts of the new and promising generation of Brazilian designers, Jader Almeida and Fernando Prado. The borderline between the master bedroom and social area, are defined by a wooden panel, located in the back of the dining room. Integrated into the large wooden panel a door to the master bedroom, which blends with the vertical wood strips of the panel. Those elements grant privacy, comfort and the necessary wellbeing for the perfect use of the spaces intimate and social. On the opposite side of the panel is located a gallery carefully design to enhance the beauty of the art collected by the couple. The narrow relation to the city, a panel of personalized tiles with geometric forms was designed by Estúdio MRGB in reference to the great artist Athos Bulcão, which can be seen in the main buildings of the city of Brasília, became a reference for all architects, artist a citizen of Brasília.