Firodiya Center for Inspiration Studio A dvaita
2016-11-26 20:00
Text description provided by the architects. The challenge was to create an administrative office space & informative gallery for visitors, shielded visually and acoustically from industrial environment. The form is evolved with existing kitchenette, geodesic dome which was built 15 years before, with new components as amorphous interlinked units, on basis of pragmatic needs and environmental aspect of site by providing shield from heat and glare externally.
该项目旨在通过应用各种策略创建高度可持续的校园。第一,通过回收和/或回收至少50%的材料来减少废物的产生。90%使用当地可用的建筑材料和产品。利用天窗获得的自然光最小化照明负荷
This project aims to create highly sustainable campus through application of various strategies. First by reduction of waste generation by recycling and / or salvaging at least 50% of material. 90% use of building material and products available locally. Minimizing lighting loads by using natural light obtained through skylights & north light and using efficient led lamps. The informal enclosure around the geodesic dome is created by placing criss cross walls to create outdoor exhibition space. These walls are placed in such a way that throughout the day outdoor gallery can be used.
室内画廊块被倾斜到现有的街区,在两者之间建立小庭院,以保护内部空间不受灰尘、风和刺日的影响。
The indoor gallery block is placed tilted to existing block to create small court inbetween which will protect the internal spaces from dust, wind and harsh sun.
戏剧性的内部体积是通过自然光照来调节的。白色的墙壁用自然光照明,棕色的科塔石材作为地板和过于详细的内部结构是避免带来简单的尊严的沉默建筑。颜色粗糙的纹理石膏是为外部表面提供的,这为外部空间增添了魅力。
The dramatic internal volume is modulated with natural illumination. White walls lit with natural light, brown kotah stone for flooring and over detailed interiors are avoided to bring simple dignity of silent architecture. Coloured rough textured plaster is provided for external surfaces which add charm to exterior spaces.
The fenestration requires for respective function are designed to minimize the heat gain & maximizes suffused day lighting. Large openable perforated sheet doors offer a sweeping view of adjacent court with plantation and colorful walls from all work areas.
一个强大的建筑,发挥内外对比,实现了游客中心的尊严。热的考虑因素,包括设计,包括方向,窗口遮阳和自然通风。低,大,与不同的体积,建筑是大胆的当代,但灵感来自其背景。外墙采用彩色、粗糙的纹理,与景观和周围环境相融合。与之形成鲜明对比的是,室内漆成了纯正的白色,带有自然光。在这里,材料、颜色和纹理的选择吸引了人们的注意,将其作为一个朴素、廉价但又新鲜又真实的建筑实例。
A powerful architecture, playing with the contrast between inside and outside, achieves the dignity essential to visitor center. Thermal considerations informed the design, including the orientation, window shading and natural ventilation. Low, massive and with varying volumes, the architecture is boldly contemporary but inspired by its context. Exterior walls are painted in coloured rough texture, blending with the landscape and surrounding. In dramatic contrast, interiors are painted in immaculate white with natural light. Where the choice of material, color and texture draws attention as a modest, inexpensive yet fresh and authentic architectural example
Architects Studio A dvaita
Location Ahmednagar, Maharashtra, India
Architects in Charge Prasad Badave, Rasika Badave
Design Team Prasad Badave, Rasika Badave, Rajiv Gujar, Anil Gavande, Ashok Akolkar, Sanjay Kharat, Balasaheb Walhekar
Photographs Rasika Badave
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