Hairdressers Salon Talstrasse Zürich Wuelser Bechtel Architekten

2016-11-30 10:00
 © Stefan Wülser
C.Stefan Wülse
架构师提供的文本描述。宁静与运动
Text description provided by the architects. Tranquility and movement
我们一直在苏黎世最繁忙的街道上,在一家艺术灵感的美发沙龙里工作。简而言之,他们雄心勃勃的客户一旦完成头发,就应该忘记他们的工作和问题。这是一个高度个人和非常苛刻的服务,氛围是体验的一个很大一部分。
We’ve been working on a art-inspired hairdressers salon interior on one of the most busy streets of Zurich. The brief said that their ambitious clients should forget about their jobs and problems once they get their hair done. It’s a highly personal and very demanding service and the atmosphere is a huge part of the experience.
 © Stefan Wülser
C.Stefan Wülse
 
 © Stefan Wülser
C.Stefan Wülse
显然,从喧闹的街道到悠闲的音乐,以及高质量剪刀的重复声音,人们的情绪都有很大的不同。时间似乎在不同的诱惑中流逝。
There was obviously a huge difference in mood from the hectic and noisy street outside to the laidback music and the repetitive sound of high quality scissors inside. It seems that time passes in different tempi. 
 
快速的外部节奏可以被认为分散了理发师想要达到的目标,但同时我们也不想忽视周围的环境,因为我们对一个非常具体的解决方案感兴趣。我们开发了一种既迅速又复杂的模式。它仍然是有趣的,因为它改变了它的外观,取决于它的观察者的角度。这是一个精心制作的原型系列,由当地的木匠完成,灵感来自当代平面艺术(比如埃米莉·丁的美丽绘画)或古典现代舞台设计(比如罗曼·克莱门斯的作品)。
The quick pace of the outside can be considered distracting for what the hairdressor wants to achieve but at the same time we don’t want to neglect the surrounding since we were interested in a very specific solution. We developed a pattern that is both – unhasty and intricate at the same time. It remains interesting since it changes it appearence depending on the perspective of it’s observer. It’s the result of an elaborate series of prototypes done with a local carpenter and inspired by contemporary graphic art (like the beautiful painting by Emilie Ding) or classic modern stage designs (like Roman Clemens’ work).
 © Stefan Wülser
C.Stefan Wülse
空间安装
Spatial Installation
精致的木材内部是部分预制使用CAAD和CAM技术,但也涉及许多手工。我们设法发展了一些精细的和无形的纵向连接块之间的3毫米中密度纤维板木材。为了不破坏透视效果,每件事都必须尽可能细和精确。它需要经过大量的测试和开发,才能在6天内完成所有的组装工作。这更像是一种安装,然后是一种经典的架构方法,但是我们相信,精确性和特定于站点的方法在这里创造了一些非常永恒的东西。
The delicate wood interior was partly prefabricated using CAAD and CAM technologies but also involved a lot of handcraft. We managed to develop some refined and invisible longitudinal connections between pieces of 3mm MDF wood. Everything had to be as thin and precise as possible to not spoil the perspective effect. It took a lot of testing and developing before everything was assembled within 6 days of work. It’s more of an installation then a classic architecural approach but we believe the precision and the site-specific approach creates something very timeless here.
 © Stefan Wülser
C.Stefan Wülse
作为客户,您花了1到3小时的时间。在“图案”(Pattern)空间内慢慢移动,这样当您更改视图的方向时,它就会展开它的丰富变化。作为行车或行人,您可以看到天花板的种类"变换"当你快速移动而不是快速地移动时,因为你更彻底地改变了视角。
As a customer you spend between 1 and 3 hours in the . You move slowly inside the patterns space – so it unfolds it’s rich variations when you change direction of view. As a cardriver or pedestrian you see the ceiling kind of „transform“ while you move by rather quickly because you change the angle of view more drastically. 
 
 © Stefan Wülser
C.Stefan Wülse
 
由于这一几何感知现象是主导的空间观念-所有其他要素的沙龙被剥离到其功能的最小。灯和插头挂在天花板上。黑线既不接触地板也不接触天花板。没有什么能从墙上出来,因为我们想要这个像空间一样的临时画廊。我们还为沙龙设计了一系列特殊的镜子,这些镜子总是成对称的。前面有一面镜子-后排是摆杂志和饮料的桌子。从结构的角度看,空间后面的现有柱更厚。但它赋予整个空间以重量和中心-它是对所有重复部分的欢迎干扰,并强调木质天花板和墙壁的稀薄性。
Since this geometric perception phenomena is the dominating spatial idea – all the other elements of the salon are stripped to their very functional minimum. The lights and the plugs hang from the ceiling. Black wires not touching neither floor nor ceiling. Nothing comes out of walls since we wanted this temporary – artgallery like space. We also designed a specific series of mirrors for the salon which always comes in symmetrical pairs. While there is the mirror on the frontside – the back serves as a table to place magazines and drinks. The existing column in the back of the space is thicker then it should be from a structural point of view. But it gives weight and centres to the whole space – it is a welcoming disturbance to all the repeating parts and emphasizes the thinness of the wooden ceiling and walls.
 © Stefan Wülser
C.Stefan Wülse
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Wuelser Bechtel Architekten
Location Zürich, Switzerland
Category Services
Architects in Charge Stefan Wülser, Nicolaj Bechtel, Daniel Klinger (PL)
Area 85.0 m2
Project Year 2016
Photographs Stefan Wülser
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