建筑师提供的文字说明。在老Pinakohek前面的大自由广场的非凡的城市发展使得可以关闭这个广场，在南部有一个慷慨的安静的建筑，这大约占据了北方的老皮克诺特(Pinakohek)的比例，在那里新的建筑位于那里。根据旧皮克诺特的横向强调，它有其空间限制的Risalits和Avenue，是位于新楼东部和埃及艺术博物馆入口处的影视大学的入口，它被埋在绿色前院下面的考古发掘中。

Text description provided by the architects. The extraordinary urban development with the large free square in front of the Old Pinakothek made it possible to close this square with a generous, quiet building in the south, which takes up approximately the proportion of the Old Pinakothek, vis-à-vis in the north, where the new building lies. In accordance with the lateral emphasis of the Old Pinakothek with its space-limiting risalits and avenue, is the entrance to the University of Film and Television located in the east of the new building and in the west the entrance to the State Museum of Egyptian Art, which is buried like an archaeological excavation underneath the green forecourt.

 © Dieter Leistner

迪特尔·莱斯特纳

大学的门厅邀请公众使用图书馆、电影放映、讲座和节日等众多设施和活动-这是该建筑石座上的一个大开口。公共空间一直延伸到大楼内，周围环绕着电影院、会议室、自助餐厅和图书馆。与外向的门厅不同，工作室位于受保护的混凝土基础上，以确保工作的集中和保护。在玻璃上层，较小的办公室和类似办公室的用途是可以容纳的。

The public is invited to use the numerous facilities and events like the library, movie screenings, lectures and festivals by the Foyer of the University- a large opening in the stone pedestal of the building. The public space continues inside the building, where it is surrounded by cinemas, seminar rooms, the cafeteria and a library. In contrast to the extroverted foyer, the studios are located in the protected concrete base to ensure a concentrated and protected work. In the glass upper floors, smaller offices and office-like uses are accommodated.

在博物馆里，我的目的是为那些珍贵的展品创造一个地方，在那里，古庙建筑群的气氛被翻译成现代建筑语言。彼得·博姆

"In the museum, my aim was to create a place for the precious exhibits, in which the atmosphere of ancient temple complexes, from which they are largely derived, is translated into a modern architectural language." Peter Böhm

 © Dieter Leistner

迪特尔·莱斯特纳

 Ground Floor Plan

 © Dieter Leistner

迪特尔·莱斯特纳

基座的大墙壁是用浅色的混凝土建造的，而埃及博物馆的墙壁则保持在更深、红色的花岗岩般的阴影中-这是一种在老皮纳可特克(加上多尔加斯特)中发现的着色游戏。双层玻璃的表面是一个啁啾的，闪烁的带，旋转的玻璃光盘和防晒板在不同的位置。埃及博物馆的入口处，标志着一个巨大的墙板，是通过一个独立的前厅，这是一个平面倾斜的斜坡设计。该博物馆位于地下，其房间集中在中庭周围，被切割成草坪区域，并用于展览用途。

The large walls of the pedestal are executed in a light, slightly ocher-colored concrete, while the wall of the Egyptian Museum is kept in a darker, red granite-like shade - a coloring game which is found in the Old Pinakothek (with the addition of Döllgast) . The double skin of the glass body of the upper floors is a chirping, flickering band with the light play of rotatable glass discs and sun protection lamellae in varying positions. The entrance to the Egyptian Museum, which is marked by a large wall slab, is reached via a separate forecourt, which is designed as a flat inclined ramp. The museum is based in the underground and its rooms are grouped around atrium, which is cut into the lawn area and is also used for exhibition purposes.

 © Dieter Leistner

迪特尔·莱斯特纳