© Kenichi Suzuki

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架构师提供的文本描述。这些天来，我们正在失去对我们的主要主题的关注。也许当我们讨论虚拟空间的含义时，我们需要包括周围的边距。

Text description provided by the architects. These days, we are losing focus of our main theme. Perhaps we need to include the surrounding margins when we address the meanings of virtualized space.

 © Kenichi Suzuki

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""..如果我们的现实的经验是保持它的一致性，现实的积极的领域必须是"缝合"以受试者（MIS）视为阳性实体的补充，但有效地"负幅度。"-SlavojZizek

"...If our experience of reality is to maintain its consistency, the positive field of reality has to be "sutured" with a supplement which the subject (mis)perceives as a positive entity but is effectively a "negative magnitude." - Slavoj Zizek

 © Kenichi Suzuki

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陛下只需步行几分钟就可到达奥利公园，福冈城堡的外护城河在17世纪就曾矗立在那里。今天，该地区已成为社区公园，周长约2公里，当地人喜欢在这里聊天、跑步和骑自行车。公园也是一个文化区，里面有艺术博物馆、Noh剧院、画廊和餐厅。

The sire is only a few minutes walk from the Ohori Park, where the outer moat of the Fukuoka Castle used to stand during the 1600s. Today, the area has become community park with a perimeter of about 2km, enjoyed by locals as a place for talking, running, and cycling. The park is also a cultural region containing an art museum, Noh theater, gallery, and restaurant.

在此背景下，一楼和庭院被设计成一个画廊，它包含了“漂亮的汽车作为一种生活方式”的概念。这座房子的中心是庭院，里面有橡树、枫树、小苏拉和灰烬等吸引人的树木，其设计目的是使它与外部世界脱节。然而，面对庭院的地板和墙面在不同的地方有不同的角度来转换和传播光线。不同的空间围绕在庭院的U形贯穿整个三层，每一个提供一个内部的看法，可以从不同的区域可以看到。

Following this context, the first floor and courtyard were designed as a gallery the embraces the concept of "beautiful cars as a lifestyle." The house centers around the courtyard that features a selection o attractive trees such as oak, maple, katsura, and ash, and is designed so that it is disconnected from the outside world. The floor and wall surfaces that face the courtyard, however, have different angles in various places to transform and spread light. Various spaces surround the courtyard in a U-shape throughout the three levels, each offering a view of the inside that can be seen from the different zones.

周边环境单调，中高层建筑层次分明，项目视野广阔.该设计重点在于将房子定义为与普通前景隔绝的一对独特的夫妇，并明确而合理地屏蔽其环境。

The surrounding environment is monotonous with clustering mid-rise structures, and the project has no distant views. The design emphatically focuses n defining the house as a distinctive couple cut off from the ordinary foreground, and to explicitly yet reasonably screen its environment.

在功能上，两个角度的内部和外部空间都包含了许多地方的波动和变化。大量的eoxand，合同，并继续，并成为统一的项目，通过使用材料和纹理。这对夫妇，孩子和祖母。每个家庭成员都享受生活，根据自己的品味和风格。

While functional, both interior ad exterior spaces of ANGLE contain fluctuation and variations in many places. Volumes eoxand, contract, and continue, and the project becomes unified, through the use of material and texture . The couple, the children, and the grandmother. Each member of the family enjoys life ; according to their own taste and style.

 © Kenichi Suzuki

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Architects Hiroyuki Arima + Urban Fourth

Location Fukuoka, Japan

Category Houses

Architect in Charge Hiroyuki Arima

Area 496.0 m2

Project Year 2016

Photographs Kenichi Suzuki