Cañete Productive House Seinfeld Arquitectos
2016-11-29 09:00
架构师提供的文本描述。我们的戒律:露西的房屋工程,他在2007年皮斯科地震中失去了一切。这是一部充满苦难的生活戏剧的一个例子,它与许多其他剧集一样,遭受着扩展和不计划的后果这个项目应该通过自我建设和家庭参与来发展。如今,卡尼特生产屋假装是一个积极的经验,露西和所有的困境将有新的生活成就。为了避免当地电能生产的困难,我们与埃里希·萨托内和米歇尔·普鲁茨基进行了专门的调查,以便利用天气条件将绿色能源引入房屋。
Text description provided by the architects. Our commandment: a house project for Lucy, who lost everything during Pisco earthqueake on 2007. It is an example of a poblation living drama that suffers, as many others, the consequences of expanding and nonplaning through the abstent of a place to live and social and fisical support. This project should have developed by selfconstruction and family involvement. Nowadays, Cañete Productive House pretends to be a positive experience where Lucy and all the poblation will have new life achievements. In order to avoid the local difficulties about electric energy production, we are making an especific investigation with Erich Saettone and Michelle Prutsky that allows the introduction of green energy into houses taking advantage of the weather conditions.
该项目位于秘鲁利马市的卡诺特省。城市结构沿着一条被覆盖的、受损的主要街道、废弃的象征等所占据,我们可以在秘鲁海岸的白话房屋特征中找到两种情况:首先,露台作为生活的发电机,是由于天气的缘故。虽然,阿拉尔:房子和街道之间的一个中间的空间,作为一个社区生活组织。卢修斯回忆了她与外部(她的庭院)的关系,以完成她的日常活动,消除了内部的外部界限。此外,由于不安全,避免了私人房屋和街道之间的相互重叠的空间,因此,冲突关系已经结束。
This project is located at the province of Cañete in the city of Lima, Peru. The urban structure takes position along a covered and damaged main street, symbol of the abandonment. We can find two situations in vernacular houses characteristics of the peruvian coast: First, the patio as a living generator in consequence of the weather. Although, the ALAR: an intermidiate space beetween the house and the street, as a neighbourhood life organizator. This situation will be endorsed by Lucys memories about her relationship with the exterior (her patio) to do her daily activities , disolving the interior-exterior limits. Furthermore, the poblation relationship has ended because of the insecurity that avoids intermidate spaces beetween private houses and streets.
因此,我们提出了有影响的解决方案和街道振兴。这就是为什么我们的第一项措施是在房屋正面刻上一个前露台,以建立过渡性关系,同时以商业活动为基础,改造街道的正面,使家庭获得经济收入。因此,我们希望居住者能够接触到他们的公共关系,提高他们的生活质量。其结果是,“阿拉尔”通过一个为他们的社区提供影子和街道活动的城市动员,成为对场地建筑的重新解释。
In consequence, we propose influently solutions and the street invigoration. That is why our first measure is a front patio carved in the house facade to establish transitional relations, while reforcing the street with a front side based in comercial activities for the family to get economic incomes. Therefore, we hope habitants can reach their public relations and improving their life quality. As a result, the “Alar” has been made as a reinterpretation of the site architecture through an urban mobiliary which offers shadow and street activities for their community.
卡尼埃生产的房子出生于发育阶段,肥胖是由于经济状况。第一阶段,即地面一级,将用于任何经济活动,并将成为亲密家庭的家园:母亲、女儿和孙子。此外,第二阶段还寻求开发两个可在二楼租用的住房单元,并改善场地的使用。例如,服务将在其中完成的潮湿区域。第一阶段已经完成。该项目的干预将开始插入三个天井,这将是不连续(间或)穿越,同时产生空和充分的空间,提供外部生活区域。此外,它还将加强家庭成员之间的情感关系,限制家庭成员之间的私人和情感界限,从而使他们能够回忆起他们过去的生活,从而允许新型的情感和空间关系。
Cañete Productive House borns for the stage development necesity because of the economic posibilities. The first stage, on ground level, will be used for any economic activity and will home to the intimate family: mother, daughters and the grandson. Moreover, the second stage seeks the development of two housing units available to be rented on the second floor and to improve the site use. For instance, a damp zone where the services will be done. The first stage has already been done. The project intervention will start inserting three patios which will be uncontinously (inttermitently) crossed through, while producing empty and full spaces that offers exterior life areas. Besides of that, it will fortify afective relations and restrict private and colective limits beetween every family house member, so they could remember what they have lived in the past to allow new kinds of afective and spacial relations.
在露西生活的困难时期之后,我们决定和她合作来拯救房子的DNA。记忆是老人团圆的基本关系结构,可以恢复房子和后边小溪之间的旧联系。因此,我们很难想象通过内部和外部(露台)空间来寻找小溪和房屋之间的老链接。就像露西告诉我们的那样,她的孩子们成长的地方,曾经是玩耍的地方。
After the difficult times lived by Lucy, we decided to work cooperatively with her to rescue the house DNA. The memories work as a fundamental relation structure for old members reunion, so it will recover the old link beetween the house and the back side creek. Therefore, we tough about the posibility to visualy go through the interior and exterior (patios) spaces to look for the old link beetween the creek and the houses. As Lucy told us, the old place where her kids grew up and used to play.
我们恢复了旧的当地甘蔗针织面料的工作,为房屋围封,使我们可以画一个纹理,与阴影提醒时间和甜点的条件。这些格子将标志着公共街道范围和小溪与房子之间的模糊界限。这是与露西对话结束一些安全神话的结果。土坯一直是该遗址的主要建筑材料,但由于使用不当而造成的破坏标志使我们不愿将其视为一种建设可能性。因此,我们决定使用一个简单的框架系统,并为当地人民所熟知,他们将在施工过程中提供帮助。
We recovered the old local cane knitted fabric job for houses enclosures, allowing us to draw a texture which reminds with the shadows the time and the dessert condition. The lattices will mark difusive limits beetween the public street scope and the creek with the house. This is the result of conversations with Lucy to end some security myths. The adobe has been the principal constructing material of the site, however the destruction mark caused by the bad use of it avoid us to consider it as a contructing possibility. Ergo, we decided to use a simple frame system and well know by the local people, who will help with the construction process.
因此,我们决定使用裸露砖来显明材料,减少结果和施工过程。最终,这个项目的性质和天气让我们能够利用诸如南风这样的能量来利用发达的螺旋来产生能量,而反复无常的阳光则是使用太阳能三轮车的保证。还有一个装有铜管的瓶子系统来加热水。
Consequently, we decided to use exposed bricks to make evident the material, reduce the outcomes and construction process. And eventually, the project nature and the weather allowed us to work with pasive energies such as the southern wind to produce energy by the developed helixes, and the countinously sunning that is a guarantee for using solar pannels. Altough, a bottle system with copper pipes to warm the water.
Architects Seinfeld Arquitectos
Location Nuevo Imperial, Peru
Arquitecto a cargo Cynthia Seinfeld
Investigation project IDIC universidad de Lima
Photographs Juan Solano Ojasi
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