© Darren Bradley

c.达伦·布拉德利

架构师提供的文本描述。这座可容纳1100人的教堂是大洋洲一个天主教教区三阶段项目的一部分，该公司在该教区工作了20多年。位于梅罗斯路和坎农大道交汇处的山坡上，教区的场地还包括一个4，000平方英尺的社区大厅、行政办公室和周围的花园庭院。

Text description provided by the architects. The church for 1,100 people is part of a three phase project for a Catholic parish in Oceanside, with which the firm has worked for over twenty years. Located on a hillside at the intersection of Melrose Road and Cannon Drive, the parish grounds also include a 4,000 square foot community hall, administrative offices, and surrounding garden courts.

 © Darren Bradley

c.达伦·布拉德利

教堂建在工地的最高海拔处，一座60英尺的钟楼从远处传来能见度和清晰度。钟楼两侧的实心建筑与刺眼的西方阳光对抗，墙壁交错，神职人员轻轻地将光线过滤到室内。

The church is built on the highest elevation of the site, with a 60 foot bell tower lending visibility and definition from afar. The solid volumes flanking the bell tower oppose harsh Western sun with staggered walls and clerestories that filter light softly into the interior.

 © Darren Bradley

c.达伦·布拉德利

 © Darren Bradley

c.达伦·布拉德利

在里面，圣所的设计是为了庆祝作为礼拜仪式中心的教会本身。来自太平洋西北部的樱桃木制成的梨树被布置成半圆形的布局，以鼓励教区居民之间的互动和能见度。头顶上，樱桃天花板的百叶窗包围了集会和唱诗班，提供了一种温暖和团结的感觉。

Inside, the design of the sanctuary celebrates the congregation itself as the center of liturgy. Pews made of cherry wood from the Pacific Northwest are arranged in a semicircular layout to encourage interaction and visibility among parishioners. Overhead, cherry ceiling louvers envelope the congregation and choir, providing a sense of warmth and unity.

 © Darren Bradley

c.达伦·布拉德利

在祭坛上，交叉切割的智利石灰华和生混凝土的棱角分明的墙壁将漫射的光投射到圣殿的焦点-十字架上。青铜雕塑由艺术家林恩·柯尔彻(Lynn Kircher)创作，十字框架由伦佐·泽切托建筑师(Renzo Zecchetto Archit

At the altar, angled walls of cross-cut Chilean travertine and raw concrete deliver diffuse light onto the sanctuary’s focal point—the crucified corpus. The bronze sculpture was created by artist Lynn Kircher; the cross frame by Renzo Zecchetto Architects.

 © Darren Bradley

c.达伦·布拉德利

这座建筑利用天然海风降温。地板上的全体会议通过PEWS的穿孔支撑供应空调空气。

The building takes advantage of natural sea breezes for cooling. An underfloor plenum supplies conditioned air through the perforated supports of the pews.

 © Darren Bradley

c.达伦·布拉德利

东方高地的定义是透明和开放的：在这里，毒品被重新想象成一堵幕墙和悬垂，直接从庭院和花园欢迎教区居民。

The eastern elevation is defined by transparency and openness: the narthex is here reimagined as a curtain wall and overhang that welcomes parishoners directly from the courtyard and gardens.

 © Darren Bradley

c.达伦·布拉德利

琉璃庭院门进一步增加了与校园其他部分及其室外空间的可及性和视觉联系，这得益于南加州温和的气候，为人们提供了全年冥想和休息的场所。

The glazed courtyard doors further increase accessibility and visual connection to the rest of the campus and its outdoor spaces which, thanks to the temperate Southern California climate, provide year-round places for contemplation and repose.

 © Taylor Hsiao

(小泰勒)

Architects Renzo Zecchetto Architects

Location Oceanside, CA, United States

Category Churches

Architect in Charge Renzo Zecchetto

Design Team Alex Garcia, Rob Rombold, Minya Radenkovich, Michael Stebbins, Taylor Hsiao, Sebastiano Zecchetto

Area 22000.0 ft2

Project Year 2015

Photographs Darren Bradley, Taylor Hsiao

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