© Javier Callejas

.Javier Callejas

架构师提供的文本描述。房子的现有结构完好无损，数据只需给它一个良好的喷砂，以更新砖瓦和天篷。然而，内部将进行彻底改造，以阻止相对较小的120平方米的楼面面积的限制。它重新创造了建筑的体积，同时保持了它的比例。它有很好的头部空间，但在保持比例的同时改变音量是一个关键目标。数据摧毁了大楼，形成了一个三层(地面、第一层和阁楼)的展览空间。主室用墙隔开，隔开楼梯间、浴室、储藏室和技术室。

Text description provided by the architects. The house’s existing structure was in impeccable condition and DATA had merely to give it a good sand blasting to refresh the brickwork and canopy. The inside however was to undergo a complete makeover to thwart the constraints of a relatively small floor space of 120 m2. It reinvented the volume of the building while keeping its proportions. It had good head room but to change the volume while maintaining the proportions was a key aim. DATA gutted the building to create a three floors (ground, first and mezzanine) exhibition space. The main room has been separated o by a wall to screen the stairwell, bathrooms, storage and technical rooms.

 © Javier Callejas

.Javier Callejas

在主空间，一种将玻璃的透明度与金属的轻盈结合起来的大型圆柱形结构，解决了该项目的主要挑战：尽可能地解放底层，通过提供轻盈、通风的设计，邀请游客登上楼上的楼梯。圆柱体由金属结构上高度为5米的弯曲玻璃墙组成，它有一个额外的展位，同时也有一个50平方米的夹层，由挡土墙支撑。悬浮在球体底部的是塞马帕展览空间的旗舰部件：由于滑轮的作用，模型在几分钟内出现并消失在圆柱体的高处，腾出地板进行其他活动，如演讲和揭幕。这种建筑设备有双重优点，增加规模，而不是保持一个重要的场景，而不是杂乱的一个已经减少的空间。

In the main space, a large cylindrical structure which combines the transparency of glass with the lightness of the metal, solves the main challenge of the project: freeing the ground floor as much as possible, inviting visitors to mount the stairs to the upper floors by offering a light and airy set design. Composed of curved glass walls to a height of 5m on a metal structure, the cylinder enjoys an additional exhibition level while it is also doted with a 50 m2 mezzanine, carried by the retaining wall. Suspended from the underside of the sphere is the flagship component of the exhibition space of the Semapa: thanks to a pulley the model appears and disappears into the heights of the cylinder in a matter of minutes freeing the floor for other events like presentations and inaugurations. This architectural device has the double merit of adding scale instead and maintaining an important scenography without cluttering an already reduced space.

 © Javier Callejas

.Javier Callejas

 Axonometric

 © Javier Callejas

.Javier Callejas

考虑到导演的房子的用途，胜于一套设计，Semapa实际上将提供一座有用的建筑。一个真正的工作空间，一个研讨会和会议场所，一个城市项目将从这里诞生的基地。尽管圆柱体集中了该地方的技术，并由大型PRS型梁支撑，并由金属棒支撑在墙上，但空间实际上仍然是原始的和开放的，可供多种用途使用。现有的洞口被大窗户保留和设置，从塞纳河和建筑学院的建筑中精心安排了建筑的透明度，而建筑学院恰好正对着它。

Anticipating the uses of the director’s house, more than a set design, Semapa will actually deliver a useful building. A genuine workspace, a workshop and meeting place, a base from which the urban project will spring. Despite the cylinder which concentrates the place’s technology and is supported by large PRS type beams and braced by metal rods to the wall, the space remains in effect raw and open to multiple uses. The existing openings have been retained and set o by large windows, orchestrating the transparency of the building from the Seine as from the School of Architecture, which just happens to be facing it.

此外，该机构还获得了该地区的风景设计奖，正在开发一系列的七条主题路线，沿着这条路线穿过这个街区。遗产；交叉路口；现今社区；城市流动；创新与可持续发展；城市艺术与公众。展览还放映了两部电影：巴黎左岸概况，以及几次关于该社区特色主题的采访。

Having also won a further prize for the scenography of the place, the agency is developing a series of seven themed routes to follow through the neighborhood. Heritage; Crossings; Neighborhoods today; City on the Move; Innovation and sustainable development; Urban Arts and General public. The exhibition also presents two films: an overview of the Parisian left bank, and several interviews on characteristical topics concerning the neighborhood.

 © Javier Callejas

.Javier Callejas

Architects DATA

Location 11 Quai Panhard et Levassor, 75013 Paris, France

Category Adaptive Reuse

Area 400.0 m2

Project Year 2016

Photographs Javier Callejas

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